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pittsburgh, pa
Single Jo / Truett / The Bail Jumpers / Jamie and the Guarded Heart

Truett
People often talk about musicians needing to “pay their dues” before they deserve success. Truett has paid his many times over; enough to treat himself and ten friends to an all expenses paid trip straight to the top. Sweating it out night after night in blues bars around the South, screaming into the bright lights and cigarette smoke like the ghost of Howlin’ Wolf, soloing until his hands bled hour after hour, roadhouse after roadhouse, mile after mile.

Fast forward to today, Truett has not only developed immensely as an artist, but also as a songwriter and performer, touring all across the US and Europe, supporting the likes of Ron Pope and Jonathan Tyler, and headlining shows of his own. He released his debut self-titled EP in 2016 and now has a sophomore project, Lies and Lightning, under his belt.

“This record I focused more on ideas, lyrics and music that I had been carrying with me for a long time. Every song on this record is a story from the road or a struggle that I have dealt with in this industry, I’m very proud of it,” Truett says.

Is Truett a soul singer? He was raised on Bill Withers and Stevie Wonder and can croon a Sam Cooke song or shout his lungs out a la Jackie Wilson. Is Truett a guitar virtuoso? Hearing him play is like having Albert Collins throw his drink in your face and kick his muddy boot up on your table to solo at the height of his powers. Is what Truett does easy to define? Absolutely not. He’ll take you from the Mississippi Delta to Prince’s Minneapolis, Chicago blues to Bowery Punk, down through Outkast’s Atlanta and out the other side of the psychedelic rabbit hole. That explosive mix makes for a singular experience.

Truett is more than the sum of his influences; what he does is unique and spectacular. His work is evocative of many things, but a carbon copy of nothing that came before. He’s classic and modern, new and old, absolutely stunning in his raw, unbridled authenticity.

The Bail Jumpers
"The Bail Jumpers are a contemporary blues band consisting of six people who have a fondness and appreciation of poetic and lyrical blues, and a deep respect for the musicians who lived that life. The diverse musical experience of the band members produces unique arrangements and a sound that is best expressed through their hearts and souls."

Truett
People often talk about musicians needing to “pay their dues” before they deserve success. Truett has paid his many times over; enough to treat himself and ten friends to an all expenses paid trip straight to the top. Sweating it out night after night in blues bars around the South, screaming into the bright lights and cigarette smoke like the ghost of Howlin’ Wolf, soloing until his hands bled hour after hour, roadhouse after roadhouse, mile after mile.

Fast forward to today, Truett has not only developed immensely as an artist, but also as a songwriter and performer, touring all across the US and Europe, supporting the likes of Ron Pope and Jonathan Tyler, and headlining shows of his own. He released his debut self-titled EP in 2016 and now has a sophomore project, Lies and Lightning, under his belt.

“This record I focused more on ideas, lyrics and music that I had been carrying with me for a long time. Every song on this record is a story from the road or a struggle that I have dealt with in this industry, I’m very proud of it,” Truett says.

Is Truett a soul singer? He was raised on Bill Withers and Stevie Wonder and can croon a Sam Cooke song or shout his lungs out a la Jackie Wilson. Is Truett a guitar virtuoso? Hearing him play is like having Albert Collins throw his drink in your face and kick his muddy boot up on your table to solo at the height of his powers. Is what Truett does easy to define? Absolutely not. He’ll take you from the Mississippi Delta to Prince’s Minneapolis, Chicago blues to Bowery Punk, down through Outkast’s Atlanta and out the other side of the psychedelic rabbit hole. That explosive mix makes for a singular experience.

Truett is more than the sum of his influences; what he does is unique and spectacular. His work is evocative of many things, but a carbon copy of nothing that came before. He’s classic and modern, new and old, absolutely stunning in his raw, unbridled authenticity.

The Bail Jumpers
"The Bail Jumpers are a contemporary blues band consisting of six people who have a fondness and appreciation of poetic and lyrical blues, and a deep respect for the musicians who lived that life. The diverse musical experience of the band members produces unique arrangements and a sound that is best expressed through their hearts and souls."

(Early Show) Forty Nineteens / Los Vampiros Amarillos

The band members learned their chops in North Hollywood's Palomino Club, while playing in the Cowpunk, Paisley Underground, and Alternative scenes. They regularly played with bands such as The Red Hot Chili Peppers, Thelonious Monster, Rain Parade, Yo La Tengo, The Gun Club, Billy Bremner and countless others. It is in that tradition that The Forty Nineteens continue their freewheeling spirit.

