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(Rescheduled from 2020 and June 4 & Sept 11, 2021) - (Early Show) An Evening With Steve Forbert

This show has been rescheduled from May 2 and Oct 3, 2020 and June 4, 2021 - all tickets honored

Steve Forbert's folk-rock career has spanned four decades and counting. In June 1976, the twenty-one year old boarded a train in Meridian, Mississippi bound for New York City, then the epicenter of folk music. His combination of musicianship and authenticity demanded notice. In less than two years, he went from being a street performer and living at the YMCA to filling historic Greenwich Village clubs and signing a major label record contract with Nemperor Records.

From 1978 to 1982, Forbert released four acclaimed albums. Rolling Stone contributing editor David Wild wrote that "now or then, you would be hard-pressed to find a debut effort that was simultaneously as fresh and accomplished as Alive on Arrival . . . it was like a great first novel by a young author who somehow managed to split the difference between Mark Twain and J.D. Salinger.'

Forbert's second studio release, Jackrabbit Slim went RIAA Gold Certified with its Billboard #11 hit "Romeo's Tune". Recording success vaulted Steve onto a broader musical stage, touring the U.S. and Europe many times over. Forbert even appeared opposite Cyndi Lauper in her music video for "Girls Just Wanna Have Fun.' His early accomplishments would be a career for most artists, but he continues to write, record, and perform to this day. His artistic pursuit has resulted in twenty studio albums and numerous live releases, compilations, and accolades. His songs have been recorded by Keith Urban, Rosanne Cash and Marty Stuart.

Any Old Time, a retrospective of the music of Meridian's Jimmie Rodgers, received a 2003 Grammy nomination for Best Traditional Folk Album. As Rodgers' music has inspired Forbert, so has Forbert's music influenced a new generation of artists.

In 2017, twenty-one artists paid tribute to Steve by recording a compilation titled: An American Troubadour: The Songs of Steve Forbert, further validating his artistic legacy. Forbert's 2018 memoir Big City Cat: My Life in Folk-Rock serves as a primer for young musicians setting out on their own journeys.

...His perspective on what life was like for a 20-something recently arrived in NYC is sharp. Forbert offers a sparkling observation about the pull of music as excellent as any I have seen,' said Entertainment Today.

Forbert's latest studio album release The Magic Tree serves as sound track to his memoir. The album rings with the verve and vitality that Forbert's fans have always come to expect. The Magic Tree underscores what revered critic the late Paul Nelson wrote about Forbert in Rolling Stone almost 40 years ago 'Nothing, nothing in this world, is going to stop Steve Forbert, and on that I'll bet anything you'd care to wager.'

Anyone who reviews Steve's catalogue of music can see the writer in the musician. His songs are as literary as they are musically vibrant. Brutally honest lyrics delivered with sensitivity create an uncommon trust with his listeners. Excelling in every decade of his career, Forbert exemplifies the best of the troubadour tradition.

This show has been rescheduled from May 2 and Oct 3, 2020 and June 4, 2021 - all tickets honored

Steve Forbert's folk-rock career has spanned four decades and counting. In June 1976, the twenty-one year old boarded a train in Meridian, Mississippi bound for New York City, then the epicenter of folk music. His combination of musicianship and authenticity demanded notice. In less than two years, he went from being a street performer and living at the YMCA to filling historic Greenwich Village clubs and signing a major label record contract with Nemperor Records.

From 1978 to 1982, Forbert released four acclaimed albums. Rolling Stone contributing editor David Wild wrote that "now or then, you would be hard-pressed to find a debut effort that was simultaneously as fresh and accomplished as Alive on Arrival . . . it was like a great first novel by a young author who somehow managed to split the difference between Mark Twain and J.D. Salinger.'

Forbert's second studio release, Jackrabbit Slim went RIAA Gold Certified with its Billboard #11 hit "Romeo's Tune". Recording success vaulted Steve onto a broader musical stage, touring the U.S. and Europe many times over. Forbert even appeared opposite Cyndi Lauper in her music video for "Girls Just Wanna Have Fun.' His early accomplishments would be a career for most artists, but he continues to write, record, and perform to this day. His artistic pursuit has resulted in twenty studio albums and numerous live releases, compilations, and accolades. His songs have been recorded by Keith Urban, Rosanne Cash and Marty Stuart.

