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The Suffers

There is a contagious and combustible energy every time the eight-piece wonder-band The Suffers steps on the scene. NPR's Bob Boilen attributes the band's allure to their "Soul, straight from horn to heart." He adds, "This band is on fire when it's in front of an audience...but the intensity of their shows are also captured in the studio." Following The Suffers' electrifying late night TV debut on Letterman in 2015, David Letterman exclaimed, "If you can't do this, get out of the business!" There is something undeniable about The Suffers (whose name is a reference to the 1978 Jamaican film Rockers starring Leroy "Horsemouth" Wallace, Jacob Miller and Burning Spear, among others), that instantly hits home with their audiences. "We make music for all people," says lead vocalist Kam Franklin. "At this point, we've played all over the world and one thing is certain - if the music is good, the people will enjoy it." Since 2011, the H-Town heroes have been on a steady grind and have no plans of stopping. It seems the secret to their success is simple. Keyboardist Patrick Kelly confides, "There is a universal groove in the music that we play," while bass guitarist Adam Castaneda adds, "I don't think any of us are trying to impress anyone with our technical abilities, we just want to make them dance."

Shanachie Entertainment will release The Suffers' highly anticipated label debut Everything Here on July 13, 2018. Guitarist Kevin Bernier says, "Everything Here, as a whole, explores the many aspects of who we are as people through songs. We've had crushes on people, we've had our hearts broken, and we've moved through all the difficult times so that we can experience the joyful moments." The Suffers have got everything you need and there's no need to look further - a heaping dose of soul, a dash of reggae, a splash of jazz, a pinch of salsa, a hint of rock 'n' roll and a dollop of hip hop and funk - and that is just a few ingredients simmering inside their magical Gulf Coast soul. Percussionist Jose Luna says, "The glue that holds us together is our experience. We have all played with so many bands and musicians through the years that we have learned how not to step on each others toes."

Everything Here, a riveting collection of 15 originals that gives props to Houston (there are even cameos from Houston rappers Paul Wall and Bun B), explores the many sides of love, celebrates the virtues of individuality, reminds us of the destruction of Harvey and resilience of the human spirit and declares love for their mothers. All of these themes coalesce into one soulful soundtrack. The band co-produced the album with John Allen Stephens and Zeke Listenbee co-produced on several tracks. Trombonist Michael Razo explains, "One of our goals was to have the songs on the album flow or tie into each other. Like creating an album where you just press play and let it go without having to skip to the next song."

"The Suffers are a contemporary version of the great R&B/funk bands of 70s and 80s...Rufus, Earth, Wind & Fire, Kool & The Gang, with a powerful lead vocalist in Kam Franklin and spot-on musicianship that is all too rare these days," says Shanachie Entertainment General Manager, Randall Grass. "They've done a great job of building a base on their own and we at Shanachie are looking forward to taking them to the next level." The Suffers’ drive coupled with their can't lose attitude and serious chops have taken them from their beloved Houston to the world stage (they are the first band to break nationally out of Houston in a long time). Lead singer Kam Franklin has the distinction of being a spokesperson for Houston as she has been tapped by the city to appear in a national tourism advertisement. “It means a lot to me that the city would trust me in such a grand way to represent them,” shares the dynamic singer/songwriter. “Houston has played a huge part in making me who I am and introducing our music to the masses, and for that, we are forever grateful.” The Suffers have played sold out shows in Japan and Latin America, turned out audiences at the Newport Folk Festival and Afropunk Festival and made believers of just about anyone who has experienced their live shows. "We're a testament to teamwork and camaraderie resulting in things working out even when the odds are against a positive outcome," says drummer Nick Zamora. "The wonderful thing about music is that it is ultimate universal communication," reflects trumpeter Jon Durbin.

