club cafe

pittsburgh, pa
(Late Show) Dalton & The Sheriffs'

The one constant in Dalton & the Sheriffs’ remarkable rise from three-hour sets in the barrooms of Boston, to national stages such as CMA Fest, is the band’s authenticity.

Brian Scully (vocals/acoustic guitar), Jon Silva (lead guitar), James Zaner (drums), Sam Bouve (bass) and Ryan Jackson (keys/guitars) rip through shows with frenetic energy, perhaps best described as country music, tinged with Americana heartland vibes, and played with a bar-friendly edge-of-punk rowdiness. Everyone sings along. The patrons are as much a part of the show as the band itself. The result is a live band that manages to make every show -- from small clubs to the largest of festivals -- feel a little like a reunion of like-minded souls at their favorite local bar.
Their debut live album, After the Parade, cracked four Billboard Country and Heatseeker charts in 2018, and a newly recorded album is on the way. Always good for a draw, Dalton & The Sheriffs have been chosen to open for artists such as Sam Hunt, Lee Brice and Old Dominion, and the band has earned their own fervent headline following throughout New England. In addition to packing them in at prestigious venues like Paradise Rock Club and the House of Blues, Dalton and the Sheriffs quickly sold out four sets in one fall Nashville weekend, and 2019 will see this tremendous live band expand their fan base coast to coast.

The one constant in Dalton & the Sheriffs’ remarkable rise from three-hour sets in the barrooms of Boston, to national stages such as CMA Fest, is the band’s authenticity.

Brian Scully (vocals/acoustic guitar), Jon Silva (lead guitar), James Zaner (drums), Sam Bouve (bass) and Ryan Jackson (keys/guitars) rip through shows with frenetic energy, perhaps best described as country music, tinged with Americana heartland vibes, and played with a bar-friendly edge-of-punk rowdiness. Everyone sings along. The patrons are as much a part of the show as the band itself. The result is a live band that manages to make every show -- from small clubs to the largest of festivals -- feel a little like a reunion of like-minded souls at their favorite local bar.
Their debut live album, After the Parade, cracked four Billboard Country and Heatseeker charts in 2018, and a newly recorded album is on the way. Always good for a draw, Dalton & The Sheriffs have been chosen to open for artists such as Sam Hunt, Lee Brice and Old Dominion, and the band has earned their own fervent headline following throughout New England. In addition to packing them in at prestigious venues like Paradise Rock Club and the House of Blues, Dalton and the Sheriffs quickly sold out four sets in one fall Nashville weekend, and 2019 will see this tremendous live band expand their fan base coast to coast.

Peter Case with Special Guest Zack Keim

Three-time Grammy nominee, Peter Case’s work sets the bar for authenticity, passion and imagination and spans a number of genres, including folk, blues, and rock. Raised in Buffalo, NY, Case came to the Bay area in 1973 and worked as a street musician and played in the seminal power pop group The Nerves, before moving to Los Angeles to form the Plimsouls, landing a deal with Geffen Records.

The Plimsouls achieved success with the hit single “A Million Miles Away,” which landed them a role in the movie Valley Girl, as the band performing during the club scenes. Case’s 1986 solo Geffen Record debut revealed deep roots in folk and blues, and earned him his first Grammy nomination for the song “Old Blue Car” as well as the Number 1 spot on the NY Time’s 1986 Best CDs list. Six CDs later, Case earned another nomination for Let Us Now Praise Sleepy John, a remarkable collection of songs that features Case’s voice and a single guitar. It’s clear that Case is a major talent on the Americana troubadour landscape.

Case’s 2010 CD, Wig!, emphasized the rock and blues side of Case’s repertoire, while 2007’s Let Us Now Praise Sleepy John demonstrates what Case can do with just his voice and a guitar. With or without a backing band, Case delivers his songs with both intense passion and introspective nuance.

Three-time Grammy nominee, Peter Case’s work sets the bar for authenticity, passion and imagination and spans a number of genres, including folk, blues, and rock. Raised in Buffalo, NY, Case came to the Bay area in 1973 and worked as a street musician and played in the seminal power pop group The Nerves, before moving to Los Angeles to form the Plimsouls, landing a deal with Geffen Records.