This summer (2018) they performed with X and The Fixx.
The new record 'Good Fortune' has been heard on Sirius XM's Underground Garage, Radio Caroline and every college and commercial station in between

The band members learned their chops in North Hollywood's Palomino Club, while playing in the Cowpunk, Paisley Underground, and Alternative scenes. They regularly played with bands such as The Red Hot Chili Peppers, Thelonious Monster, Rain Parade, Yo La Tengo, The Gun Club, Billy Bremner and countless others. It is in that tradition that The Forty Nineteens continue their freewheeling spirit.

This summer (2018) they performed with X and The Fixx.
The new record 'Good Fortune' has been heard on Sirius XM's Underground Garage, Radio Caroline and every college and commercial station in between

(Late Show) Metacara with Special Guest Honey Prism

Metacara, Pittsburgh-based electronic duo, continues to explore elements of rock, jazz, and hip-hop, forming a sound that is playful and provocative. Producer Vince Nania and vocalist Kyla Rae teamed up in 2014 to form the passion project and has since released a multitude of EPs, music videos, and singles. They have collaborated with many Pittsburgh staples including Choo Jackson and Royal Haunts, and they continue to be heard across many different pockets of Pittsburgh music scene due to their unique sound. Their most recent release, "Lights Out", debuted as a single and music video this past December, contributing to their growing library of songs.

Metacara's sound is reminiscent of Phantogram, Banks, and Purity Ring, adopting the generless approach to songwriting. The duo's performances bring enough energy to dance to along with organic elements of live vocals, guitar, percussion, and beatmaking.

Metacara, Pittsburgh-based electronic duo, continues to explore elements of rock, jazz, and hip-hop, forming a sound that is playful and provocative. Producer Vince Nania and vocalist Kyla Rae teamed up in 2014 to form the passion project and has since released a multitude of EPs, music videos, and singles. They have collaborated with many Pittsburgh staples including Choo Jackson and Royal Haunts, and they continue to be heard across many different pockets of Pittsburgh music scene due to their unique sound. Their most recent release, "Lights Out", debuted as a single and music video this past December, contributing to their growing library of songs.

Metacara's sound is reminiscent of Phantogram, Banks, and Purity Ring, adopting the generless approach to songwriting. The duo's performances bring enough energy to dance to along with organic elements of live vocals, guitar, percussion, and beatmaking.

The YJJ's (Final Show) with Special Guest Back Alley Sound

Join Club Cafe and The YJJ's for The YJJalien's Last Ride.

Join Club Cafe and The YJJ's for The YJJalien's Last Ride.

The Tennessee Queens Tour 2019: LOLO & Garrison Starr

LOLO
From Jackson, TN, LOLO is a show-stopping singer who has "so much music flowing through [her] that it fills two people" (Associated Press). She has proven herself a venerable songwriter, from penning hits for Panic! At The Disco’s recent #1 blockbuster album to writing a New York Times raved about off-Broadway musical, “Songbird” — a perfect segue from LOLO's past role as the originator of Ilse in the critically-acclaimed smash musical “Spring Awakening.” Her album, In Loving Memory of When I Gave a Shit, is a come-to-Jesus moment for the songstress who moved back to Tennessee after exploring her path on the stages of New York and time in London - a literal reflection of LOLO's journey on the road back home, which paints the picture of a woman who is finally able to shine and be her true self. With a daring and emotionally charged voice, her music evokes a hot southern night – rough around the edges but with a velvety quality that soothes the soul.

Garrison Starr
Garrison Starr is a singer, songwriter and record producer based in Los Angeles. Her latest musical release, "What If There Is No Destination" was released June 2017. Starr has released 15 albums as a solo artist.

Known for her vibrant and impassioned live performances, Starr’s shows have been described as “marrying pop smarts and Americana grit with a voice of remarkable power and clarity”(gomemphis.com 2012).

Starr is a full time songwriter in Los Angeles whose songs have been featured on numerous TV shows and commercials. She regularly collaborates with various artists on projects and has found great success writing for TV and film.

In 2016, Starr collaborated with long time friend, Margaret Cho, and produced “American Myth.” Starr also co-wrote, played guitar and sang on the record. The album was nominated for a Grammy in the Comedy category.

Garrison's love for truth-telling, good whiskey and human connection has made her a darling of the singer-songwriter world.