The Suffers exploded onto the scene in 2015 with their dazzling EP Make Some Room, which was followed by their critically heralded self-titled debut in 2016. The highly anticipated Everything Here is the band’s most bold statement yet. Nick Zamora shares, “We were nervous because we didn’t know how to write an album while devoting so much time to touring and keeping our personal lives together at the same time. We started doing it when we could; on the road, at home, finding inspiration here and there. We wrote about our post-9 to 5 epiphanies, relationships and music that just felt good.” As the album began to morph into creation the band trusted their vision. “I think that the idea has always been to be as honest as we can,” says Patrick Kelly. Kam

Everything Here opens ceremoniously with a smooth and fun-loving head-nod to Houston. Paul Wall jumps on the intro as the background vocals sing, “It might not be that pretty but it looks real good to me. It might not be your favorite city but it’s really got a hold on me.” Kam Franklin says, “Not only does Paul Wall serve as an unofficial ambassador for the city, he is a hard working artist that brought this song the life we thought it was missing!” The effervescently playful “I Think I Love You” follows with blustery horns and bluesy vocals. The song chronicles the moment when the universe throws you a curveball in the way of a new and unexpected love interest. Franklin shares, “This song is about embracing that confidence that comes with not needing to depend on a lover, while still being open to the possibilities of new romance.” “Do Whatever,” the album’s second single, is a song the band nurtured for two years before they finally recorded it. During this evolution, it has come to stand as a sort of anthem for them on living your life on your own terms. It opens with soul-stirring horns, thumping bass lines and Kam laying down the law singing, "Full on disclosure, I'm not here for exposure. I came to have a good time so let me shine...Do whatever feels right, all night, alright, alright!" The driving rhythms and hip-hop tinged “The One About Sace” has some fun chronicling the journey of getting to know someone. With references to Nas and the film “The Five Heartbeats,” Kam asks questions to get to know her love interest better. The hopping Rhodes, skipping melody and fabulous orchestration on “All I Want To Do” reminds us of the virtues of following your heart. The song, which Nick Zamora penned while still in high school, showcases lyrics to live by: “If it don’t taste good, I don’t have to eat it. If it don’t fit well, I don’t have to wear it. And if it ain’t broke I don’t have to fix it.” Everything Here also highlights the tender ballad featuring lush strings and shimmering percussion, “Sure To Remain,” while “Charlotte” breaks down the walls of negativity and features Paul Wall once again. Franklin shares, “The demo for this one was written in Charlotte, NC after a really rough day on the road. A few outsiders tried to break us down with their negativity, but we were not having it. The end result was us holding our heads up high and proceeding to do what we love most: creating smooth music that makes us and the masses happy!”

Hurricane Harvey hit Houston in August of 2017. Its devastation in many ways are comparable to the effects of Katrina. Despite the media’s dissipating coverage, Houston is still recovering. “After the Storm” is a song that Kam wrote with her friend Lisa E. Harris during Hurricane Harvey. The song features Lyle Divinsky, lead singer for Denver-based funk band, The Motet. The arresting track opens with a percussive heartbeat that stops you in your tracks. Kam explains, “In the days after the storm, the city enforced a mandatory curfew that meant everyone needed to be in their houses by 10pm every night. While visiting Lisa, we lost track of time, and ended up having a mandatory slumber party due to the curfew and ended up writing this song.” The Suffers serve up some sharp-edged funk on the dance-inducing “What You Said,” which is all about communication as the lyrics exclaim “It’s not what you said, its how you said it. It’s not what you did, it’s how you did it!”

The Suffers are family. Spend ten minutes with the band and you know that the ties that bind them go well beyond the music. They are truly a democracy in which every voice is heard and respected and they also love their mamas! On the heart-warming interlude “A Word From Our Mammas,” the band turn the mics on their mothers who are heard confessing their love for their children. The song “Mammas” very well could rival The Intruders seminal tribute to mama’s everywhere. “Bernard’s Interlude” features the baritone of pisces, poet and rapper Bun B. Kam’s idea to feature a few MC’s on the recording was inspired by Kanye West. “I had a vision of getting a bunch of different rappers to do our interludes, similar to what Kanye did on his first few albums with the comedians. Instead of rapping, the vision was to show a different side of their personalities the world hasn’t seen before. For Bun, I knew I wanted him to sing. Bun came in, and killed it on the first take.”

