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pittsburgh, pa
Bailen with Special Guest The Rad Trads

BAILEN’s gorgeous harmonies, striking arrangements and evocative songwriting springs from a very deep well. Growing up in NYC, the siblings, David, Daniel (twins!) and Julia Bailen were raised by their professional orchestral musician parents, and the young trio immersed themselves in a record collection that included Simon & Garfunkel, Joni Mitchell, Carole King and The Band. Their amazing three-part harmonies have been compared to The Staves and Fleet Foxes, however, on their debut album, Thrilled To Be Here, BAILEN have created something all their own. Produced by GRAMMY-Award winner John Congleton (St. Vincent, Manchester Orchestra, The War on Drugs), BAILEN’s shiny gleam and meticulous songcraft combine with the group’s unusual self-awareness, musicality and bite.

Named one of Sofar Sounds’ Artists to Watch in 2018, BAILEN has toured or collaborated with The Lone Bellow, Amos Lee and Joseph, among many others. Modern, melodic and soulful, BAILEN is twisting pop music in new directions, an undeniable, and welcome new arrival.

BAILEN’s gorgeous harmonies, striking arrangements and evocative songwriting springs from a very deep well. Growing up in NYC, the siblings, David, Daniel (twins!) and Julia Bailen were raised by their professional orchestral musician parents, and the young trio immersed themselves in a record collection that included Simon & Garfunkel, Joni Mitchell, Carole King and The Band. Their amazing three-part harmonies have been compared to The Staves and Fleet Foxes, however, on their debut album, Thrilled To Be Here, BAILEN have created something all their own. Produced by GRAMMY-Award winner John Congleton (St. Vincent, Manchester Orchestra, The War on Drugs), BAILEN’s shiny gleam and meticulous songcraft combine with the group’s unusual self-awareness, musicality and bite.

Named one of Sofar Sounds’ Artists to Watch in 2018, BAILEN has toured or collaborated with The Lone Bellow, Amos Lee and Joseph, among many others. Modern, melodic and soulful, BAILEN is twisting pop music in new directions, an undeniable, and welcome new arrival.

(Early Show) ***SOLD OUT*** Paul Thorn with Special Guest Alice Drinks the Kool Aid

Raised in Tupelo, Mississippi, among the same spirits (and some of the actual people) who nurtured the young Elvis generations before, Paul Thorn has rambled down back roads, battled four-time world champion boxer Roberto Duran on national television, signed with and been dropped by a major label, performed on stages with Bonnie Raitt, Mark Knopfler, Sting, and John Prine among many others, and made some of the most emotionally restless yet relatable music of our time. With 20 years of writing, touring, and entertaining under his belt, he shows no sign of slowing down with his new record, Don’t Let the Devil Ride, breaking genre barriers and topping charts, putting a new twist on his already-entertaining live show.

Raised in Tupelo, Mississippi, among the same spirits (and some of the actual people) who nurtured the young Elvis generations before, Paul Thorn has rambled down back roads, battled four-time world champion boxer Roberto Duran on national television, signed with and been dropped by a major label, performed on stages with Bonnie Raitt, Mark Knopfler, Sting, and John Prine among many others, and made some of the most emotionally restless yet relatable music of our time. With 20 years of writing, touring, and entertaining under his belt, he shows no sign of slowing down with his new record, Don’t Let the Devil Ride, breaking genre barriers and topping charts, putting a new twist on his already-entertaining live show.

***SOLD OUT*** (Late Show) Burning Bridges and Opus One Comedy Present The Boogie Monster with Kyle Kinane & Dave Stone

***SOLD OUT*** (Early Show) Burning Bridges and Opus One Comedy Present Todd Barry - Stand Up with Special Guests Wendy Wroblewski, Emily Walsh, Mike Corozza & Hosted by John Dick Winters

New York City-based comedian and actor Todd Barry is widely recognized for his roles as the bongo-playing "Third Conchord" on HBO's Flight of the Conchords and Mickey Rourke's deli boss in 2009 Oscar winner The Wrestler, and renowned throughout the entertainment industry for his nuanced, measured, and thoroughly original approach to stand-up. Drawing audience members in with his deadpan self-deprecation and ability to pile punchline upon punchline, his decidedly low-key stage persona belies a deeply intelligent, often biting, occasionally absurdist worldview, one lauded by discerning fans who seek a fresh yet honest update to traditional observation and social commentary.