She continues to tour the U.S. and Europe.

LOLO
From Jackson, TN, LOLO is a show-stopping singer who has "so much music flowing through [her] that it fills two people" (Associated Press). She has proven herself a venerable songwriter, from penning hits for Panic! At The Disco’s recent #1 blockbuster album to writing a New York Times raved about off-Broadway musical, “Songbird” — a perfect segue from LOLO's past role as the originator of Ilse in the critically-acclaimed smash musical “Spring Awakening.” Her album, In Loving Memory of When I Gave a Shit, is a come-to-Jesus moment for the songstress who moved back to Tennessee after exploring her path on the stages of New York and time in London - a literal reflection of LOLO's journey on the road back home, which paints the picture of a woman who is finally able to shine and be her true self. With a daring and emotionally charged voice, her music evokes a hot southern night – rough around the edges but with a velvety quality that soothes the soul.

Garrison Starr
Garrison Starr is a singer, songwriter and record producer based in Los Angeles. Her latest musical release, "What If There Is No Destination" was released June 2017. Starr has released 15 albums as a solo artist.

Known for her vibrant and impassioned live performances, Starr’s shows have been described as “marrying pop smarts and Americana grit with a voice of remarkable power and clarity”(gomemphis.com 2012).

Starr is a full time songwriter in Los Angeles whose songs have been featured on numerous TV shows and commercials. She regularly collaborates with various artists on projects and has found great success writing for TV and film.

In 2016, Starr collaborated with long time friend, Margaret Cho, and produced “American Myth.” Starr also co-wrote, played guitar and sang on the record. The album was nominated for a Grammy in the Comedy category.

Garrison's love for truth-telling, good whiskey and human connection has made her a darling of the singer-songwriter world.

She continues to tour the U.S. and Europe.

A Special Benefit for 412 Food Rescue Featuring Nameless In August, Josh Corcoran and Johnny Walylko

The mission of 412 Food Rescue is to prevent perfectly good food from entering the waste stream.

The mission of 412 Food Rescue is to prevent perfectly good food from entering the waste stream.

Country Songwriters Night with Frank Vieira, Jackson Gardner and Logan Brice

Country Songwriters Night with Frank Vieira, Jackson Gardner and Logan Brice benefiting Peyton's K9's

Frank Vieira
It's hard to tell whether Frank Vieira found country music, or whether country found him, but there's no denying it's a perfect fit. You can hear the passion in his voice and see it in his face when he performs, from the heartfelt, "I’m Right Here", to the everyman anthem, "Fill it Up." Frank's sophomore EP set to release in June reflects an impressive maturity as a songwriter and performer.

Maybe everyone should have seen this passion for country music coming, since Frank's perfect day has always included a fishing pole and a large mouth bass. But for 18 years, that passion took a backseat to different dreams. Since his first years of grade school, he played competitive football, hockey and baseball -- sports that would carry him through high school. Before he picked up his first guitar, he was a promising young quarterback and a hockey player who would go on to be a three-time high school all-star and play a year at the junior level.

However, senior year at Vestal High School -- and one class -- started to change everything. Kevin LaDue's guitar-making course was just too cool to pass up. Frank loved the idea of building his own guitar, piece-by-piece, one class session at a time. This wasn't a kit, this was hand craftsmanship right down to the finish, carefully monitored by LaDue, who had conducted this class for years. And by spring, Frank -- and each of his classmates -- had built an honest-to-goodness acoustic guitar, one that couldn't have sounded more perfect.

Frank describes it this way: “A little left of center, would describe my path into music. I grew up with no interest, no desire, to ever do anything musically, until my senior year In high school, where we were offered an elective to build an acoustic guitar .... I took the class, fell in love with the guitar, and haven't put it down since.”

Country Songwriters Night with Frank Vieira, Jackson Gardner and Logan Brice benefiting Peyton's K9's

Frank Vieira
It's hard to tell whether Frank Vieira found country music, or whether country found him, but there's no denying it's a perfect fit. You can hear the passion in his voice and see it in his face when he performs, from the heartfelt, "I’m Right Here", to the everyman anthem, "Fill it Up." Frank's sophomore EP set to release in June reflects an impressive maturity as a songwriter and performer.