Any Old Time, a retrospective of the music of Meridian's Jimmie Rodgers, received a 2003 Grammy nomination for Best Traditional Folk Album. As Rodgers' music has inspired Forbert, so has Forbert's music influenced a new generation of artists.

In 2017, twenty-one artists paid tribute to Steve by recording a compilation titled: An American Troubadour: The Songs of Steve Forbert, further validating his artistic legacy. Forbert's 2018 memoir Big City Cat: My Life in Folk-Rock serves as a primer for young musicians setting out on their own journeys.

...His perspective on what life was like for a 20-something recently arrived in NYC is sharp. Forbert offers a sparkling observation about the pull of music as excellent as any I have seen,' said Entertainment Today.

Forbert's latest studio album release The Magic Tree serves as sound track to his memoir. The album rings with the verve and vitality that Forbert's fans have always come to expect. The Magic Tree underscores what revered critic the late Paul Nelson wrote about Forbert in Rolling Stone almost 40 years ago 'Nothing, nothing in this world, is going to stop Steve Forbert, and on that I'll bet anything you'd care to wager.'

Anyone who reviews Steve's catalogue of music can see the writer in the musician. His songs are as literary as they are musically vibrant. Brutally honest lyrics delivered with sensitivity create an uncommon trust with his listeners. Excelling in every decade of his career, Forbert exemplifies the best of the troubadour tradition.

(Rescheduled from 2020 and June 9, 2021) - An Evening With Charlie Hunter & Scott Amendola Duo

This show has been rescheduled from May 6, 2020 and July 22, 2020 and June 9, 2021 - all tickets honored

With a career spanning 16 years and almost 20 albums, Charlie Hunter consistently ups his game as an innovative writer and bandleader. He has worked with the likes of Norah Jones , Mos Def, John Mayer, D’Angelo and countless others. He is widely considered the authority on the seven and eight - string guitar, and continues to stun audiences with his ability to simultaneously bust out tasty bass parts, melodic leads and swinging rhythms.

Hunter has previously recorded for the venerable Blue Note label, Concord, Ropeadope, GroundUP and others. His recent independent venture is steered by his motivation to release music that most inspires him. Critics have touted his genius technique, but it's his profound artistic sensibility that propels his original music. Hunter's signature style of writing and performing has secured his place as one of today's great guitarists.

This show has been rescheduled from May 6, 2020 and July 22, 2020 and June 9, 2021 - all tickets honored

With a career spanning 16 years and almost 20 albums, Charlie Hunter consistently ups his game as an innovative writer and bandleader. He has worked with the likes of Norah Jones , Mos Def, John Mayer, D’Angelo and countless others. He is widely considered the authority on the seven and eight - string guitar, and continues to stun audiences with his ability to simultaneously bust out tasty bass parts, melodic leads and swinging rhythms.

Hunter has previously recorded for the venerable Blue Note label, Concord, Ropeadope, GroundUP and others. His recent independent venture is steered by his motivation to release music that most inspires him. Critics have touted his genius technique, but it's his profound artistic sensibility that propels his original music. Hunter's signature style of writing and performing has secured his place as one of today's great guitarists.

(Rescheduled from April 29, 2020 & October 28, 2020) - Willie Watson

This show has been postponed to 2021 - more info coming soon

For nearly two decades, Willie Watson has made modern folk music rooted in older traditions. He’s a folksinger in the classic sense: a singer, storyteller, and traveler, with a catalog of songs that bridge the gap between the past and present. On Folksinger Vol. 2, he acts as a modern interpreter of older songs, passing along his own version of the music that came long before him.

Southern gospel. Railroad songs. Delta blues. Irish fiddle tunes. Appalachian music. Folksinger Vol. 2 makes room for it all. Produced by David Rawlings, the album carries on a rich tradition in folk music: the sharing and swapping of old songs. Long ago, the 11 compositions that appear on Folksinger Vol. 2 were popularized by artists like Leadbelly, Reverend Gary Davis, Furry Lewis, and Bascom Lamar Lunsford. The songs don’t actually belong to those artists, though. They don’t belong to anyone. Instead, they’re part of the folk canon, passed from generation to generation by singers like Watson.