Boasting multiple stand-up appearances on The Late Show with David Letterman, Late Night with Conan O'Brien, Jimmy Kimmel Live!, and two Comedy Central Presents specials, and his latest one hour Comedy Central special Super Crazy. Todd's resume also includes such hit TV shows as Louie, Delocated, Bored to Death, Tim and Eric, Chappelle's Show, Sex and the City, and even Sesame Street. Among his additional feature-film highlights are Todd Phillips's Road Trip, Louis CK's Pootie Tang, and Mitch Hedberg's Los Enchiladas. You can see him soon at Sigourney Weaver's right hand man in Amy Heckerling's Vamps, and as Paul Rudd's co-worker in David Wain's Wanderlust. Internationally he has performed at the Edinburgh Festival Fringe, the Melbourne International Comedy Festival, Montreal's Just For Laughs Festival, the Vancouver International Comedy Festival, and Kilkenny, Ireland's Cat Laughs Festival.

Todd has been heard on both The Howard Stern Show and The Bob & Tom Show, and his albums Medium Energy, Falling Off the Bone, and From Heaven are available from Comedy Central Records, Amazon and iTunes. He has earned the U.S. Comedy Arts Festival's Jury Award, praise from Ricky Gervais as one of the best comedians of 2009, and accolades from The Onion's A.V. Club, which declared Medium Energy one of the best comedy albums of the decade.

Todd was the subject of a recent New York Times Arts section cover story, which referred to him as a "master of standup" and noted "when it comes to live performance, few comics are more consistently funny."

In April 2013 the Todd Barry Podcast debuted. It reached #1 on the iT

"Comedy savants revere this Conan and Letterman veteran's hushed, singsong sarcasm." – Entertainment Weekly
"Piercing, blinding, slaying, violating wit." – NPR

"Infuses his observational comedy with a wonderfully individual disdain." – The Times of London

"He doesn't suffer fools, and fortunately for his comedy his definition of ‘fool' doesn't discriminate." – Pitchfork.com

"Acerbic wit, deadpan delivery and wickedly smart punchlines." – Time Out New York

"Barry is so beautifully arid he is positively parched." – London Evening Standard

"The success lies with the delivery, and in his ability to seamlessly merge ad-libbed material with his prepared schtick." – The Age, Melbourne


New York City-based comedian and actor Todd Barry is widely recognized for his roles as the bongo-playing "Third Conchord" on HBO's Flight of the Conchords and Mickey Rourke's deli boss in 2009 Oscar winner The Wrestler, and renowned throughout the entertainment industry for his nuanced, measured, and thoroughly original approach to stand-up. Drawing audience members in with his deadpan self-deprecation and ability to pile punchline upon punchline, his decidedly low-key stage persona belies a deeply intelligent, often biting, occasionally absurdist worldview, one lauded by discerning fans who seek a fresh yet honest update to traditional observation and social commentary.

Boasting multiple stand-up appearances on The Late Show with David Letterman, Late Night with Conan O'Brien, Jimmy Kimmel Live!, and two Comedy Central Presents specials, and his latest one hour Comedy Central special Super Crazy. Todd's resume also includes such hit TV shows as Louie, Delocated, Bored to Death, Tim and Eric, Chappelle's Show, Sex and the City, and even Sesame Street. Among his additional feature-film highlights are Todd Phillips's Road Trip, Louis CK's Pootie Tang, and Mitch Hedberg's Los Enchiladas. You can see him soon at Sigourney Weaver's right hand man in Amy Heckerling's Vamps, and as Paul Rudd's co-worker in David Wain's Wanderlust. Internationally he has performed at the Edinburgh Festival Fringe, the Melbourne International Comedy Festival, Montreal's Just For Laughs Festival, the Vancouver International Comedy Festival, and Kilkenny, Ireland's Cat Laughs Festival.

Todd has been heard on both The Howard Stern Show and The Bob & Tom Show, and his albums Medium Energy, Falling Off the Bone, and From Heaven are available from Comedy Central Records, Amazon and iTunes. He has earned the U.S. Comedy Arts Festival's Jury Award, praise from Ricky Gervais as one of the best comedians of 2009, and accolades from The Onion's A.V. Club, which declared Medium Energy one of the best comedy albums of the decade.