The Plimsouls achieved success with the hit single “A Million Miles Away,” which landed them a role in the movie Valley Girl, as the band performing during the club scenes. Case’s 1986 solo Geffen Record debut revealed deep roots in folk and blues, and earned him his first Grammy nomination for the song “Old Blue Car” as well as the Number 1 spot on the NY Time’s 1986 Best CDs list. Six CDs later, Case earned another nomination for Let Us Now Praise Sleepy John, a remarkable collection of songs that features Case’s voice and a single guitar. It’s clear that Case is a major talent on the Americana troubadour landscape.

Case’s 2010 CD, Wig!, emphasized the rock and blues side of Case’s repertoire, while 2007’s Let Us Now Praise Sleepy John demonstrates what Case can do with just his voice and a guitar. With or without a backing band, Case delivers his songs with both intense passion and introspective nuance.

The Trongone Band with Special Guest Justin Wade & Bobby Thompson Duo of the JWB

Hailing from Richmond, VA, The Trongone Band is touring in support of their 2017 debut album, “Keys to the House”, released on Harmonized Records. With a sound that Paste Magazine likens to the “freak-outs of My Morning Jacket with the Muscle Shoals-inspired Leslie speakers and The Band’s narrative storytelling”, The Trongone Band is turning heads and making an impact on the Southern Rock ‘n’ Soul and Americana scenes.

Formed by brothers Andrew and Johnny Trongone with father John Sr on bass, The Trongone Band (tron-GO-knee) has grown from a family affair to a full on touring machine with the addition of keyboardist Ben “Wolfe” White and bassist Chip Hale. In the words of Live for Live Music, “the quartet has come together to create an old-school and all-in-the-family sound reminiscent of The Allman Brothers while still keeping it fresh with their cutting edge original compositions that also infuse funk and blues into the mix.”

Keeping with the homegrown vibe, the band nestled into the woods outside of RVA, tapping into Montrose Recording’s Flickinger console, one of only seven remaining in the world. Known as the console that revolutionized the recording industry in the 60s & 70s, the Flickinger provided the warm sounds that turned into “Keys to the House” and brought to life what MusicFestNews described as “imagery of boxcar drifters, rolling hills and dirt roads that are easy to close your eyes and get lost in”.

Summer and Fall of 2017 saw The Trongone Band taking “Keys to the House” on the road while touring in support of stalwarts including Umphrey’s McGee, Reckless Kelly, American Aquarium and Cris Jacobs. Having graced the stages of Virginia’s Roosterwalk and FloydFest, Tennessee’s Riverbend Music Festival, The Allman Brothers’ Peach Festival in Pennsylvania, Atlanta’s Sweetwater 420 Fest and Macon’s “Big House Presents Summer Jam”, the band is primed for a busy 2018 festival season and their first full European Tour. This four-piece ensemble may not all be related, but with a chemistry so emphatically discernible, it's fair to call them brothers.

Hailing from Richmond, VA, The Trongone Band is touring in support of their 2017 debut album, “Keys to the House”, released on Harmonized Records. With a sound that Paste Magazine likens to the “freak-outs of My Morning Jacket with the Muscle Shoals-inspired Leslie speakers and The Band’s narrative storytelling”, The Trongone Band is turning heads and making an impact on the Southern Rock ‘n’ Soul and Americana scenes.

Formed by brothers Andrew and Johnny Trongone with father John Sr on bass, The Trongone Band (tron-GO-knee) has grown from a family affair to a full on touring machine with the addition of keyboardist Ben “Wolfe” White and bassist Chip Hale. In the words of Live for Live Music, “the quartet has come together to create an old-school and all-in-the-family sound reminiscent of The Allman Brothers while still keeping it fresh with their cutting edge original compositions that also infuse funk and blues into the mix.”

Keeping with the homegrown vibe, the band nestled into the woods outside of RVA, tapping into Montrose Recording’s Flickinger console, one of only seven remaining in the world. Known as the console that revolutionized the recording industry in the 60s & 70s, the Flickinger provided the warm sounds that turned into “Keys to the House” and brought to life what MusicFestNews described as “imagery of boxcar drifters, rolling hills and dirt roads that are easy to close your eyes and get lost in”.