And what a singer he is. With a quick vibrato and rich range, he breathes new life into classic songs like “Samson and Delilah,” one of several songs featuring harmonies from gospel quartet the Fairfield Four. He’s a balladeer on “Gallows Pole,” whose melancholy melodies are echoed by the slow swells of a four-piece woodwind ensemble, and a bluesman on “When My Baby Left Me,” accompanying himself with sparse bursts of slide guitar. “Dry Bones” finds him crooning and hollering over a bouncing banjo, while “Take This Hammer” closes the album on a penitent note, with Watson singing to the heavens alongside a congregation of Sunday morning soul singers.

Arriving three years after Folksinger Vol. 1 — his first release since parting ways with the Old Crow Medicine Show, whose platinum-selling music helped jumpstart the 21st century folk revival — Vol. 2 expands Watson’s sound while consolidating his strengths. Several singers and sidemen make appearances here, including Gillian Welch, the Punch Brothers’ Paul Kowert, and Old Crow bandmate Morgan Jahnig. Even so, Watson has never sounded more commanding, more confident, more connected to the music that inspires him.

“I’m not trying to prove any point here,” he insists, “and I’m not trying to be a purist. There’s so much beauty in this old music, and it affects me on a deep level. It moves me and inspires me. I heard Leadbelly singing with the Golden Gate Quartet and it sounded fantastic, and I thought, ‘I want to do that.’ I heard the Grateful Dead doing their version of ‘On the Road Again,’ and it sounded like a dance party in 1926, and I wanted to do that, too. That’s the whole reason I ever played music in the first place — because it looked and sounded like it was going to be a lot of fun.”

Nodding to the past without resurrecting it, Willie Watson turns Folksinger Vol. 2 into something much more than an interpretation of older songs. The album carries on the spirit of a time nearly forgotten. It taps into the rich core of roots music. It furthers the legacy of American folk. And perhaps most importantly, it shows the full range of Willie Watson’s artistry, matching his instrumental and vocal chops with a strong appreciation for the songs that have shaped not only a genre, but an entire country.

This show has been postponed to 2021 - more info coming soon

For nearly two decades, Willie Watson has made modern folk music rooted in older traditions. He’s a folksinger in the classic sense: a singer, storyteller, and traveler, with a catalog of songs that bridge the gap between the past and present. On Folksinger Vol. 2, he acts as a modern interpreter of older songs, passing along his own version of the music that came long before him.

Southern gospel. Railroad songs. Delta blues. Irish fiddle tunes. Appalachian music. Folksinger Vol. 2 makes room for it all. Produced by David Rawlings, the album carries on a rich tradition in folk music: the sharing and swapping of old songs. Long ago, the 11 compositions that appear on Folksinger Vol. 2 were popularized by artists like Leadbelly, Reverend Gary Davis, Furry Lewis, and Bascom Lamar Lunsford. The songs don’t actually belong to those artists, though. They don’t belong to anyone. Instead, they’re part of the folk canon, passed from generation to generation by singers like Watson.

And what a singer he is. With a quick vibrato and rich range, he breathes new life into classic songs like “Samson and Delilah,” one of several songs featuring harmonies from gospel quartet the Fairfield Four. He’s a balladeer on “Gallows Pole,” whose melancholy melodies are echoed by the slow swells of a four-piece woodwind ensemble, and a bluesman on “When My Baby Left Me,” accompanying himself with sparse bursts of slide guitar. “Dry Bones” finds him crooning and hollering over a bouncing banjo, while “Take This Hammer” closes the album on a penitent note, with Watson singing to the heavens alongside a congregation of Sunday morning soul singers.

Arriving three years after Folksinger Vol. 1 — his first release since parting ways with the Old Crow Medicine Show, whose platinum-selling music helped jumpstart the 21st century folk revival — Vol. 2 expands Watson’s sound while consolidating his strengths. Several singers and sidemen make appearances here, including Gillian Welch, the Punch Brothers’ Paul Kowert, and Old Crow bandmate Morgan Jahnig. Even so, Watson has never sounded more commanding, more confident, more connected to the music that inspires him.