Todd was the subject of a recent New York Times Arts section cover story, which referred to him as a "master of standup" and noted "when it comes to live performance, few comics are more consistently funny."

In April 2013 the Todd Barry Podcast debuted. It reached #1 on the iT

"Comedy savants revere this Conan and Letterman veteran's hushed, singsong sarcasm." – Entertainment Weekly
"Piercing, blinding, slaying, violating wit." – NPR

"Infuses his observational comedy with a wonderfully individual disdain." – The Times of London

"He doesn't suffer fools, and fortunately for his comedy his definition of ‘fool' doesn't discriminate." – Pitchfork.com

"Acerbic wit, deadpan delivery and wickedly smart punchlines." – Time Out New York

"Barry is so beautifully arid he is positively parched." – London Evening Standard

"The success lies with the delivery, and in his ability to seamlessly merge ad-libbed material with his prepared schtick." – The Age, Melbourne


(Late Show) Burning Bridges and Opus One Comedy Present Todd Barry - Crowd Work with Special Guest John Dick Winters, Amanda Averell, Cherith Fuller & Hosted by Garrett Titlebaum

New York City-based comedian and actor Todd Barry is widely recognized for his roles as the bongo-playing "Third Conchord" on HBO's Flight of the Conchords and Mickey Rourke's deli boss in 2009 Oscar winner The Wrestler, and renowned throughout the entertainment industry for his nuanced, measured, and thoroughly original approach to stand-up. Drawing audience members in with his deadpan self-deprecation and ability to pile punchline upon punchline, his decidedly low-key stage persona belies a deeply intelligent, often biting, occasionally absurdist worldview, one lauded by discerning fans who seek a fresh yet honest update to traditional observation and social commentary.

Boasting multiple stand-up appearances on The Late Show with David Letterman, Late Night with Conan O'Brien, Jimmy Kimmel Live!, and two Comedy Central Presents specials, and his latest one hour Comedy Central special Super Crazy. Todd's resume also includes such hit TV shows as Louie, Delocated, Bored to Death, Tim and Eric, Chappelle's Show, Sex and the City, and even Sesame Street. Among his additional feature-film highlights are Todd Phillips's Road Trip, Louis CK's Pootie Tang, and Mitch Hedberg's Los Enchiladas. You can see him soon at Sigourney Weaver's right hand man in Amy Heckerling's Vamps, and as Paul Rudd's co-worker in David Wain's Wanderlust. Internationally he has performed at the Edinburgh Festival Fringe, the Melbourne International Comedy Festival, Montreal's Just For Laughs Festival, the Vancouver International Comedy Festival, and Kilkenny, Ireland's Cat Laughs Festival.

Todd has been heard on both The Howard Stern Show and The Bob & Tom Show, and his albums Medium Energy, Falling Off the Bone, and From Heaven are available from Comedy Central Records, Amazon and iTunes. He has earned the U.S. Comedy Arts Festival's Jury Award, praise from Ricky Gervais as one of the best comedians of 2009, and accolades from The Onion's A.V. Club, which declared Medium Energy one of the best comedy albums of the decade.

Todd was the subject of a recent New York Times Arts section cover story, which referred to him as a "master of standup" and noted "when it comes to live performance, few comics are more consistently funny."

In April 2013 the Todd Barry Podcast debuted. It reached #1 on the iT

"Comedy savants revere this Conan and Letterman veteran's hushed, singsong sarcasm." – Entertainment Weekly
"Piercing, blinding, slaying, violating wit." – NPR

"Infuses his observational comedy with a wonderfully individual disdain." – The Times of London

"He doesn't suffer fools, and fortunately for his comedy his definition of ‘fool' doesn't discriminate." – Pitchfork.com

"Acerbic wit, deadpan delivery and wickedly smart punchlines." – Time Out New York

"Barry is so beautifully arid he is positively parched." – London Evening Standard

"The success lies with the delivery, and in his ability to seamlessly merge ad-libbed material with his prepared schtick." – The Age, Melbourne


New York City-based comedian and actor Todd Barry is widely recognized for his roles as the bongo-playing "Third Conchord" on HBO's Flight of the Conchords and Mickey Rourke's deli boss in 2009 Oscar winner The Wrestler, and renowned throughout the entertainment industry for his nuanced, measured, and thoroughly original approach to stand-up. Drawing audience members in with his deadpan self-deprecation and ability to pile punchline upon punchline, his decidedly low-key stage persona belies a deeply intelligent, often biting, occasionally absurdist worldview, one lauded by discerning fans who seek a fresh yet honest update to traditional observation and social commentary.