The dub and reggae fueled title track takes us through the travails of a devastating breakup and was penned by Nick Zamora’s brother and former band member Alex, who shared additional guitar duties. The sultry jazz vibes and delightfully unexpected key changes of “You Only Call” serves as a notice to all those who take but don’t give back, while “Won’t Be Here Tomorrow” is a real soul/blues showstopper. Kam Franklin’s raspy and ‘take no prisoners’ vocals tell the story of a woman who has chosen to confront her cheating partner. “It’s a little eerie, but at the same time, it’s empowering,” says Kam. “She knows that he wants to be with her, so the power is in her hands. So, instead of automatically writing him off, she gives him the opportunity to explain why she should stay. This was one of my favorite songs to record on the album due to the fact that we brought in a choir of amazing singers to fill out the song.”

With the release of Everything Here, The Suffers are bound to further endear die-hard fans and make believers of new ones. Jon Durbin says, “I hope our music helps people and that our songs can be healing and inspirational.” Kam Franklin concludes, “We make music for ourselves, but the performances are 100 percent for the people. They are the reason we are on the road. They are the reason we get to eat. They are the reason for what we do. We’d be nothing without them, and it’s something we remind ourselves of every night.”

There is a contagious and combustible energy every time the eight-piece wonder-band The Suffers steps on the scene. NPR's Bob Boilen attributes the band's allure to their "Soul, straight from horn to heart." He adds, "This band is on fire when it's in front of an audience...but the intensity of their shows are also captured in the studio." Following The Suffers' electrifying late night TV debut on Letterman in 2015, David Letterman exclaimed, "If you can't do this, get out of the business!" There is something undeniable about The Suffers (whose name is a reference to the 1978 Jamaican film Rockers starring Leroy "Horsemouth" Wallace, Jacob Miller and Burning Spear, among others), that instantly hits home with their audiences. "We make music for all people," says lead vocalist Kam Franklin. "At this point, we've played all over the world and one thing is certain - if the music is good, the people will enjoy it." Since 2011, the H-Town heroes have been on a steady grind and have no plans of stopping. It seems the secret to their success is simple. Keyboardist Patrick Kelly confides, "There is a universal groove in the music that we play," while bass guitarist Adam Castaneda adds, "I don't think any of us are trying to impress anyone with our technical abilities, we just want to make them dance."

Shanachie Entertainment will release The Suffers' highly anticipated label debut Everything Here on July 13, 2018. Guitarist Kevin Bernier says, "Everything Here, as a whole, explores the many aspects of who we are as people through songs. We've had crushes on people, we've had our hearts broken, and we've moved through all the difficult times so that we can experience the joyful moments." The Suffers have got everything you need and there's no need to look further - a heaping dose of soul, a dash of reggae, a splash of jazz, a pinch of salsa, a hint of rock 'n' roll and a dollop of hip hop and funk - and that is just a few ingredients simmering inside their magical Gulf Coast soul. Percussionist Jose Luna says, "The glue that holds us together is our experience. We have all played with so many bands and musicians through the years that we have learned how not to step on each others toes."

Everything Here, a riveting collection of 15 originals that gives props to Houston (there are even cameos from Houston rappers Paul Wall and Bun B), explores the many sides of love, celebrates the virtues of individuality, reminds us of the destruction of Harvey and resilience of the human spirit and declares love for their mothers. All of these themes coalesce into one soulful soundtrack. The band co-produced the album with John Allen Stephens and Zeke Listenbee co-produced on several tracks. Trombonist Michael Razo explains, "One of our goals was to have the songs on the album flow or tie into each other. Like creating an album where you just press play and let it go without having to skip to the next song."

