club cafe

pittsburgh, pa
(Afternoon Show) Pittsburgh Comedy Festival - Live Podcast Recording

The Pittsburgh Comedy Festival brings together stand-ups and improvisers in a five-day celebration of all things funny. Our goals are to show off Pittsburgh on a national level, to make the art of comedy accessible here in Pittsburgh, and to raise up a wide array of perspectives and voices. That means informative workshops, programming for comedians and comedy fans young and old, and best of all, fantastic shows in the intimate settings of the South Side’s City Theatre and Club Cafe.

The Pittsburgh Comedy Festival brings together stand-ups and improvisers in a five-day celebration of all things funny. Our goals are to show off Pittsburgh on a national level, to make the art of comedy accessible here in Pittsburgh, and to raise up a wide array of perspectives and voices. That means informative workshops, programming for comedians and comedy fans young and old, and best of all, fantastic shows in the intimate settings of the South Side’s City Theatre and Club Cafe.

(Early Show) Pittsburgh Comedy Festival - Improv Show

The Pittsburgh Comedy Festival brings together stand-ups and improvisers in a five-day celebration of all things funny. Our goals are to show off Pittsburgh on a national level, to make the art of comedy accessible here in Pittsburgh, and to raise up a wide array of perspectives and voices. That means informative workshops, programming for comedians and comedy fans young and old, and best of all, fantastic shows in the intimate settings of the South Side’s City Theatre and Club Cafe.

The Pittsburgh Comedy Festival brings together stand-ups and improvisers in a five-day celebration of all things funny. Our goals are to show off Pittsburgh on a national level, to make the art of comedy accessible here in Pittsburgh, and to raise up a wide array of perspectives and voices. That means informative workshops, programming for comedians and comedy fans young and old, and best of all, fantastic shows in the intimate settings of the South Side’s City Theatre and Club Cafe.

(Late Show) Pittsburgh Comedy Festival - Stand Up Show

The Pittsburgh Comedy Festival brings together stand-ups and improvisers in a five-day celebration of all things funny. Our goals are to show off Pittsburgh on a national level, to make the art of comedy accessible here in Pittsburgh, and to raise up a wide array of perspectives and voices. That means informative workshops, programming for comedians and comedy fans young and old, and best of all, fantastic shows in the intimate settings of the South Side’s City Theatre and Club Cafe.

The Pittsburgh Comedy Festival brings together stand-ups and improvisers in a five-day celebration of all things funny. Our goals are to show off Pittsburgh on a national level, to make the art of comedy accessible here in Pittsburgh, and to raise up a wide array of perspectives and voices. That means informative workshops, programming for comedians and comedy fans young and old, and best of all, fantastic shows in the intimate settings of the South Side’s City Theatre and Club Cafe.

Efrim Manuel Menuck (of Godspeed You! Black Emperor and Thee Silver Mt. Zion) with Special Guests Cloning and Autumn Pool

The much-anticipated 2nd solo album by the founder of Godspeed You! Black Emperor and Thee Silver Mt. Zion.


Efrim Manuel Menuck returns with his second album Pissing Stars, the brilliantly intense follow-up to his 2011 solo debut Plays “High Gospel” (CST078) and the first new material with Menuck as central songwriter and vocalist since 2014’s acclaimed Fuck Off Get Free We Pour Light On Everything (CST099) from his chamber-punk-rock band Thee Silver Mt. Zion.

The legendary Montréal-based musician has much-deserved cult status among fans of political punk, post-rock and avant-noise songcraft alike. Menuck celebrates 25 years of unflinching and uncompromising sonic output with Pissing Stars, wherein he launches acerbic darts, impassioned salvos and fragile flowers into gusts of noise-battered song built around pulsing maximalist electronics and drone, composed on modular synthesizer and guitar, shot through with alternately plaintive, chilling, often processed vocals. Pissing Stars is Menuck at his most vulnerable and his most adventurous – with a timely narrative framework that only he could conjure:

PISSING STARS is inspired by the brief romance of american television presenter MARY HART and MOHAMMED KHASHOGGI, the son of a saudi arms dealer. i don’t know how long their union endured, but i remember reading about them when i was a desperate teenager – there was something about their pairing that got caught in my head. i was living in a flooded basement with two other lost kids and a litter of feral kittens. we were all unfed. this strange intersection – the televisual blonde and the rich saudi kid with the murderous father; it got stuck in me like a mystery, like an illumination- this vulgar pairing that was also love. these privileged scions of death and self-alienation, but also love. i’ve carried it in me for 3 decades now, this obscure memory, and i return to it often, tracing its edges like a worn talisman. this record is about the dissolution of their relationship, and the way that certain stubborn lights endure. this record was made in dark corners between 2016 and 2017. a very rough pair of years, shot thru with fatigue, depression, despair, and too many cigarettes and too much booze. but also = the giddiness of enervation, and the strange liberation of being emptied – borne aloft and carried by the drift. the world continues its eternal collapsing, fires everywhere and everything drained of meaning. this record was made in various states of unease, with a brittle heart and a clear intent. like running towards a cliff with 2 swinging knives, roaring with an idiot grin. overcome and overjoyed. this record is about the end of love and the beginning of love. this record is about the dissolution of the state, and all of us trapped beneath, and the way that certain stubborn lights endure. – ExMxMx

Pissing Stars comes in a deluxe 180gram vinyl edition with artworked inner dust sleeve and a killer 12”x18” art poster designed by Menuck, all printed on uncoated papers and boards. Thanks for listening.

The much-anticipated 2nd solo album by the founder of Godspeed You! Black Emperor and Thee Silver Mt. Zion.


Efrim Manuel Menuck returns with his second album Pissing Stars, the brilliantly intense follow-up to his 2011 solo debut Plays “High Gospel” (CST078) and the first new material with Menuck as central songwriter and vocalist since 2014’s acclaimed Fuck Off Get Free We Pour Light On Everything (CST099) from his chamber-punk-rock band Thee Silver Mt. Zion.

The legendary Montréal-based musician has much-deserved cult status among fans of political punk, post-rock and avant-noise songcraft alike. Menuck celebrates 25 years of unflinching and uncompromising sonic output with Pissing Stars, wherein he launches acerbic darts, impassioned salvos and fragile flowers into gusts of noise-battered song built around pulsing maximalist electronics and drone, composed on modular synthesizer and guitar, shot through with alternately plaintive, chilling, often processed vocals. Pissing Stars is Menuck at his most vulnerable and his most adventurous – with a timely narrative framework that only he could conjure:

PISSING STARS is inspired by the brief romance of american television presenter MARY HART and MOHAMMED KHASHOGGI, the son of a saudi arms dealer. i don’t know how long their union endured, but i remember reading about them when i was a desperate teenager – there was something about their pairing that got caught in my head. i was living in a flooded basement with two other lost kids and a litter of feral kittens. we were all unfed. this strange intersection – the televisual blonde and the rich saudi kid with the murderous father; it got stuck in me like a mystery, like an illumination- this vulgar pairing that was also love. these privileged scions of death and self-alienation, but also love. i’ve carried it in me for 3 decades now, this obscure memory, and i return to it often, tracing its edges like a worn talisman. this record is about the dissolution of their relationship, and the way that certain stubborn lights endure. this record was made in dark corners between 2016 and 2017. a very rough pair of years, shot thru with fatigue, depression, despair, and too many cigarettes and too much booze. but also = the giddiness of enervation, and the strange liberation of being emptied – borne aloft and carried by the drift. the world continues its eternal collapsing, fires everywhere and everything drained of meaning. this record was made in various states of unease, with a brittle heart and a clear intent. like running towards a cliff with 2 swinging knives, roaring with an idiot grin. overcome and overjoyed. this record is about the end of love and the beginning of love. this record is about the dissolution of the state, and all of us trapped beneath, and the way that certain stubborn lights endure. – ExMxMx

Pissing Stars comes in a deluxe 180gram vinyl edition with artworked inner dust sleeve and a killer 12”x18” art poster designed by Menuck, all printed on uncoated papers and boards. Thanks for listening.