Boasting multiple stand-up appearances on The Late Show with David Letterman, Late Night with Conan O'Brien, Jimmy Kimmel Live!, and two Comedy Central Presents specials, and his latest one hour Comedy Central special Super Crazy. Todd's resume also includes such hit TV shows as Louie, Delocated, Bored to Death, Tim and Eric, Chappelle's Show, Sex and the City, and even Sesame Street. Among his additional feature-film highlights are Todd Phillips's Road Trip, Louis CK's Pootie Tang, and Mitch Hedberg's Los Enchiladas. You can see him soon at Sigourney Weaver's right hand man in Amy Heckerling's Vamps, and as Paul Rudd's co-worker in David Wain's Wanderlust. Internationally he has performed at the Edinburgh Festival Fringe, the Melbourne International Comedy Festival, Montreal's Just For Laughs Festival, the Vancouver International Comedy Festival, and Kilkenny, Ireland's Cat Laughs Festival.

Todd has been heard on both The Howard Stern Show and The Bob & Tom Show, and his albums Medium Energy, Falling Off the Bone, and From Heaven are available from Comedy Central Records, Amazon and iTunes. He has earned the U.S. Comedy Arts Festival's Jury Award, praise from Ricky Gervais as one of the best comedians of 2009, and accolades from The Onion's A.V. Club, which declared Medium Energy one of the best comedy albums of the decade.

Todd was the subject of a recent New York Times Arts section cover story, which referred to him as a "master of standup" and noted "when it comes to live performance, few comics are more consistently funny."

In April 2013 the Todd Barry Podcast debuted. It reached #1 on the iT

"Comedy savants revere this Conan and Letterman veteran's hushed, singsong sarcasm." – Entertainment Weekly
"Piercing, blinding, slaying, violating wit." – NPR

"Infuses his observational comedy with a wonderfully individual disdain." – The Times of London

"He doesn't suffer fools, and fortunately for his comedy his definition of ‘fool' doesn't discriminate." – Pitchfork.com

"Acerbic wit, deadpan delivery and wickedly smart punchlines." – Time Out New York

"Barry is so beautifully arid he is positively parched." – London Evening Standard

"The success lies with the delivery, and in his ability to seamlessly merge ad-libbed material with his prepared schtick." – The Age, Melbourne


(Postponed to June 14) Tony MacAlpine 'The Electric Illusionist' Tour Featuring Special Guests Jacky Vincent and Lonero - Presented by Opus One & Iron City Rocks

This show has been rescheduled to June 14 - all tickets honored

This show has been rescheduled to June 14 - all tickets honored

Mike and the Moonpies with Special Guest Jim Yoss

Blue collar honky tonk heroes from Austin Texas. The working man's working band.
"Steak Night at the Prairie Rose" was recently listed at #17 on Rolling Stone’s Best Country/Americana Albums of 2018

Blue collar honky tonk heroes from Austin Texas. The working man's working band.
"Steak Night at the Prairie Rose" was recently listed at #17 on Rolling Stone’s Best Country/Americana Albums of 2018

Plague Vendor with Special Guest Ugly Blondes

Time as a band breeds experience, yielding commitment to a cause and cementing a career path. This is something Plague Vendor has learned. The foursome, who emerged from a practice space in Whittier, CA in 2009, started by playing endless live shows around Southern California, filling everywhere from backyard parties to clubs to festivals with their raucous, formidable music. At the heart of every show, no matter the venue, was sincere energy and spirit, always resulting in a snarling, frenetic performance. The shows stacked up, accumulating every year, and eventually birthed Plague Vendor’s 2014 debut album Free To Eat, a dark, thrashing collection that clocked in at less than twenty minutes.