Summer and Fall of 2017 saw The Trongone Band taking “Keys to the House” on the road while touring in support of stalwarts including Umphrey’s McGee, Reckless Kelly, American Aquarium and Cris Jacobs. Having graced the stages of Virginia’s Roosterwalk and FloydFest, Tennessee’s Riverbend Music Festival, The Allman Brothers’ Peach Festival in Pennsylvania, Atlanta’s Sweetwater 420 Fest and Macon’s “Big House Presents Summer Jam”, the band is primed for a busy 2018 festival season and their first full European Tour. This four-piece ensemble may not all be related, but with a chemistry so emphatically discernible, it's fair to call them brothers.

Octave Cat ft. Jesse Miller (Lotus), Eli Winderman (Dopapod), Charlie Patierno with Special Guests Chalk Dinosaur

Octave Cat started unintentionally. Jesse Miller (bassist for Lotus) and Eli Winderman (keyboardist for Dopapod) met up to play some of Jesse's modular and vintage synthesizers. They recorded parts of the session which evolved into the tracks “Limber Up” and “Spar.” They brought in Charlie Patierno to play drums on these two tracks, and Octave Cat was born. Between their already busy tour schedules, the new trio (named for the first synth that initial session started with – the rare late 70s The Cat by Octave) continued to write and record. The group’s debut self-titled album is out now.

Octave Cat started unintentionally. Jesse Miller (bassist for Lotus) and Eli Winderman (keyboardist for Dopapod) met up to play some of Jesse's modular and vintage synthesizers. They recorded parts of the session which evolved into the tracks “Limber Up” and “Spar.” They brought in Charlie Patierno to play drums on these two tracks, and Octave Cat was born. Between their already busy tour schedules, the new trio (named for the first synth that initial session started with – the rare late 70s The Cat by Octave) continued to write and record. The group’s debut self-titled album is out now.

The Calm Before The Storm - A Night of Irish Traditional Music and Song with Mark Dignam & Friends

Born in Ireland, Mark Dignam grew up in the adventurous North Side Dublin suburb of Finglas, His father was a truck driver, his Mother was a typical Irish housewife of the time, except she sang around the house – a lot.

A noticeable vocal talent led him to dream big and to leave the neighborhood as soon as he possibly could, finding a very cheap (read - no heat!) apartment in an old Georgian tenement in the city center, at the age of 18.

First, busking on city streets for pocket change and exposure, along with his friends, Glen Hansard (The Frames, The Swell Season, Oscar winner for best song for the indie movie - Once), Mic Christopher (The Mary Janes), KIla (Irish Traditional supergroup) among others; they quickly became the darlings of Grafton Street, a well-known center, of Dublin busking,; counting among their audience such luminaries as The Waterboys, Van Morrison, and Sinead O'Connor.

Mark struck out on his own in the nineties, releasing the acclaimed Poetry and Songs From the Wheel in 1995. The album, named a top ten best debut of 1995 by Ireland's Hot Press Magazine, cementing Mark's reputation as a powerful voice on the singer/songwriter circuit.

He's continued to release records, from 1997's In a Time of Overstatement, a stark collection of spiritual and political musings, to 2005's Box Heart Man, chosen as one of WYEP Pittsburgh's top picks for 2005. Mark has been invited to open for, or tour with: The Swell Season, David Gray, Billy Bragg, Joan Armatrading, Richard Thompson, Mike Nichols (of The Alarm) among others...

Born in Ireland, Mark Dignam grew up in the adventurous North Side Dublin suburb of Finglas, His father was a truck driver, his Mother was a typical Irish housewife of the time, except she sang around the house – a lot.

A noticeable vocal talent led him to dream big and to leave the neighborhood as soon as he possibly could, finding a very cheap (read - no heat!) apartment in an old Georgian tenement in the city center, at the age of 18.

First, busking on city streets for pocket change and exposure, along with his friends, Glen Hansard (The Frames, The Swell Season, Oscar winner for best song for the indie movie - Once), Mic Christopher (The Mary Janes), KIla (Irish Traditional supergroup) among others; they quickly became the darlings of Grafton Street, a well-known center, of Dublin busking,; counting among their audience such luminaries as The Waterboys, Van Morrison, and Sinead O'Connor.