Maybe everyone should have seen this passion for country music coming, since Frank's perfect day has always included a fishing pole and a large mouth bass. But for 18 years, that passion took a backseat to different dreams. Since his first years of grade school, he played competitive football, hockey and baseball -- sports that would carry him through high school. Before he picked up his first guitar, he was a promising young quarterback and a hockey player who would go on to be a three-time high school all-star and play a year at the junior level.

However, senior year at Vestal High School -- and one class -- started to change everything. Kevin LaDue's guitar-making course was just too cool to pass up. Frank loved the idea of building his own guitar, piece-by-piece, one class session at a time. This wasn't a kit, this was hand craftsmanship right down to the finish, carefully monitored by LaDue, who had conducted this class for years. And by spring, Frank -- and each of his classmates -- had built an honest-to-goodness acoustic guitar, one that couldn't have sounded more perfect.

Frank describes it this way: “A little left of center, would describe my path into music. I grew up with no interest, no desire, to ever do anything musically, until my senior year In high school, where we were offered an elective to build an acoustic guitar .... I took the class, fell in love with the guitar, and haven't put it down since.”

Combo Chimbita with Special Guest Gena y Pena

Through her folkloric mystique, otherworldly psychedelia, and a dash of enigmatic punk, Ahomale by Combo Chimbita catapults the sacred knowledge of our forebears into the future. Their second studio album and Anti- Records debut sees the visionary quartet drawing from ancestral mythologies and musical enlightenment to unearth the awareness of Ahomale, the album’s cosmic muse. Comprised of Carolina Oliveros’ mesmeric contralto, illuminating storytelling and fierce guacharaca rhythms, Prince of Queens’ hypnotic synth stabs and grooving bass lines, Niño Lento’s imaginative guitar licks, and Dilemastronauta’s powerful drumming, the lure and lore of Combo Chimbita comes into existence.

The legend begins with their first EP, 2016’s El Corredor del Jaguar, and followed up with the occult psychedelia of Abya Yala. In 2019’s Ahomale, the New York-by-way-of-Colombia troupe fuse the perennial rhythms of the Afro-Latinx diaspora with a modern-day consciousness, while tracing the prophetic traditions of our ancestry. “The more we’ve played music together, the more we began to discover things within ourselves that we were previously unaware of, almost like an energy. And that’s being communicated through our music,” explains Prince of Queens in the making of Ahomale.

Inspired by a Yoruba term, Ahomale, meaning adorer of ancestors, Oliveros reveals her quest to connect with ancestral cosmology, which the Combo pays homage to. “Ahomale resurges from the visions that we’ve been having via our music and life, and the lyrics reflect a manifestation passed on through our ancestors and the gods,” she explains. “I wanted the album to convey the search for spiritual awareness, which ultimately serves as a revelation.” In a similar spirit, Niño Lento conveys: “The protagonist of this album whose name is Ahomale possesses the ability to communicate ancestral wisdom through the music.”

With the help of producer Daniel Schlett (The War on Drugs, Modest Mouse), the group’s rootsy experimental alchemy and metal strangeness take centerfold. Oliveros howls, yowls and chirps with gut-wrenching emotion, like on the languid mirage of “El Camino,” or plaintive frenzy of the title track. Whether rock raw and soulful or bewitching like a shaman in a spiritual ceremony, her voice is always a multifaceted wonder. “Brillo Más Que El Oro (La Bala Apuntándome)” boasts alluring vintage synths that seem to time travel through the lush tropics of yore; then, the mood intensifies when its bridge brilliantly crosses into a spellbinding chant sung in unison: “Y si digo que / Que ahora ya lo se” (“And if I say that I now know”). “Testigo” is pure melodic witchcraft in action that strips away wordly façades into something bare and beautiful: “Desde principio a fin, yo siempre di mi verdad” (“from beginning to end, I always gave my truth), the singer vulnerably croons against a whirling guitar and galloping percussions.

Ultimately, Ahomale is a catharsis of divine feminine force helmed by their powerhouse vocalist, laden with the teachings from a bygone era, in tune with the spiritual realm. “Our spirit and energy have passed through multiple generations,” says Prince of Queens. “We might not be open or allowed to explore it because of Western society’s conditions. But the idea is that we are receiving messages from the past, and from our ancestors that each one of us carry.” In nearly 40 minutes of eye-opening thrills and chills, the listener experiences the pedagogy of Ahomale, journeying through her epiphanies and enlightenment. “Ahomale is a warrior, not the sword and shield type, but a woman who is ready to listen to her heart, follow her intuition and connect with her ancestors,” Oliveros avows.—Isabela Raygoza