Bay Chamber Players Ensemble presents 'Music That Touches The Heart'

This show highlights arrangements by Gil Bigenho with the ensemble performing classic songs and classical favorites also featuring artist dancer Joanna Abel in Sarasate's "Spanish Dance".

Short intermission and then performances continue with music featuring Keith swan, Chuck Weidrich, Amber Rozel and Gil Bigenho.

This show highlights arrangements by Gil Bigenho with the ensemble performing classic songs and classical favorites also featuring artist dancer Joanna Abel in Sarasate's "Spanish Dance".

Short intermission and then performances continue with music featuring Keith swan, Chuck Weidrich, Amber Rozel and Gil Bigenho.

The Tour House Benefit Featuring Dayshift / The Mondaze / Jenny and the Jags

A Spencer and Jeremy Special (Featuring Spencer Allan Patrick and Jeremy Caywood)

Join Spencer Allan Patrick and Jeremy Caywood at Club Cafe and share in the music the two have been working on. They will be sharing the stage the whole evening, giving new feels to their music. It will be a special evening of friendship! Come share in the merriment and great vibes and the one and only, Club Cafe.

Join Spencer Allan Patrick and Jeremy Caywood at Club Cafe and share in the music the two have been working on. They will be sharing the stage the whole evening, giving new feels to their music. It will be a special evening of friendship! Come share in the merriment and great vibes and the one and only, Club Cafe.

(Early Show) Sawyer Fredericks / JD Eicher

Sawyer Fredericks
Singer-songwriter Sawyer Fredericks, hailing from his family's farm in central New York State, is fast establishing himself as an authentic original, Americana artist with an old soul. His deep, beyond-his-years lyrics and melodies, raw, soulful vocals, and powerful live performances have attracted an ever growing number of devoted fans of all ages, selling out shows throughout the US.

As a folk/blues singer-songwriter, who cut his teeth at local farmers markets, open mics, and iconic New York venues like Caffe Lena, the Towne Crier Cafe, and The Bitter End, Sawyer seemed an unlikely match for reality tv, but quickly won over broad audiences with his genuine delivery and unique arrangements of classic songs, going on to win season 8 of NBC's The Voice.

Fresh from that whirlwind, Sawyer went forward with the release of his major label debut, A Good Storm, with Republic Records, an impressive blend of soulful Folk, blues, and rock, entirely written or cowritten by Sawyer. His 2016 A Good Storm Tour included 62 shows across the US.
For 2018, Sawyer has once again gone independent, the highly-anticipated Hide Your Ghost sheds the high gloss major label treatment, and stays true to Frederick’s honest and elegantly stripped down style, a self-described “free range folk”, incorporating elements of blues, roots rock, and jazz with live instrumental arrangements throughout.

JD Eicher
“The music that I’m writing and releasing is really mirroring who I am and where I am at that time in my life. It’s easy to perform songs when they’re very true.” So says JD Eicher, the Youngstown, OH-area born and bred musician who is set to release The Middle Distance via Rock Ridge Music on May 6, 2016. “I’m really glad that my career has taken the longer, ‘scenic’ route, because the music I’m writing now has a certain truth to it that I’m not sure I would have found otherwise.”

The Middle Distance marks the first album Eicher will issue since sunsetting JD Eicher & the Goodnights, the moniker used on the trilogy of titles, The Shape of Things, Shifting, and Into Place, released previously. So why put The Goodnights to bed? Eicher explains: “The truth of the matter is, not a whole lot has changed. There will still be a band. But the name shift felt natural with the very personal nature of this new music and the very strong desire to simplify.”

Eicher has noted that the common themes running through his previous three releases are “love, hope, and acceptance.” Common sense would call for speculating whether there is a common thread that ties together the ten songs found on The Middle Distance. “Not a premeditated one,” he is quick to clarify. “I really wanted to just sit down and write the best songs I could, saying what I needed to say at the time. It’s more of a journal entry/diary-type approach this time around.”