But the album, brash and aptly terse, was just an appetizer to the main course. The band’s sophomore effort, Bloodsweat, vastly expands on the sonic territory explored in their debut. Recorded over the course of two weeks in April of 2015 with producer and engineer Stuart Sikes (The Walkmen, Cat Power, Modest Mouse), the album takes a natural approach to Plague Vendor’s music. The musicians aimed to capture each track in as few takes as possible, avoiding many overdubs and embracing the same minimal production they bring to their live performances. Nearly all of the eleven songs on Bloodsweat were heavily road-tested, imagined and re-imagined live before ever making it into the studio.

From opening number “Anchor To Ankles” to closer “Got It Bad,” Bloodsweat reveals a purposeful narrative arc, taking the listener through songs that veer rapidly from aggressive thrash to melodic introspection. Together, the songs recount the last few years of the musicians’ lives, revealing the sacrifices they’ve made and the dedication they’ve embraced to become the band they’ve become. “Jezebel,” the disc’s flagship single, exemplifies the style Plague Vendor has dubbed “voodoo punk” a dance-fueled rock aesthetic tinged with shadowy darkness. The band’s influences, which range from At the Drive-In to Liars to The Cramps, are apparent but not overly obvious throughout.

Plague Vendor’s live show has shifted as they’ve developed these new songs, too. They’ve swapped out shock value for raw vulnerability onstage and the four musicians aim to create the most sound and the most intensity with the least possible utility and equipment. Palpable tension comes from the sense that anything could happen, but mostly Plague Vendor is interested in simplicity and the sort of expressive nakedness that can come from stripping everything away. It’s clear the band has sacrificed their formative don’t-give-a-fuck punk attitude for sincerity and gratitude, acknowledging the fans who’ve helped them arrive here now.

Bloodsweat invokes its own name as it unfurls, its songs edged with a sense of danger and vulnerability. It’s the product of a band who have traveled far and whose travels have committed them even further to themselves. As you hear it, as its songs surge outward, it announces: This is who Plague Vendor is now.

Plague Vendor is:

Brandon Blaine – Vocals
Luke Perine – Drums
Michael Perez – Bass
Jay Rogers – Guitar

Time as a band breeds experience, yielding commitment to a cause and cementing a career path. This is something Plague Vendor has learned. The foursome, who emerged from a practice space in Whittier, CA in 2009, started by playing endless live shows around Southern California, filling everywhere from backyard parties to clubs to festivals with their raucous, formidable music. At the heart of every show, no matter the venue, was sincere energy and spirit, always resulting in a snarling, frenetic performance. The shows stacked up, accumulating every year, and eventually birthed Plague Vendor’s 2014 debut album Free To Eat, a dark, thrashing collection that clocked in at less than twenty minutes.

But the album, brash and aptly terse, was just an appetizer to the main course. The band’s sophomore effort, Bloodsweat, vastly expands on the sonic territory explored in their debut. Recorded over the course of two weeks in April of 2015 with producer and engineer Stuart Sikes (The Walkmen, Cat Power, Modest Mouse), the album takes a natural approach to Plague Vendor’s music. The musicians aimed to capture each track in as few takes as possible, avoiding many overdubs and embracing the same minimal production they bring to their live performances. Nearly all of the eleven songs on Bloodsweat were heavily road-tested, imagined and re-imagined live before ever making it into the studio.

From opening number “Anchor To Ankles” to closer “Got It Bad,” Bloodsweat reveals a purposeful narrative arc, taking the listener through songs that veer rapidly from aggressive thrash to melodic introspection. Together, the songs recount the last few years of the musicians’ lives, revealing the sacrifices they’ve made and the dedication they’ve embraced to become the band they’ve become. “Jezebel,” the disc’s flagship single, exemplifies the style Plague Vendor has dubbed “voodoo punk” a dance-fueled rock aesthetic tinged with shadowy darkness. The band’s influences, which range from At the Drive-In to Liars to The Cramps, are apparent but not overly obvious throughout.

Plague Vendor’s live show has shifted as they’ve developed these new songs, too. They’ve swapped out shock value for raw vulnerability onstage and the four musicians aim to create the most sound and the most intensity with the least possible utility and equipment. Palpable tension comes from the sense that anything could happen, but mostly Plague Vendor is interested in simplicity and the sort of expressive nakedness that can come from stripping everything away. It’s clear the band has sacrificed their formative don’t-give-a-fuck punk attitude for sincerity and gratitude, acknowledging the fans who’ve helped them arrive here now.