"The Suffers are a contemporary version of the great R&B/funk bands of 70s and 80s...Rufus, Earth, Wind & Fire, Kool & The Gang, with a powerful lead vocalist in Kam Franklin and spot-on musicianship that is all too rare these days," says Shanachie Entertainment General Manager, Randall Grass. "They've done a great job of building a base on their own and we at Shanachie are looking forward to taking them to the next level." The Suffers’ drive coupled with their can't lose attitude and serious chops have taken them from their beloved Houston to the world stage (they are the first band to break nationally out of Houston in a long time). Lead singer Kam Franklin has the distinction of being a spokesperson for Houston as she has been tapped by the city to appear in a national tourism advertisement. “It means a lot to me that the city would trust me in such a grand way to represent them,” shares the dynamic singer/songwriter. “Houston has played a huge part in making me who I am and introducing our music to the masses, and for that, we are forever grateful.” The Suffers have played sold out shows in Japan and Latin America, turned out audiences at the Newport Folk Festival and Afropunk Festival and made believers of just about anyone who has experienced their live shows. "We're a testament to teamwork and camaraderie resulting in things working out even when the odds are against a positive outcome," says drummer Nick Zamora. "The wonderful thing about music is that it is ultimate universal communication," reflects trumpeter Jon Durbin.

The Suffers exploded onto the scene in 2015 with their dazzling EP Make Some Room, which was followed by their critically heralded self-titled debut in 2016. The highly anticipated Everything Here is the band’s most bold statement yet. Nick Zamora shares, “We were nervous because we didn’t know how to write an album while devoting so much time to touring and keeping our personal lives together at the same time. We started doing it when we could; on the road, at home, finding inspiration here and there. We wrote about our post-9 to 5 epiphanies, relationships and music that just felt good.” As the album began to morph into creation the band trusted their vision. “I think that the idea has always been to be as honest as we can,” says Patrick Kelly. Kam

Everything Here opens ceremoniously with a smooth and fun-loving head-nod to Houston. Paul Wall jumps on the intro as the background vocals sing, “It might not be that pretty but it looks real good to me. It might not be your favorite city but it’s really got a hold on me.” Kam Franklin says, “Not only does Paul Wall serve as an unofficial ambassador for the city, he is a hard working artist that brought this song the life we thought it was missing!” The effervescently playful “I Think I Love You” follows with blustery horns and bluesy vocals. The song chronicles the moment when the universe throws you a curveball in the way of a new and unexpected love interest. Franklin shares, “This song is about embracing that confidence that comes with not needing to depend on a lover, while still being open to the possibilities of new romance.” “Do Whatever,” the album’s second single, is a song the band nurtured for two years before they finally recorded it. During this evolution, it has come to stand as a sort of anthem for them on living your life on your own terms. It opens with soul-stirring horns, thumping bass lines and Kam laying down the law singing, "Full on disclosure, I'm not here for exposure. I came to have a good time so let me shine...Do whatever feels right, all night, alright, alright!" The driving rhythms and hip-hop tinged “The One About Sace” has some fun chronicling the journey of getting to know someone. With references to Nas and the film “The Five Heartbeats,” Kam asks questions to get to know her love interest better. The hopping Rhodes, skipping melody and fabulous orchestration on “All I Want To Do” reminds us of the virtues of following your heart. The song, which Nick Zamora penned while still in high school, showcases lyrics to live by: “If it don’t taste good, I don’t have to eat it. If it don’t fit well, I don’t have to wear it. And if it ain’t broke I don’t have to fix it.” Everything Here also highlights the tender ballad featuring lush strings and shimmering percussion, “Sure To Remain,” while “Charlotte” breaks down the walls of negativity and features Paul Wall once again. Franklin shares, “The demo for this one was written in Charlotte, NC after a really rough day on the road. A few outsiders tried to break us down with their negativity, but we were not having it. The end result was us holding our heads up high and proceeding to do what we love most: creating smooth music that makes us and the masses happy!”