Through her folkloric mystique, otherworldly psychedelia, and a dash of enigmatic punk, Ahomale by Combo Chimbita catapults the sacred knowledge of our forebears into the future. Their second studio album and Anti- Records debut sees the visionary quartet drawing from ancestral mythologies and musical enlightenment to unearth the awareness of Ahomale, the album’s cosmic muse. Comprised of Carolina Oliveros’ mesmeric contralto, illuminating storytelling and fierce guacharaca rhythms, Prince of Queens’ hypnotic synth stabs and grooving bass lines, Niño Lento’s imaginative guitar licks, and Dilemastronauta’s powerful drumming, the lure and lore of Combo Chimbita comes into existence.

The legend begins with their first EP, 2016’s El Corredor del Jaguar, and followed up with the occult psychedelia of Abya Yala. In 2019’s Ahomale, the New York-by-way-of-Colombia troupe fuse the perennial rhythms of the Afro-Latinx diaspora with a modern-day consciousness, while tracing the prophetic traditions of our ancestry. “The more we’ve played music together, the more we began to discover things within ourselves that we were previously unaware of, almost like an energy. And that’s being communicated through our music,” explains Prince of Queens in the making of Ahomale.

Inspired by a Yoruba term, Ahomale, meaning adorer of ancestors, Oliveros reveals her quest to connect with ancestral cosmology, which the Combo pays homage to. “Ahomale resurges from the visions that we’ve been having via our music and life, and the lyrics reflect a manifestation passed on through our ancestors and the gods,” she explains. “I wanted the album to convey the search for spiritual awareness, which ultimately serves as a revelation.” In a similar spirit, Niño Lento conveys: “The protagonist of this album whose name is Ahomale possesses the ability to communicate ancestral wisdom through the music.”

With the help of producer Daniel Schlett (The War on Drugs, Modest Mouse), the group’s rootsy experimental alchemy and metal strangeness take centerfold. Oliveros howls, yowls and chirps with gut-wrenching emotion, like on the languid mirage of “El Camino,” or plaintive frenzy of the title track. Whether rock raw and soulful or bewitching like a shaman in a spiritual ceremony, her voice is always a multifaceted wonder. “Brillo Más Que El Oro (La Bala Apuntándome)” boasts alluring vintage synths that seem to time travel through the lush tropics of yore; then, the mood intensifies when its bridge brilliantly crosses into a spellbinding chant sung in unison: “Y si digo que / Que ahora ya lo se” (“And if I say that I now know”). “Testigo” is pure melodic witchcraft in action that strips away wordly façades into something bare and beautiful: “Desde principio a fin, yo siempre di mi verdad” (“from beginning to end, I always gave my truth), the singer vulnerably croons against a whirling guitar and galloping percussions.

Ultimately, Ahomale is a catharsis of divine feminine force helmed by their powerhouse vocalist, laden with the teachings from a bygone era, in tune with the spiritual realm. “Our spirit and energy have passed through multiple generations,” says Prince of Queens. “We might not be open or allowed to explore it because of Western society’s conditions. But the idea is that we are receiving messages from the past, and from our ancestors that each one of us carry.” In nearly 40 minutes of eye-opening thrills and chills, the listener experiences the pedagogy of Ahomale, journeying through her epiphanies and enlightenment. “Ahomale is a warrior, not the sword and shield type, but a woman who is ready to listen to her heart, follow her intuition and connect with her ancestors,” Oliveros avows.—Isabela Raygoza

Lucy La Bam Presents The 2019 Burlypicks - Burlesque & Variety Performance Competition - Pennsylvania Regional

Lucy La Bam & Opus One Present

The 2019 Burlypicks - Burlesque & Variety Performance Competition - Pennsylvania Regional

The best of burlesque and variety from around the world.

Lucy La Bam & Opus One Present

The 2019 Burlypicks - Burlesque & Variety Performance Competition - Pennsylvania Regional

The best of burlesque and variety from around the world.

Ages and Ages with Special Guest Kyle Emerson (Full Band Performance)

For the past two years, Tim Perry and Rob Oberdorfer, the creative braintrust behind the offbeat but often upbeat group Ages and Ages got together twice a week to work on new music, along with drummer and co-producer Evan Railton. Not terribly out of the ordinary, really. They were, after all, in the process of creating a follow up to their acclaimed 2016 album Something To Ruin.