With that as a forward, the first chapter of Eicher’s aural journal begins with nearly one minute of U2-ish guitar that sets the sonic table for the album opener, “This Heart,” in which he sings, “All my fears, all my worries, are alive and well inside this heart.” Eicher expounds, “This whole record - and definitely that song – is moodier, and there’s a lot of internal struggle, internal processing. When you hear the song title, ‘This Heart,’ it sounds like it’s gonna be a love song, but it’s really more about coping and figuring out how to get past whatever you’re dealing with in that moment.”

Songwriting and superb singing are at the center of each track on The Middle Distance, exemplified by the lyric line “Maybe we’ve been trained to wash, rinse, and then repeat” and the heavenly falsetto vocals found on “Be Well,” a song which sounds like it would fit perfectly into Death Cab For Cutie’s catalog. An audio oasis to the overall “moodier” sound of the record is refreshingly felt when the soundscape lightens up for the bouncy “The Little Bit,” which musically and lyrically has a Jason Mraz vibe to it, most notably on the playful line, “I didn’t write any lyrics for this part of the song… everybody relax.” Eicher’s songwriting gravitas shines in the more serious selections - “Not Everybody Runs,” a sonic commitment to, well, commitment; “Not Afraid,” in which abstract fears about our dreams not coming true, relationships going wrong, internal struggles and pressures, letting your guard down and being hurt, and failure are all tackled; and “Man of Faith,” in which Eicher espouses the somewhat ambiguous supplication: “And I’m pretty sure my heaven’s just the answer to my questions.”

Far less ambiguous is how much Eicher’s Rust Belt upbringing seeps into, or serves as, the foundation of his songwriting. “I think it definitely affects the music,” he affirms without hesitation, “even in the way I approach touring and my overall work ethic with songwriting and recording. There’s a world-wariness that comes out of this area that gets into the songs. I think there’s a realism that comes out of

this part of the country, too, and I think that gets in there as well.” It’s no wonder that Pittsburgh, not far from his hometown of Youngstown, has embraced the performer and his music as their own.

With his band, The Goodnights, Eicher’s soaring and graceful pop-rock songcraft garnered favorable comparisons to Coldplay, Keane, The Script, The Killers, and Death Cab for Cutie. Alternative Addiction named the group one of the top 10 unsigned bands. Virgin America Airlines used one of the band’s songs in the teaser for the airline’s movie, Departure Date. Live, JD Eicher & the Goodnights shared the stage with such diverse and respected artists as the Dave Matthews Band, Coldplay, Train, Maroon 5, Hot Chelle Rae, Pete Yorn, Anberlin, Rod Stewart, Bryan Adams, Kelly Clarkson, Cartel, Sister Hazel, and Matt Nathanson, among many others.

Now facing a new morning with the added weight of offering up The Middle Distance with just his name on the album cover, does Eicher like the way the shape of things have shifted into place (to borrow a phrase from past album titles), both personally and professionally?

“Yeah, definitely. I do feel a lot more firmly-rooted. I feel like there’s a lot less doubt. I know who I am a lot better than I used to, and a lot of my life is starting to make more sense. I’m married now. We’ve got a house. The real world stuff has come together in a really meaningful way. And my musical life mirrors those sentiments as well. This was the first time I felt comfortable producing a record on my own. I knew how I wanted it to feel, start to finish.”

For those reasons and more, it’s fair to say The Middle Distance is destined to take JD Eicher even farther than where he’s at today. That prospect makes it a near certainty that his steady pace to the top will likely result in him experiencing the musician’s equivalent of a long distance runner’s high.

Sawyer Fredericks
Singer-songwriter Sawyer Fredericks, hailing from his family's farm in central New York State, is fast establishing himself as an authentic original, Americana artist with an old soul. His deep, beyond-his-years lyrics and melodies, raw, soulful vocals, and powerful live performances have attracted an ever growing number of devoted fans of all ages, selling out shows throughout the US.