Hurricane Harvey hit Houston in August of 2017. Its devastation in many ways are comparable to the effects of Katrina. Despite the media’s dissipating coverage, Houston is still recovering. “After the Storm” is a song that Kam wrote with her friend Lisa E. Harris during Hurricane Harvey. The song features Lyle Divinsky, lead singer for Denver-based funk band, The Motet. The arresting track opens with a percussive heartbeat that stops you in your tracks. Kam explains, “In the days after the storm, the city enforced a mandatory curfew that meant everyone needed to be in their houses by 10pm every night. While visiting Lisa, we lost track of time, and ended up having a mandatory slumber party due to the curfew and ended up writing this song.” The Suffers serve up some sharp-edged funk on the dance-inducing “What You Said,” which is all about communication as the lyrics exclaim “It’s not what you said, its how you said it. It’s not what you did, it’s how you did it!”

The Suffers are family. Spend ten minutes with the band and you know that the ties that bind them go well beyond the music. They are truly a democracy in which every voice is heard and respected and they also love their mamas! On the heart-warming interlude “A Word From Our Mammas,” the band turn the mics on their mothers who are heard confessing their love for their children. The song “Mammas” very well could rival The Intruders seminal tribute to mama’s everywhere. “Bernard’s Interlude” features the baritone of pisces, poet and rapper Bun B. Kam’s idea to feature a few MC’s on the recording was inspired by Kanye West. “I had a vision of getting a bunch of different rappers to do our interludes, similar to what Kanye did on his first few albums with the comedians. Instead of rapping, the vision was to show a different side of their personalities the world hasn’t seen before. For Bun, I knew I wanted him to sing. Bun came in, and killed it on the first take.”

The dub and reggae fueled title track takes us through the travails of a devastating breakup and was penned by Nick Zamora’s brother and former band member Alex, who shared additional guitar duties. The sultry jazz vibes and delightfully unexpected key changes of “You Only Call” serves as a notice to all those who take but don’t give back, while “Won’t Be Here Tomorrow” is a real soul/blues showstopper. Kam Franklin’s raspy and ‘take no prisoners’ vocals tell the story of a woman who has chosen to confront her cheating partner. “It’s a little eerie, but at the same time, it’s empowering,” says Kam. “She knows that he wants to be with her, so the power is in her hands. So, instead of automatically writing him off, she gives him the opportunity to explain why she should stay. This was one of my favorite songs to record on the album due to the fact that we brought in a choir of amazing singers to fill out the song.”

With the release of Everything Here, The Suffers are bound to further endear die-hard fans and make believers of new ones. Jon Durbin says, “I hope our music helps people and that our songs can be healing and inspirational.” Kam Franklin concludes, “We make music for ourselves, but the performances are 100 percent for the people. They are the reason we are on the road. They are the reason we get to eat. They are the reason for what we do. We’d be nothing without them, and it’s something we remind ourselves of every night.”

Stay Happy and Opus One Comedy present Just Some Regulars Tour feat. Kevin Budkey, Terry Jones, Zako Ryan & Paige Blair

Just Some Regulars Tour features some of the top rising comedians in the country.

This stop of the tour features Kevin Budkey (Who is also celebrating his 26th birthday this night), Terry Jones, Zako Ryan & Paige Blair. The show will also be opened by local comedians Joey Purse, Andreas O'Rourke & a Special Guest!

Kevin Budkey is a comedian currently living in Chicago, IL originally from Pittsburgh, PA. He recently finished the Improv Program at The Second City, and toured with Pauly Shore across the country. Performing at clubs like the Ontario Improv in Ontario, CA, Ice House in Pasadena, CA, Harrisburg Comedy Zone in Harrisburg, PA and the Chicago Improv, in Chicago, IL. He has also performed at the Pittsburgh Improv a few times in 2017, 2016 and for his 3rd performance in 2014.