But beyond just the simple act of getting together with friends to create, it proved to be a necessary ballast. In the wake of the 2016 election when every day seemed to bring a new bit of insanity to our lives, this was something to look forward to and something to help them make sense of it all. Call it musical group therapy.

“Art is supposed to help get at the root of the human experience and what it’s like to be alive,” Perry says. “And the challenge is how do you make music that confronts these complicated, important and sometimes very dark questions and do so in a way that still bounces around and maintains some level of optimism?”

It’s a thin needle to thread but Ages and Ages have done just that on their forthcoming album Me You They We. The 10 songs on this self-released LP don’t shy away from the uneasy feelings so many of us have been having since 2016. They shine a light through the murk with a glistening sound and lyrics that are unblinking yet suffused with a sense of hope.

The Elton John-like grinder “Forever Cul-De-Sac” addresses cultural myopia and looking for those outlets to see what’s beyond the titular dead-end street (“I want to have vision/but I can’t see out,” Perry sings). The shimmering, swinging “How It Feels” admits that “my problems are irrelevant” when compared with folks that are truly struggling but that “doesn’t make them any less real.” And on “Unsung Songs,” Perry and Allen sing about what it’s like to be caught on the wrong end of the political pendulum over a wash of synth-heavy dream pop capped by falsetto vocals.

The process of creating Me You They We was a long, deliberate one. It was a bit of a luxury, with the trio having their twice-weekly writing and recording sessions at Oberdorfer’s home studio, sometimes with friends adding vocals, including newest member Lizzy Rose Allen. Having that space and equipment allowed them to work through the material at their own pace, taking creative sideroads whenever an idea presented itself. Working on their own, they could have complete control over the sessions, without outside voices muddying the waters. Me You They We feels like a true statement of purpose for Ages and Ages. They are setting their own course.

“We just want to make good music,” Oberdorfer says. “And we want to be real with other people who want to be real. We want to challenge ourselves and our friends to break down barriers as much as we can to lead each other back to sanity.”

For the past two years, Tim Perry and Rob Oberdorfer, the creative braintrust behind the offbeat but often upbeat group Ages and Ages got together twice a week to work on new music, along with drummer and co-producer Evan Railton. Not terribly out of the ordinary, really. They were, after all, in the process of creating a follow up to their acclaimed 2016 album Something To Ruin.

But beyond just the simple act of getting together with friends to create, it proved to be a necessary ballast. In the wake of the 2016 election when every day seemed to bring a new bit of insanity to our lives, this was something to look forward to and something to help them make sense of it all. Call it musical group therapy.

“Art is supposed to help get at the root of the human experience and what it’s like to be alive,” Perry says. “And the challenge is how do you make music that confronts these complicated, important and sometimes very dark questions and do so in a way that still bounces around and maintains some level of optimism?”

It’s a thin needle to thread but Ages and Ages have done just that on their forthcoming album Me You They We. The 10 songs on this self-released LP don’t shy away from the uneasy feelings so many of us have been having since 2016. They shine a light through the murk with a glistening sound and lyrics that are unblinking yet suffused with a sense of hope.

The Elton John-like grinder “Forever Cul-De-Sac” addresses cultural myopia and looking for those outlets to see what’s beyond the titular dead-end street (“I want to have vision/but I can’t see out,” Perry sings). The shimmering, swinging “How It Feels” admits that “my problems are irrelevant” when compared with folks that are truly struggling but that “doesn’t make them any less real.” And on “Unsung Songs,” Perry and Allen sing about what it’s like to be caught on the wrong end of the political pendulum over a wash of synth-heavy dream pop capped by falsetto vocals.

The process of creating Me You They We was a long, deliberate one. It was a bit of a luxury, with the trio having their twice-weekly writing and recording sessions at Oberdorfer’s home studio, sometimes with friends adding vocals, including newest member Lizzy Rose Allen. Having that space and equipment allowed them to work through the material at their own pace, taking creative sideroads whenever an idea presented itself. Working on their own, they could have complete control over the sessions, without outside voices muddying the waters. Me You They We feels like a true statement of purpose for Ages and Ages. They are setting their own course.

“We just want to make good music,” Oberdorfer says. “And we want to be real with other people who want to be real. We want to challenge ourselves and our friends to break down barriers as much as we can to lead each other back to sanity.”

@clubcafelive

56-58 South 12th Street, Pittsburgh PA 15203 (In Pittsburgh’s Historic South Side)