Mark struck out on his own in the nineties, releasing the acclaimed Poetry and Songs From the Wheel in 1995. The album, named a top ten best debut of 1995 by Ireland's Hot Press Magazine, cementing Mark's reputation as a powerful voice on the singer/songwriter circuit.

He's continued to release records, from 1997's In a Time of Overstatement, a stark collection of spiritual and political musings, to 2005's Box Heart Man, chosen as one of WYEP Pittsburgh's top picks for 2005. Mark has been invited to open for, or tour with: The Swell Season, David Gray, Billy Bragg, Joan Armatrading, Richard Thompson, Mike Nichols (of The Alarm) among others...

(Early Show) Sikes & The New Violence / Suavity's Mouthpiece / Standard Broadcast

(Late Show) Goldcastle / God Hates Unicorns / Doors In the Labyrinth

Amy Lavere & Will Sexton

Amy Lavere
A burgeoning star, Amy LaVere is becoming renowned worldwide for her songwriting, bass playing, and vocals. She sings with a sweet, haunting voice that can turn on a dime from innocent to lusty (“Norah Jones with an added Cyndi Lauper element” — Mojo Magazine; “Spookiness suits her” — New York Times). Whether playing as a duo with her husband Will Sexton or with retro-country sensation Motel Mirrors, she’s an inventive, thoughtful singer-songwriter who has crowds throughout the US and Europe smitten.
Music fans first discovered this “sweet soprano” on This World is Not My Home in 2005, but it was her Jim Dickinson-produced breakout albumAnchors & Anvils two years later that put Amy LaVere on the map.

The success of Anchors & Anvils drew the attention of the UK market, and soon Amy was invited to perform on the BBC’s “Later with Jools Holland” – the appearance introduced her to an international audience, and to Craig Silvey (Arcade Fire, Jamie Cullum), who she’d later team with to produce Stranger Me (Archer Records).

Spin called the 2011 release “the break-up album of the year,” Paste said it was “among the year’s best,” and it earned a first listen feature from NPR’s All Things Considered. She followed it in 2014 with another critical smash: Runaway’s Diary, a concept album based on her own experience as a teenage runaway, produced by Luther Dickinson (North Mississippi Allstars). American Songwritercalled it “boundary pushing… heartfelt, reflective, challenging and consistently compelling.” NPR Music’s Robert Christgau said it was her best yet.

Her most recent release, Hallelujah I’m A Dreamer (Archer Records, 2015), was a surprise for fans just nine months after Runaway’s Diary, recorded with LaVere’s husband and noted guitarist Will Sexton. On Hallelujah, Amy and Will capture the immediacy of the live show they developed on the road together, reveling in a more stripped-down sound and celebrating the freedoms and limitations that come with it in stunning form. No Depression said simply: “pure bliss.”

In addition to her solo records and a tireless touring schedule, Amy enjoys collaborating with other artists. In 2012 she joined an all-star collaboration called The Wandering, composed of Amy, Luther Dickinson, Shannon McNally, Sharde Thomas and Valerie June. They released Go On Now, You Can’t Stay Here (Songs Of The South, 2012) to critical acclaim and sold out shows.

In the afterglow of The Wandering, Amy and Shannon McNally hit the road together and released an EP titled Chasing the Ghost, The Rehearsal Sessions (Archer Records, 2012) which featured songs from both artists recorded live during rehearsals for the tour.

Amy next paired up with noted rocker John Paul Keith to create Motel Mirrors. Their styles clearly complemented one another, which made for magic on stage and in the recording studio. Their eponymous vinyl EP release was named one of the “10 Essential Albums of 2013” by No Depression.

Although she’s a singer and songwriter first, Amy is also an actress. In 2005 she was cast in the role of Wanda Jackson in the Johnny Cash biopic Walk the Line (Twentieth Century Fox). Since she has appeared in a variety of independent and studio productions: Black Snake Moan (Paramount, 2006), $5 Cover (MTV, 2009), Woman’s Picture (2011) The Romance of Loneliness (2012) and most recently with Grace Zabriski in Only Child (2015).