“I’m not trying to prove any point here,” he insists, “and I’m not trying to be a purist. There’s so much beauty in this old music, and it affects me on a deep level. It moves me and inspires me. I heard Leadbelly singing with the Golden Gate Quartet and it sounded fantastic, and I thought, ‘I want to do that.’ I heard the Grateful Dead doing their version of ‘On the Road Again,’ and it sounded like a dance party in 1926, and I wanted to do that, too. That’s the whole reason I ever played music in the first place — because it looked and sounded like it was going to be a lot of fun.”

Nodding to the past without resurrecting it, Willie Watson turns Folksinger Vol. 2 into something much more than an interpretation of older songs. The album carries on the spirit of a time nearly forgotten. It taps into the rich core of roots music. It furthers the legacy of American folk. And perhaps most importantly, it shows the full range of Willie Watson’s artistry, matching his instrumental and vocal chops with a strong appreciation for the songs that have shaped not only a genre, but an entire country.

(Rescheduled from Sept 28, 2020 and March 15, 2021) - Wishbone Ash 'Late To The Party 50th Tour'

Wishbone Ash celebrates a half-century of live twin-lead guitar power in 2020. Fans can look forward to enjoying repertoire from the band's vast catalog of exactly 101 unique releases with their new (28th) studio album "Coat of Arms" – 24 live albums, 43 compilations and box sets and five live DVDs, along with a DVD rockumentary (“This is Wishbone Ash”). Continually pushing their creative process, the band is taking this COVID-19 time of isolation to write their next release! "Music is the great healer and balm for us all," says Andy Powell. "It seems only appropriate, with immediate touring being postponed, for us to join together to reach for what may come in this incredible time."

https://WishboneAsh.lnk.to/CoatOfArms
The first single, “We Stand As One,” was officially released on Jan. 10. See the video at: https://youtu.be/87_t4ElxEfY.

The U.S. leg of the 50th anniversary tour completed on 13 March in Seattle, a center of the outbreak. The band felt it was important to play on, with all precautions of safety. Now their 2nd Leg of the U.S. Tour in September/October may be their next live concerts. "There will be an important time to come together in body," Powell says. "NOW is the time for us all to come together in Spirit."

WA US20 crop med res.jpg
From left to right: Bob Skeat, Andy Powell, Joe Crabtree, Mark Abrahams.

Formed in October 1969 in London, England, Wishbone Ash is one of the most influential guitar bands in the history of rock. Inspired equally by British folk traditions, American jazz and R&B, the group vaulted to public and critical acclaim, touring arenas, stadiums and theaters throughout Europe and the United States. Power and melody have made the Ash a hard act to follow, while they are currently being discovered by new generations of loyal rock fans.

Through the years the band has delved into various musical genres, from folk, blues and jazz to pedal-to-the-metal rock and electronica. Whatever the style, Wishbone Ash’s signature is the distinctive twin-melodic lead guitar interplay that has influenced such bands as Thin Lizzy, Lynyrd Skynyrd, Iron Maiden and, more recently, Opeth.

“The blueprint and musical roots that we laid down in the early 1970s must have been really strong to have lasted this long,” says founding member Andy Powell (guitar, vocals). “Every band needs a plan and most importantly, to find THEIR own sound.”

The 50th-anniversary tour officially kicked off in October 2019 with 31 shows in the UK, followed by January and early-February dates in Europe that included a package tour with Nazareth and Uriah Heep.

True road warriors, each year Wishbone Ash logs around 30,000 road miles, roughly equivalent to circumnavigating the earth.

“The band basically lives together year-round on the road, so we have a very strong level of communication that translates in our performances and recordings,” says Powell. A key ingredient in the band's recipe for success is a devoted fan base, many who have followed Wishbone Ash from the beginning, and which often includes their children and even grandchildren. “We value our fan community above all else,” Powell says.

In 2015, Powell released his musical memoir, “Eyes Wide Open: True Tales of a Wishbone Ash Warrior,” co-written with renowned Irish music journalist Colin Harper and available in Kindle and Apple iBook formats.