Terry Jones is a comedian from Pittsburgh, PA who now performs at top clubs and for corporate and college audiences throughout the tri-state area. He has opened for the likes of Eddie Griffin, Hal Sparks, Jo 'Koy, Bert Kreischer, John Witherspoon, Gary Owens and many more. Terry made his television debut on NUVOtv's Stand Up & Deliver after performing at the first annual Cabo Comedy Festival. He is also formerly part of Jim Krenn and The Q Morning Show on Q92.9FM.

Zako Ryan is a "nothing is off limits" comedian rising through the ranks in the Chicago comedy scene. A former military vet, college graduate, and engineer, Zako is now a full-time actor/comedian/producer who can be seen putting on shows all over Chicago and performing all over the country. Most notably Zako is a producer at the Laugh Factory in Chicago and his comedy credits include Zanies, Laugh Factory, The Comedy Bar, Improv, the Memphis Urban Comedy Festival, The World Series of Comedy and the House of Blues.

Paige Blair is a cheerful and upbeat comedian also rising through the ranks in the Chicago comedy scene. Originally from the Chicago area, you can see her passion, derived from the famous city, shine through her comedy. Most notably Paige is a producer at the Laugh Factory in Chicago and her comedy credits include Zanies, Laugh Factory and The Comedy Bar.

Just Some Regulars Tour features some of the top rising comedians in the country.

This stop of the tour features Kevin Budkey (Who is also celebrating his 26th birthday this night), Terry Jones, Zako Ryan & Paige Blair. The show will also be opened by local comedians Joey Purse, Andreas O'Rourke & a Special Guest!

Kevin Budkey is a comedian currently living in Chicago, IL originally from Pittsburgh, PA. He recently finished the Improv Program at The Second City, and toured with Pauly Shore across the country. Performing at clubs like the Ontario Improv in Ontario, CA, Ice House in Pasadena, CA, Harrisburg Comedy Zone in Harrisburg, PA and the Chicago Improv, in Chicago, IL. He has also performed at the Pittsburgh Improv a few times in 2017, 2016 and for his 3rd performance in 2014.

Terry Jones is a comedian from Pittsburgh, PA who now performs at top clubs and for corporate and college audiences throughout the tri-state area. He has opened for the likes of Eddie Griffin, Hal Sparks, Jo 'Koy, Bert Kreischer, John Witherspoon, Gary Owens and many more. Terry made his television debut on NUVOtv's Stand Up & Deliver after performing at the first annual Cabo Comedy Festival. He is also formerly part of Jim Krenn and The Q Morning Show on Q92.9FM.

Zako Ryan is a "nothing is off limits" comedian rising through the ranks in the Chicago comedy scene. A former military vet, college graduate, and engineer, Zako is now a full-time actor/comedian/producer who can be seen putting on shows all over Chicago and performing all over the country. Most notably Zako is a producer at the Laugh Factory in Chicago and his comedy credits include Zanies, Laugh Factory, The Comedy Bar, Improv, the Memphis Urban Comedy Festival, The World Series of Comedy and the House of Blues.

Paige Blair is a cheerful and upbeat comedian also rising through the ranks in the Chicago comedy scene. Originally from the Chicago area, you can see her passion, derived from the famous city, shine through her comedy. Most notably Paige is a producer at the Laugh Factory in Chicago and her comedy credits include Zanies, Laugh Factory and The Comedy Bar.

Bad Bad Hats

Bad Bad Hats is an indie rock band from Minneapolis, Minnesota. The band consists of Kerry Alexander, Chris Hoge, and Connor Davison. Named for a trouble-making character from the Madeline children's books, Bad Bad Hats is defined by a balance of sweet and sour. Their music honors classic pop songwriting, with nods to nineties rock simplicity and pop-punk frivolity. Through it all, Alexander's unflinchingly sincere lyrics cut to the emotional heart of things.