In 2017 Amy is keeping a busy tour schedule and writing songs for a new album to be recorded later in the year. Watch for a new Motel Mirrors album to be released on Last Chance Records in the spring of 2017.

Will Sexton
Will Sexton, whose writing credits range from work with Waylon Jennings and Stephen Stills to Joe Ely and Bill Carter, is shaped by the unique diversity of the Austin music scene. Fate and his own sheer talent placed him on stage with local legends before he’d lived out his first decade. Will and his big brother, Charlie, started playing together at the Continental Club when Will was 9 and Charlie was 11. Many of the sounds of his childhood still resonate in his current work. Will received early success in Austin and was signed by MCA at age 16. He has survived in the tough Austin music scene by playing gigs with a variety of notable artists. It is never unusual to go out to catch a show featuring an Austin singer/songwriter and see Will onstage.

Will’s credits as producer and songwriter range from collaborations with Waylon Jennings to psychedelic pioneer Roky Erikson to Steve Earle and punk legend Johnny Thunders. Will has written for MCA and Almo Irving and recorded for MCA, A&M, and Zoo Entertainment. Will was in the New Folk Underground with David Baerwald, which resulted in the co-produced (w/ David Kitay) Lost Highway release Here Comes the New Folk Underground. Will names Terry Allen and Sheryl Crow hitmaker David Baerwald among his favorite writing partners. 2009 marked the completion of new production credits, including Randy Weeks’ Going My Way, and Ruby James’ CD, Happy Now, co-produced with his brother Charlie Sexton. Will also enjoys performing with Charlie Faye, Sahara Smith, and Shannon McNally.

Will has amassed an impressive collection of songs over the years, releasing his first independent album, Scenes From Nowhere, in 2001, which received a four-star review and was honored in the Top 5 Releases of 2001 by the Austin American-Statesman. Bus Stop Gossip, a previously unreleased recording from 2004, was unearthed and released in 2009 and was followed up by Move the Balance in 2010.

Things came to a temporary halt in December 2009 when Will suffered a mild stroke. Though he had a remarkable recovery, he was unable to remember much of the music he had written and played almost daily as a working musician. For him to be unable to connect with those songs mentally since the stroke was a setback few musicians could even imagine. The Austin music community has always been known for taking care of its own and came out in full force for a music benefit in honor of one of Austin’s golden sons to raise money for Will’s living expenses and medical bills.

While Will was working through the recovery process, Move The Balance was released two months later without much notice and to very little fanfare. This is an album not to be overlooked. It includes eleven new songs recorded by Mark Hallman and Andre Moran in twenty-two hours at Congress House studios in South Austin. Musicians on the CD include Will Sexton on vocals, guitar and bass, Mike Thompson on piano, guitar and trombone, Bukka Allen on B3 and accordion, Dony Wynn on drums and percussion, Ray Bonneville on harmonica, and Bill Carter on additional bass. Additional guest vocals were provided by Mark Hallman, Ruby “Red” James, Charlie Faye and Nöelle Hampton.

Amy Lavere
A burgeoning star, Amy LaVere is becoming renowned worldwide for her songwriting, bass playing, and vocals. She sings with a sweet, haunting voice that can turn on a dime from innocent to lusty (“Norah Jones with an added Cyndi Lauper element” — Mojo Magazine; “Spookiness suits her” — New York Times). Whether playing as a duo with her husband Will Sexton or with retro-country sensation Motel Mirrors, she’s an inventive, thoughtful singer-songwriter who has crowds throughout the US and Europe smitten.
Music fans first discovered this “sweet soprano” on This World is Not My Home in 2005, but it was her Jim Dickinson-produced breakout albumAnchors & Anvils two years later that put Amy LaVere on the map.

The success of Anchors & Anvils drew the attention of the UK market, and soon Amy was invited to perform on the BBC’s “Later with Jools Holland” – the appearance introduced her to an international audience, and to Craig Silvey (Arcade Fire, Jamie Cullum), who she’d later team with to produce Stranger Me (Archer Records).