“I’ve seen a lot of changes in the music business and the world in general, as you can imagine,” Powell says. On looking back over the 50 years of the band, he muses, “Like all success stories, a career like this has its downs as well as its ups, and and the true ups can only be measured in this way.”

Wishbone Ash celebrates a half-century of live twin-lead guitar power in 2020. Fans can look forward to enjoying repertoire from the band's vast catalog of exactly 101 unique releases with their new (28th) studio album "Coat of Arms" – 24 live albums, 43 compilations and box sets and five live DVDs, along with a DVD rockumentary (“This is Wishbone Ash”). Continually pushing their creative process, the band is taking this COVID-19 time of isolation to write their next release! "Music is the great healer and balm for us all," says Andy Powell. "It seems only appropriate, with immediate touring being postponed, for us to join together to reach for what may come in this incredible time."

https://WishboneAsh.lnk.to/CoatOfArms
The first single, “We Stand As One,” was officially released on Jan. 10. See the video at: https://youtu.be/87_t4ElxEfY.

The U.S. leg of the 50th anniversary tour completed on 13 March in Seattle, a center of the outbreak. The band felt it was important to play on, with all precautions of safety. Now their 2nd Leg of the U.S. Tour in September/October may be their next live concerts. "There will be an important time to come together in body," Powell says. "NOW is the time for us all to come together in Spirit."

WA US20 crop med res.jpg
From left to right: Bob Skeat, Andy Powell, Joe Crabtree, Mark Abrahams.

Formed in October 1969 in London, England, Wishbone Ash is one of the most influential guitar bands in the history of rock. Inspired equally by British folk traditions, American jazz and R&B, the group vaulted to public and critical acclaim, touring arenas, stadiums and theaters throughout Europe and the United States. Power and melody have made the Ash a hard act to follow, while they are currently being discovered by new generations of loyal rock fans.

Through the years the band has delved into various musical genres, from folk, blues and jazz to pedal-to-the-metal rock and electronica. Whatever the style, Wishbone Ash’s signature is the distinctive twin-melodic lead guitar interplay that has influenced such bands as Thin Lizzy, Lynyrd Skynyrd, Iron Maiden and, more recently, Opeth.

“The blueprint and musical roots that we laid down in the early 1970s must have been really strong to have lasted this long,” says founding member Andy Powell (guitar, vocals). “Every band needs a plan and most importantly, to find THEIR own sound.”

The 50th-anniversary tour officially kicked off in October 2019 with 31 shows in the UK, followed by January and early-February dates in Europe that included a package tour with Nazareth and Uriah Heep.

True road warriors, each year Wishbone Ash logs around 30,000 road miles, roughly equivalent to circumnavigating the earth.

“The band basically lives together year-round on the road, so we have a very strong level of communication that translates in our performances and recordings,” says Powell. A key ingredient in the band's recipe for success is a devoted fan base, many who have followed Wishbone Ash from the beginning, and which often includes their children and even grandchildren. “We value our fan community above all else,” Powell says.

In 2015, Powell released his musical memoir, “Eyes Wide Open: True Tales of a Wishbone Ash Warrior,” co-written with renowned Irish music journalist Colin Harper and available in Kindle and Apple iBook formats.

“I’ve seen a lot of changes in the music business and the world in general, as you can imagine,” Powell says. On looking back over the 50 years of the band, he muses, “Like all success stories, a career like this has its downs as well as its ups, and and the true ups can only be measured in this way.”

(Rescheduled from August 8, 2020 and May 25, 2021) - David Archuleta - OK, All Right Tour

This show has been rescheduled from April 21 and August 8, 2020 and May 25, 2021 - all tickets honored

David Archuleta became a star when he was just 16 years old. In 2008, more than 30 million television viewers fell in love with his angelic voice and their 44 million votes made him runner-up in Season 7 of ‘American Idol.’