Alexander and Hoge met while attending Macalester College in Saint Paul, Minnesota. In 2012, they formed Bad Bad Hats with friend and bassist Noah Boswell, and began performing around the Twin Cities. That same year, they were signed by Minneapolis label Afternoon Records. Their 2015 debut album Psychic Reader caught the attention of outlets including The New Yorker, NPR, Pitchfork, and Paste. Since the release of Psychic Reader, Bad Bad Hats has toured the U.S. extensively, supporting artists including Margaret Glaspy, Hippo Campus, and Third Eye Blind.

Lightning Round, the band's second full-length album, finds Bad Bad Hats more confident and mature than ever. Producer and collaborator Brett Bullion (who also produced Psychic Reader) encouraged the group to record live in the studio, an approach which pushed the band outside of their comfort zone and lends many songs on the record a loose, organic feel. There is a vulnerability in this (fluttering tape loops, a few wrong notes) and it makes the music on the new album feel as honest and unpredictable as Alexander's lyrics. In this spontaneous environment, Hoge, who is known to play every instrument in the band, delivers some of his most inspired musical performances yet.

As for Alexander, she's still writing love songs, ones that recount with cinematic swell the subtle joy and pain of the everyday. Her vocals are supported by open, breathing arrangements that feature lush keyboard sounds and woody guitar tones. Davison was recruited to play drums on the album and became a full-time member in the process. His drumming and melodic contributions give the new songs a level of nuance not heard in previous releases.

Lightning Round marks the final release with contributions from original member Noah Boswell, who will be leaving the group this fall to pursue a master's degree. Bad Bad Hats continues with Alexander, Hoge, and Davison. They have plans to tour the country this year.

Bad Bad Hats is an indie rock band from Minneapolis, Minnesota. The band consists of Kerry Alexander, Chris Hoge, and Connor Davison. Named for a trouble-making character from the Madeline children's books, Bad Bad Hats is defined by a balance of sweet and sour. Their music honors classic pop songwriting, with nods to nineties rock simplicity and pop-punk frivolity. Through it all, Alexander's unflinchingly sincere lyrics cut to the emotional heart of things.

Alexander and Hoge met while attending Macalester College in Saint Paul, Minnesota. In 2012, they formed Bad Bad Hats with friend and bassist Noah Boswell, and began performing around the Twin Cities. That same year, they were signed by Minneapolis label Afternoon Records. Their 2015 debut album Psychic Reader caught the attention of outlets including The New Yorker, NPR, Pitchfork, and Paste. Since the release of Psychic Reader, Bad Bad Hats has toured the U.S. extensively, supporting artists including Margaret Glaspy, Hippo Campus, and Third Eye Blind.

Lightning Round, the band's second full-length album, finds Bad Bad Hats more confident and mature than ever. Producer and collaborator Brett Bullion (who also produced Psychic Reader) encouraged the group to record live in the studio, an approach which pushed the band outside of their comfort zone and lends many songs on the record a loose, organic feel. There is a vulnerability in this (fluttering tape loops, a few wrong notes) and it makes the music on the new album feel as honest and unpredictable as Alexander's lyrics. In this spontaneous environment, Hoge, who is known to play every instrument in the band, delivers some of his most inspired musical performances yet.

As for Alexander, she's still writing love songs, ones that recount with cinematic swell the subtle joy and pain of the everyday. Her vocals are supported by open, breathing arrangements that feature lush keyboard sounds and woody guitar tones. Davison was recruited to play drums on the album and became a full-time member in the process. His drumming and melodic contributions give the new songs a level of nuance not heard in previous releases.

Lightning Round marks the final release with contributions from original member Noah Boswell, who will be leaving the group this fall to pursue a master's degree. Bad Bad Hats continues with Alexander, Hoge, and Davison. They have plans to tour the country this year.