Spin called the 2011 release “the break-up album of the year,” Paste said it was “among the year’s best,” and it earned a first listen feature from NPR’s All Things Considered. She followed it in 2014 with another critical smash: Runaway’s Diary, a concept album based on her own experience as a teenage runaway, produced by Luther Dickinson (North Mississippi Allstars). American Songwritercalled it “boundary pushing… heartfelt, reflective, challenging and consistently compelling.” NPR Music’s Robert Christgau said it was her best yet.

Her most recent release, Hallelujah I’m A Dreamer (Archer Records, 2015), was a surprise for fans just nine months after Runaway’s Diary, recorded with LaVere’s husband and noted guitarist Will Sexton. On Hallelujah, Amy and Will capture the immediacy of the live show they developed on the road together, reveling in a more stripped-down sound and celebrating the freedoms and limitations that come with it in stunning form. No Depression said simply: “pure bliss.”

In addition to her solo records and a tireless touring schedule, Amy enjoys collaborating with other artists. In 2012 she joined an all-star collaboration called The Wandering, composed of Amy, Luther Dickinson, Shannon McNally, Sharde Thomas and Valerie June. They released Go On Now, You Can’t Stay Here (Songs Of The South, 2012) to critical acclaim and sold out shows.

In the afterglow of The Wandering, Amy and Shannon McNally hit the road together and released an EP titled Chasing the Ghost, The Rehearsal Sessions (Archer Records, 2012) which featured songs from both artists recorded live during rehearsals for the tour.

Amy next paired up with noted rocker John Paul Keith to create Motel Mirrors. Their styles clearly complemented one another, which made for magic on stage and in the recording studio. Their eponymous vinyl EP release was named one of the “10 Essential Albums of 2013” by No Depression.

Although she’s a singer and songwriter first, Amy is also an actress. In 2005 she was cast in the role of Wanda Jackson in the Johnny Cash biopic Walk the Line (Twentieth Century Fox). Since she has appeared in a variety of independent and studio productions: Black Snake Moan (Paramount, 2006), $5 Cover (MTV, 2009), Woman’s Picture (2011) The Romance of Loneliness (2012) and most recently with Grace Zabriski in Only Child (2015).

In 2017 Amy is keeping a busy tour schedule and writing songs for a new album to be recorded later in the year. Watch for a new Motel Mirrors album to be released on Last Chance Records in the spring of 2017.

Will Sexton
Will Sexton, whose writing credits range from work with Waylon Jennings and Stephen Stills to Joe Ely and Bill Carter, is shaped by the unique diversity of the Austin music scene. Fate and his own sheer talent placed him on stage with local legends before he’d lived out his first decade. Will and his big brother, Charlie, started playing together at the Continental Club when Will was 9 and Charlie was 11. Many of the sounds of his childhood still resonate in his current work. Will received early success in Austin and was signed by MCA at age 16. He has survived in the tough Austin music scene by playing gigs with a variety of notable artists. It is never unusual to go out to catch a show featuring an Austin singer/songwriter and see Will onstage.

Will’s credits as producer and songwriter range from collaborations with Waylon Jennings to psychedelic pioneer Roky Erikson to Steve Earle and punk legend Johnny Thunders. Will has written for MCA and Almo Irving and recorded for MCA, A&M, and Zoo Entertainment. Will was in the New Folk Underground with David Baerwald, which resulted in the co-produced (w/ David Kitay) Lost Highway release Here Comes the New Folk Underground. Will names Terry Allen and Sheryl Crow hitmaker David Baerwald among his favorite writing partners. 2009 marked the completion of new production credits, including Randy Weeks’ Going My Way, and Ruby James’ CD, Happy Now, co-produced with his brother Charlie Sexton. Will also enjoys performing with Charlie Faye, Sahara Smith, and Shannon McNally.

Will has amassed an impressive collection of songs over the years, releasing his first independent album, Scenes From Nowhere, in 2001, which received a four-star review and was honored in the Top 5 Releases of 2001 by the Austin American-Statesman. Bus Stop Gossip, a previously unreleased recording from 2004, was unearthed and released in 2009 and was followed up by Move the Balance in 2010.

Things came to a temporary halt in December 2009 when Will suffered a mild stroke. Though he had a remarkable recovery, he was unable to remember much of the music he had written and played almost daily as a working musician. For him to be unable to connect with those songs mentally since the stroke was a setback few musicians could even imagine. The Austin music community has always been known for taking care of its own and came out in full force for a music benefit in honor of one of Austin’s golden sons to raise money for Will’s living expenses and medical bills.