Soon after, David had his first single, ‘Crush’ debut at No. 2 on the Billboard Hot 100 chart the week of its release. According to Nielsen SoundScan, the track sold 166,000 downloads that first week in the U.S. and subsequently more than 1.92 million digital copies to become double platinum. Three months later, David’s self-titled album, ‘David Archuleta,’ went gold, selling more than 750,000 copies in the U.S., and more than 900,000 copies worldwide.

With a faithful social media following (3.5 million Facebook followers, 1.3 million on Twitter and over 290K on Instagram), David has toured all over the U.S., Canada, Asia and even performed in the Middle East for the U.S. troops. In 2017, he relocated to Nashville and released his seventh album ‘Postcards In The Sky’ featuring all original songs that he had a hand in writing. David says it was an album of finding his own voice and what mattered most to him, and would begin shaping the music to come.

After a 2nd Christmas album release in 2018 with ‘Winter in the Air,’ David has started working on his 9th project for 2020. “There has been a movement with understanding oneself, going to therapy. I’ve been one of those people on that train and been discovering a lot about why I have these battles in my head, and how to separate myself from the negativity that can flood the mind a lot. I wanted to write about those battles, and I’ve been determined to show that we can win when the negativity and anxiety starts telling us we’re not good enough and can’t get through it. I’m determined to walk people through with me to prove we can be the victors of our minds, and that worrying paralyzing thoughts aren’t what define us, though I will say they can help us to become stronger by fighting forward.”

This show has been rescheduled from April 21 and August 8, 2020 and May 25, 2021 - all tickets honored

David Archuleta became a star when he was just 16 years old. In 2008, more than 30 million television viewers fell in love with his angelic voice and their 44 million votes made him runner-up in Season 7 of ‘American Idol.’

Soon after, David had his first single, ‘Crush’ debut at No. 2 on the Billboard Hot 100 chart the week of its release. According to Nielsen SoundScan, the track sold 166,000 downloads that first week in the U.S. and subsequently more than 1.92 million digital copies to become double platinum. Three months later, David’s self-titled album, ‘David Archuleta,’ went gold, selling more than 750,000 copies in the U.S., and more than 900,000 copies worldwide.

With a faithful social media following (3.5 million Facebook followers, 1.3 million on Twitter and over 290K on Instagram), David has toured all over the U.S., Canada, Asia and even performed in the Middle East for the U.S. troops. In 2017, he relocated to Nashville and released his seventh album ‘Postcards In The Sky’ featuring all original songs that he had a hand in writing. David says it was an album of finding his own voice and what mattered most to him, and would begin shaping the music to come.

After a 2nd Christmas album release in 2018 with ‘Winter in the Air,’ David has started working on his 9th project for 2020. “There has been a movement with understanding oneself, going to therapy. I’ve been one of those people on that train and been discovering a lot about why I have these battles in my head, and how to separate myself from the negativity that can flood the mind a lot. I wanted to write about those battles, and I’ve been determined to show that we can win when the negativity and anxiety starts telling us we’re not good enough and can’t get through it. I’m determined to walk people through with me to prove we can be the victors of our minds, and that worrying paralyzing thoughts aren’t what define us, though I will say they can help us to become stronger by fighting forward.”

(Rescheduled from March 2020 and 2021) - Lucy Wainwright Roche

This show has been rescheduled from March 14, 2020 and March 13, 2021 - all tickets honored

Those familiar with Lucy Wainwright Roche are aware of her bell tone voice, her unshakable melodies, and her knack for wise, wry lyrics that clench the heart. It’s no surprise that Wainwright Roche is the daughter of Suzzy Roche (The Roches) and Loudon Wainwright III, half sibling to Rufus and Martha Wainwright. She grew up steeped in music.

But Lucy has carved out her own career as a touring singer/songwriter and recording artist, having sold over 50 thousand copies of her four critically acclaimed solo recordings released on her own label: Eight Songs, Eight More, Lucy, and There’s a Last Time for Everything. Other recordings include a collaboration with her sister Martha Wainwright on Songs In the Dark, a collection of lullabies, and two duet recordings with her mother Suzzy Roche: Fairytale and Myth (winner of Vox Pop Independent Music Awards) and most recently Mud and Apples.