As a folk/blues singer-songwriter, who cut his teeth at local farmers markets, open mics, and iconic New York venues like Caffe Lena, the Towne Crier Cafe, and The Bitter End, Sawyer seemed an unlikely match for reality tv, but quickly won over broad audiences with his genuine delivery and unique arrangements of classic songs, going on to win season 8 of NBC's The Voice.

Fresh from that whirlwind, Sawyer went forward with the release of his major label debut, A Good Storm, with Republic Records, an impressive blend of soulful Folk, blues, and rock, entirely written or cowritten by Sawyer. His 2016 A Good Storm Tour included 62 shows across the US.
For 2018, Sawyer has once again gone independent, the highly-anticipated Hide Your Ghost sheds the high gloss major label treatment, and stays true to Frederick’s honest and elegantly stripped down style, a self-described “free range folk”, incorporating elements of blues, roots rock, and jazz with live instrumental arrangements throughout.

JD Eicher
“The music that I’m writing and releasing is really mirroring who I am and where I am at that time in my life. It’s easy to perform songs when they’re very true.” So says JD Eicher, the Youngstown, OH-area born and bred musician who is set to release The Middle Distance via Rock Ridge Music on May 6, 2016. “I’m really glad that my career has taken the longer, ‘scenic’ route, because the music I’m writing now has a certain truth to it that I’m not sure I would have found otherwise.”

The Middle Distance marks the first album Eicher will issue since sunsetting JD Eicher & the Goodnights, the moniker used on the trilogy of titles, The Shape of Things, Shifting, and Into Place, released previously. So why put The Goodnights to bed? Eicher explains: “The truth of the matter is, not a whole lot has changed. There will still be a band. But the name shift felt natural with the very personal nature of this new music and the very strong desire to simplify.”

Eicher has noted that the common themes running through his previous three releases are “love, hope, and acceptance.” Common sense would call for speculating whether there is a common thread that ties together the ten songs found on The Middle Distance. “Not a premeditated one,” he is quick to clarify. “I really wanted to just sit down and write the best songs I could, saying what I needed to say at the time. It’s more of a journal entry/diary-type approach this time around.”

With that as a forward, the first chapter of Eicher’s aural journal begins with nearly one minute of U2-ish guitar that sets the sonic table for the album opener, “This Heart,” in which he sings, “All my fears, all my worries, are alive and well inside this heart.” Eicher expounds, “This whole record - and definitely that song – is moodier, and there’s a lot of internal struggle, internal processing. When you hear the song title, ‘This Heart,’ it sounds like it’s gonna be a love song, but it’s really more about coping and figuring out how to get past whatever you’re dealing with in that moment.”

Songwriting and superb singing are at the center of each track on The Middle Distance, exemplified by the lyric line “Maybe we’ve been trained to wash, rinse, and then repeat” and the heavenly falsetto vocals found on “Be Well,” a song which sounds like it would fit perfectly into Death Cab For Cutie’s catalog. An audio oasis to the overall “moodier” sound of the record is refreshingly felt when the soundscape lightens up for the bouncy “The Little Bit,” which musically and lyrically has a Jason Mraz vibe to it, most notably on the playful line, “I didn’t write any lyrics for this part of the song… everybody relax.” Eicher’s songwriting gravitas shines in the more serious selections - “Not Everybody Runs,” a sonic commitment to, well, commitment; “Not Afraid,” in which abstract fears about our dreams not coming true, relationships going wrong, internal struggles and pressures, letting your guard down and being hurt, and failure are all tackled; and “Man of Faith,” in which Eicher espouses the somewhat ambiguous supplication: “And I’m pretty sure my heaven’s just the answer to my questions.”

Far less ambiguous is how much Eicher’s Rust Belt upbringing seeps into, or serves as, the foundation of his songwriting. “I think it definitely affects the music,” he affirms without hesitation, “even in the way I approach touring and my overall work ethic with songwriting and recording. There’s a world-wariness that comes out of this area that gets into the songs. I think there’s a realism that comes out of

this part of the country, too, and I think that gets in there as well.” It’s no wonder that Pittsburgh, not far from his hometown of Youngstown, has embraced the performer and his music as their own.