While Will was working through the recovery process, Move The Balance was released two months later without much notice and to very little fanfare. This is an album not to be overlooked. It includes eleven new songs recorded by Mark Hallman and Andre Moran in twenty-two hours at Congress House studios in South Austin. Musicians on the CD include Will Sexton on vocals, guitar and bass, Mike Thompson on piano, guitar and trombone, Bukka Allen on B3 and accordion, Dony Wynn on drums and percussion, Ray Bonneville on harmonica, and Bill Carter on additional bass. Additional guest vocals were provided by Mark Hallman, Ruby “Red” James, Charlie Faye and Nöelle Hampton.

Bailen with Special Guest The Rad Trads

BAILEN’s gorgeous harmonies, striking arrangements and evocative songwriting springs from a very deep well. Growing up in NYC, the siblings, David, Daniel (twins!) and Julia Bailen were raised by their professional orchestral musician parents, and the young trio immersed themselves in a record collection that included Simon & Garfunkel, Joni Mitchell, Carole King and The Band. Their amazing three-part harmonies have been compared to The Staves and Fleet Foxes, however, on their debut album, Thrilled To Be Here, BAILEN have created something all their own. Produced by GRAMMY-Award winner John Congleton (St. Vincent, Manchester Orchestra, The War on Drugs), BAILEN’s shiny gleam and meticulous songcraft combine with the group’s unusual self-awareness, musicality and bite.

Named one of Sofar Sounds’ Artists to Watch in 2018, BAILEN has toured or collaborated with The Lone Bellow, Amos Lee and Joseph, among many others. Modern, melodic and soulful, BAILEN is twisting pop music in new directions, an undeniable, and welcome new arrival.

BAILEN’s gorgeous harmonies, striking arrangements and evocative songwriting springs from a very deep well. Growing up in NYC, the siblings, David, Daniel (twins!) and Julia Bailen were raised by their professional orchestral musician parents, and the young trio immersed themselves in a record collection that included Simon & Garfunkel, Joni Mitchell, Carole King and The Band. Their amazing three-part harmonies have been compared to The Staves and Fleet Foxes, however, on their debut album, Thrilled To Be Here, BAILEN have created something all their own. Produced by GRAMMY-Award winner John Congleton (St. Vincent, Manchester Orchestra, The War on Drugs), BAILEN’s shiny gleam and meticulous songcraft combine with the group’s unusual self-awareness, musicality and bite.

Named one of Sofar Sounds’ Artists to Watch in 2018, BAILEN has toured or collaborated with The Lone Bellow, Amos Lee and Joseph, among many others. Modern, melodic and soulful, BAILEN is twisting pop music in new directions, an undeniable, and welcome new arrival.

***SOLD OUT*** Paul Thorn with Special Guest Alice Drinks the Kool Aid

Raised in Tupelo, Mississippi, among the same spirits (and some of the actual people) who nurtured the young Elvis generations before, Paul Thorn has rambled down back roads, battled four-time world champion boxer Roberto Duran on national television, signed with and been dropped by a major label, performed on stages with Bonnie Raitt, Mark Knopfler, Sting, and John Prine among many others, and made some of the most emotionally restless yet relatable music of our time. With 20 years of writing, touring, and entertaining under his belt, he shows no sign of slowing down with his new record, Don’t Let the Devil Ride, breaking genre barriers and topping charts, putting a new twist on his already-entertaining live show.

Raised in Tupelo, Mississippi, among the same spirits (and some of the actual people) who nurtured the young Elvis generations before, Paul Thorn has rambled down back roads, battled four-time world champion boxer Roberto Duran on national television, signed with and been dropped by a major label, performed on stages with Bonnie Raitt, Mark Knopfler, Sting, and John Prine among many others, and made some of the most emotionally restless yet relatable music of our time. With 20 years of writing, touring, and entertaining under his belt, he shows no sign of slowing down with his new record, Don’t Let the Devil Ride, breaking genre barriers and topping charts, putting a new twist on his already-entertaining live show.

@clubcafelive

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