For over a decade, as a solo act, armed with a guitar, a deadpan sense of humor, killer songs, and a voice that makes tough guys cry, she’s built a solid following across the US and Europe. As an opening act she has often appeared with such luminaries as the Indigo Girls, Mary Chapin Carpenter, and Neko Case, and she’s one of a few who can step out alone in front of a thousand strangers and play an entire set to a rapt audience.

Now, on her new 2018 release Little Beast (2019 Independent Music Award winner, “Best Album” Singer-Songwriter/Folk category), Lucy ups the ante with a dynamic, emotional recording masterfully and artfully co-produced with Jordan Brooke Hamlin. This collection of songs is an urgent and poetic call to a world gone awry. The journey from song to song is downright cinematic. One minute she eases us in with her flat-footed authenticity, and the next she lets loose with her wild side, and we imagine her howling at the moon. In Heroin, the first single from Little Beast, Lucy Wainwright Roche is hugging hairpin turns on the outside lane and you know it’s true. Sometimes chasing love is dangerous business:

It’s the Million Dollar Highway on a snowy day

It’s why I had to go, it’s why I longed to stay

There are many standouts on Little Beast: Heroin, Quit with Me, In Relation to Disaster, Trouble, Behind the Wheel, and Ohio is for Lovers are a few, but perhaps Soft Line, a wrenching plea to a lost love as it slips away, is the most haunting track. Simply put, the song is a dagger to the heart:

Watch out or the sun will set
On the picture we tried to get
On the story of why we met…

There’s nothing “little “about Lucy Wainwright Roche’s Little Beast. It’s fierce, unflinching, and will undoubtedly place her squarely at the top of her game.

This show has been rescheduled from March 14, 2020 and March 13, 2021 - all tickets honored

Those familiar with Lucy Wainwright Roche are aware of her bell tone voice, her unshakable melodies, and her knack for wise, wry lyrics that clench the heart. It’s no surprise that Wainwright Roche is the daughter of Suzzy Roche (The Roches) and Loudon Wainwright III, half sibling to Rufus and Martha Wainwright. She grew up steeped in music.

But Lucy has carved out her own career as a touring singer/songwriter and recording artist, having sold over 50 thousand copies of her four critically acclaimed solo recordings released on her own label: Eight Songs, Eight More, Lucy, and There’s a Last Time for Everything. Other recordings include a collaboration with her sister Martha Wainwright on Songs In the Dark, a collection of lullabies, and two duet recordings with her mother Suzzy Roche: Fairytale and Myth (winner of Vox Pop Independent Music Awards) and most recently Mud and Apples.

For over a decade, as a solo act, armed with a guitar, a deadpan sense of humor, killer songs, and a voice that makes tough guys cry, she’s built a solid following across the US and Europe. As an opening act she has often appeared with such luminaries as the Indigo Girls, Mary Chapin Carpenter, and Neko Case, and she’s one of a few who can step out alone in front of a thousand strangers and play an entire set to a rapt audience.

Now, on her new 2018 release Little Beast (2019 Independent Music Award winner, “Best Album” Singer-Songwriter/Folk category), Lucy ups the ante with a dynamic, emotional recording masterfully and artfully co-produced with Jordan Brooke Hamlin. This collection of songs is an urgent and poetic call to a world gone awry. The journey from song to song is downright cinematic. One minute she eases us in with her flat-footed authenticity, and the next she lets loose with her wild side, and we imagine her howling at the moon. In Heroin, the first single from Little Beast, Lucy Wainwright Roche is hugging hairpin turns on the outside lane and you know it’s true. Sometimes chasing love is dangerous business:

It’s the Million Dollar Highway on a snowy day

It’s why I had to go, it’s why I longed to stay

There are many standouts on Little Beast: Heroin, Quit with Me, In Relation to Disaster, Trouble, Behind the Wheel, and Ohio is for Lovers are a few, but perhaps Soft Line, a wrenching plea to a lost love as it slips away, is the most haunting track. Simply put, the song is a dagger to the heart:

Watch out or the sun will set
On the picture we tried to get
On the story of why we met…

There’s nothing “little “about Lucy Wainwright Roche’s Little Beast. It’s fierce, unflinching, and will undoubtedly place her squarely at the top of her game.