With his band, The Goodnights, Eicher’s soaring and graceful pop-rock songcraft garnered favorable comparisons to Coldplay, Keane, The Script, The Killers, and Death Cab for Cutie. Alternative Addiction named the group one of the top 10 unsigned bands. Virgin America Airlines used one of the band’s songs in the teaser for the airline’s movie, Departure Date. Live, JD Eicher & the Goodnights shared the stage with such diverse and respected artists as the Dave Matthews Band, Coldplay, Train, Maroon 5, Hot Chelle Rae, Pete Yorn, Anberlin, Rod Stewart, Bryan Adams, Kelly Clarkson, Cartel, Sister Hazel, and Matt Nathanson, among many others.

Now facing a new morning with the added weight of offering up The Middle Distance with just his name on the album cover, does Eicher like the way the shape of things have shifted into place (to borrow a phrase from past album titles), both personally and professionally?

“Yeah, definitely. I do feel a lot more firmly-rooted. I feel like there’s a lot less doubt. I know who I am a lot better than I used to, and a lot of my life is starting to make more sense. I’m married now. We’ve got a house. The real world stuff has come together in a really meaningful way. And my musical life mirrors those sentiments as well. This was the first time I felt comfortable producing a record on my own. I knew how I wanted it to feel, start to finish.”

For those reasons and more, it’s fair to say The Middle Distance is destined to take JD Eicher even farther than where he’s at today. That prospect makes it a near certainty that his steady pace to the top will likely result in him experiencing the musician’s equivalent of a long distance runner’s high.

(Late Show) Opus One Comedy & Race to the Coffin Present Comedy Roulette. Featuring Geoff Tate with Luis Arevalo, Noshod Barrows, Shannon Norman & Hosted by John Dick Winters

Opus One Comedy & Race to the Coffin Present Comedy Roulette. Featuring Geoff Tate with Luis Arevalo, Noshod Barrows, Shannon Norman & Hosted by John Dick Winters

Opus One Comedy & Race to the Coffin Present Comedy Roulette. Featuring Geoff Tate with Luis Arevalo, Noshod Barrows, Shannon Norman & Hosted by John Dick Winters

(Early Show) Dante Romito with Special Guest AE Honick

​Dante Romito is an up and coming instrumental guitarist from Pittsburgh, PA. Growing up, Dante was drawn to the feel good music of the '90's and the guitar playing of Classic Rock. His favorites included Eric Clapton, the Doors, Jimi Hendrix, and many others.

After spending years playing around town with various acts, Dante retreated to his practice studio to find his own unique voice. Somewhere between the smoothness of Jeff Golub and the soaring melodies of Neil Zaza shines Dante's fresh and uplifting guitar playing. Dante hopes that he can make a difference in the world by contributing positive and inspiring music.

In January, Dante officially released his instrumental rock EP, Dream Cycle. The opening track, Irwin Vibe, was featured on the Tony Kornheiser Show in November 2017. With a full compliment of original songs, and some fun arrangments of familiar songs, Dante is now playing around the Pittsburgh area.

​Dante Romito is an up and coming instrumental guitarist from Pittsburgh, PA. Growing up, Dante was drawn to the feel good music of the '90's and the guitar playing of Classic Rock. His favorites included Eric Clapton, the Doors, Jimi Hendrix, and many others.

After spending years playing around town with various acts, Dante retreated to his practice studio to find his own unique voice. Somewhere between the smoothness of Jeff Golub and the soaring melodies of Neil Zaza shines Dante's fresh and uplifting guitar playing. Dante hopes that he can make a difference in the world by contributing positive and inspiring music.

In January, Dante officially released his instrumental rock EP, Dream Cycle. The opening track, Irwin Vibe, was featured on the Tony Kornheiser Show in November 2017. With a full compliment of original songs, and some fun arrangments of familiar songs, Dante is now playing around the Pittsburgh area.

@clubcafelive

56-58 South 12th Street, Pittsburgh PA 15203 (In Pittsburgh’s Historic South Side)