Bloodsweat invokes its own name as it unfurls, its songs edged with a sense of danger and vulnerability. It’s the product of a band who have traveled far and whose travels have committed them even further to themselves. As you hear it, as its songs surge outward, it announces: This is who Plague Vendor is now.

Plague Vendor is:

Brandon Blaine – Vocals
Luke Perine – Drums
Michael Perez – Bass
Jay Rogers – Guitar

Daniel Donato with Special Guest Single Jo

Instrumentalists bear the burden of communicating musical ideas without the aid of lyrics or storytelling proper. For many years, that’s how 2018 Americana Award nominee Daniel Donato operated as the guitarist for Nashville acts like The Wild Feathers, Paul Cauthen and The Don Kelley Band.
From age 14, Donato has developed his brand of crisp, soulful, on-the-edge telecaster picking under bar lights, honing his skills and proving his mettle within the city’s prominent live music scene. All the while, a growing love of songwriting mirrored the pace of his ever-improving guitar chops.
Now, a short three years after his departure from Kelley’s classic country outfit, the 23-year-old is signed to WME as an artist with a docket of jam-ready country and bluegrass songs. Backed by his three-piece “Cosmic Country Band” ¬¬– cosmic country is a catch-all term for experimental roots music, often assisted by electronic sounds – Donato stands at the frontier of his career with characteristic intrepidity, no longer bounded by the expressive limitations of his instrument.
His strident voice and explorative songwriting carry his music into new territory, offering bold ideas to his fan base while staying true to what drew them to him in the first place: a palpable love of music delivered through excelled craft. With one eye on the night’s gig and another on the ages, Donato is continuing his journey down country music’s long and winding road, leaving no stone unturned.

Instrumentalists bear the burden of communicating musical ideas without the aid of lyrics or storytelling proper. For many years, that’s how 2018 Americana Award nominee Daniel Donato operated as the guitarist for Nashville acts like The Wild Feathers, Paul Cauthen and The Don Kelley Band.
From age 14, Donato has developed his brand of crisp, soulful, on-the-edge telecaster picking under bar lights, honing his skills and proving his mettle within the city’s prominent live music scene. All the while, a growing love of songwriting mirrored the pace of his ever-improving guitar chops.
Now, a short three years after his departure from Kelley’s classic country outfit, the 23-year-old is signed to WME as an artist with a docket of jam-ready country and bluegrass songs. Backed by his three-piece “Cosmic Country Band” ¬¬– cosmic country is a catch-all term for experimental roots music, often assisted by electronic sounds – Donato stands at the frontier of his career with characteristic intrepidity, no longer bounded by the expressive limitations of his instrument.
His strident voice and explorative songwriting carry his music into new territory, offering bold ideas to his fan base while staying true to what drew them to him in the first place: a palpable love of music delivered through excelled craft. With one eye on the night’s gig and another on the ages, Donato is continuing his journey down country music’s long and winding road, leaving no stone unturned.

The Reverend Peyton's Big Damn Band with Special Guest Smokey Bellows

2019 BMA Award Nominee The Reverend Peyton's Big Damn Band are the greatest country-blues band in the world. Led by Reverend Peyton, who most consider to be the premier finger picker playing today. He has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour and David “Honeyboy” Edwards. Now The Big Damn Band is back with an explosive new record and world tour. Reverend Peyton's guitar work on the new record Poor Until Payday is phenomenal and howls the blues. Poor Until Payday is a bluesy ode to the blue collar - working class and it delvers in spades!

2019 BMA Award Nominee The Reverend Peyton's Big Damn Band are the greatest country-blues band in the world. Led by Reverend Peyton, who most consider to be the premier finger picker playing today. He has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour and David “Honeyboy” Edwards. Now The Big Damn Band is back with an explosive new record and world tour. Reverend Peyton's guitar work on the new record Poor Until Payday is phenomenal and howls the blues. Poor Until Payday is a bluesy ode to the blue collar - working class and it delvers in spades!

@clubcafelive

56-58 South 12th Street, Pittsburgh PA 15203 (In Pittsburgh’s Historic South Side)