(Rescheduled from July 10, 2020 and January 8, 2021) - The Schizophonics

Over the last few years, THE SCHIZOPHONICS have built up a formidable reputation around the world as an explosive live act. Tapping into the same unstoppable combination of rock 'n' roll energy and showmanship that fueled THE MC5 in the heyday of the Grande Ballroom, their wild live show is heavily influenced by artists like JAMES BROWN, IGGY POP, JIMI HENDRIX, LITTLE RICHARD, and THE SONICS. Singer/guitarist Pat Beers and drummer Lety Beers formed the band in San Diego in 2009 and have worked tirelessly since then, playing hundreds of shows around the globe and winning 7 San Diego music awards. In 2013 they were recruited as the backing/opening band for EL VEZ, which helped the band make a name for itself in Europe. Since then, they've played in fourteen countries, and supported tours by like-minded acts like ROCKET FROM THE CRYPT, LITTLE BARRIE, and THE WOGGLES and have opened for the DAMNED, HIVES and CAGE THE ELEPHANT. Shindig magazine described their live show "Like watching some insane hybrid of WAYNE KRAMER, JAMES BROWN, and the Tazmanian Devil". “One of my favorite live bands ever!” proclaims Tim Mays, who has run the Casbah in San Diego for 30 years and has seen literally thousands of live bands come through his doors. “The Schizophonics bring the goods every time they play,” he enthuses.

The band is more than just an outstanding live act, they’re also committed to writing great, memorable songs. After releasing 2 singles and an EP over the last few years on Munster, Ugly Things, and Pig Baby Records, they put out their first full-length album in July 2017 titled Land Of The Living on the label Sympathy For The Record Industry with famed record man Long Gone John. In January of 2019 they started work on their 2nd LP recruiting Dave Gardner (Hot Snakes, RFTC) mixing engineer Stephen Kaye ( JD McPherson, Mike Krol) and Pierre De Reeder (Rilo Kiley) to put their live, raw sound to tape. The album titled People in the Sky will be released on October 31st, 2019 on Pig Baby Records.

Over the last few years, THE SCHIZOPHONICS have built up a formidable reputation around the world as an explosive live act. Tapping into the same unstoppable combination of rock 'n' roll energy and showmanship that fueled THE MC5 in the heyday of the Grande Ballroom, their wild live show is heavily influenced by artists like JAMES BROWN, IGGY POP, JIMI HENDRIX, LITTLE RICHARD, and THE SONICS. Singer/guitarist Pat Beers and drummer Lety Beers formed the band in San Diego in 2009 and have worked tirelessly since then, playing hundreds of shows around the globe and winning 7 San Diego music awards. In 2013 they were recruited as the backing/opening band for EL VEZ, which helped the band make a name for itself in Europe. Since then, they've played in fourteen countries, and supported tours by like-minded acts like ROCKET FROM THE CRYPT, LITTLE BARRIE, and THE WOGGLES and have opened for the DAMNED, HIVES and CAGE THE ELEPHANT. Shindig magazine described their live show "Like watching some insane hybrid of WAYNE KRAMER, JAMES BROWN, and the Tazmanian Devil". “One of my favorite live bands ever!” proclaims Tim Mays, who has run the Casbah in San Diego for 30 years and has seen literally thousands of live bands come through his doors. “The Schizophonics bring the goods every time they play,” he enthuses.

The band is more than just an outstanding live act, they’re also committed to writing great, memorable songs. After releasing 2 singles and an EP over the last few years on Munster, Ugly Things, and Pig Baby Records, they put out their first full-length album in July 2017 titled Land Of The Living on the label Sympathy For The Record Industry with famed record man Long Gone John. In January of 2019 they started work on their 2nd LP recruiting Dave Gardner (Hot Snakes, RFTC) mixing engineer Stephen Kaye ( JD McPherson, Mike Krol) and Pierre De Reeder (Rilo Kiley) to put their live, raw sound to tape. The album titled People in the Sky will be released on October 31st, 2019 on Pig Baby Records.

@clubcafelive

56-58 South 12th Street, Pittsburgh PA 15203 (In Pittsburgh’s Historic South Side)