(Early Show) Opus One Comedy Presents Pete Correale

Pete Correale is a professional stand up comedian originally from New York. His comedy is reflective of his life and the experiences he’s been through. Being married for almost twenty years and having a young daughter, Pete’s never at a loss for material. With a conversational delivery and disarming regular New York guy attitude, Pete makes you feel like your listening to the funniest guy at a party as opposed to just another comedian on a stage. Combined with top notch writing skills, this has led Pete to the top of the stand up profession.

Pete has performed numerous times on The Tonight Show, Letterman and The Conan O’brien show. As well as filming two of his own one hour television comedy specials. The first special-The Things We Do For Love aired on Comedy Central and was voted by Time Out Magazine as the #2 Comedy special of 2008. His second one hour special debuted on Showtime in 2016 this one titled Let Me Tell Ya. It was filmed at the famous Vic theatre in Chicago and Pete once again delivered a stellar performance. Pete has also released two comedy albums, Give It A Rest in 2010, and his second album Made For Radio which was released in June 2018 and quickly rose to number one on the iTunes comedy charts.

Aside from stand up Pete has used his comedic skills in various other platforms throughout his career. As a writer he’s been hired for several projects, most recently as part of the staff on the CBS sitcom Kevin Can Wait which he did for both seasons. He also made a few guest appearances the show playing Larry the fish guy.

Pete was also the co-host on a daily two hour live comedy radio show on SiriusXm titled Unleashed. He did this show with comedian Jim Breuer for four years from 2008 to 2011. And In 2012 Pete began a podcast with comedian Sebastian Maniscalco titled simply enough The Pete and Sebastian show. Starting off with a couple of microphones and an internet connection Pete and Sebastian kept at it and today the show airs every Friday afternoon on Siriusxm the Raw Dog channel before being released as a free podcast episode. Currently up to episode 310 and still going strong, the Pete and Sebastian show is one of the most popular comedy podcasts on air today and the fans have been showing their support in full force most everywhere Pete headlines.

Pete Correale is a professional stand up comedian originally from New York. His comedy is reflective of his life and the experiences he’s been through. Being married for almost twenty years and having a young daughter, Pete’s never at a loss for material. With a conversational delivery and disarming regular New York guy attitude, Pete makes you feel like your listening to the funniest guy at a party as opposed to just another comedian on a stage. Combined with top notch writing skills, this has led Pete to the top of the stand up profession.

Pete has performed numerous times on The Tonight Show, Letterman and The Conan O’brien show. As well as filming two of his own one hour television comedy specials. The first special-The Things We Do For Love aired on Comedy Central and was voted by Time Out Magazine as the #2 Comedy special of 2008. His second one hour special debuted on Showtime in 2016 this one titled Let Me Tell Ya. It was filmed at the famous Vic theatre in Chicago and Pete once again delivered a stellar performance. Pete has also released two comedy albums, Give It A Rest in 2010, and his second album Made For Radio which was released in June 2018 and quickly rose to number one on the iTunes comedy charts.

Aside from stand up Pete has used his comedic skills in various other platforms throughout his career. As a writer he’s been hired for several projects, most recently as part of the staff on the CBS sitcom Kevin Can Wait which he did for both seasons. He also made a few guest appearances the show playing Larry the fish guy.

Pete was also the co-host on a daily two hour live comedy radio show on SiriusXm titled Unleashed. He did this show with comedian Jim Breuer for four years from 2008 to 2011. And In 2012 Pete began a podcast with comedian Sebastian Maniscalco titled simply enough The Pete and Sebastian show. Starting off with a couple of microphones and an internet connection Pete and Sebastian kept at it and today the show airs every Friday afternoon on Siriusxm the Raw Dog channel before being released as a free podcast episode. Currently up to episode 310 and still going strong, the Pete and Sebastian show is one of the most popular comedy podcasts on air today and the fans have been showing their support in full force most everywhere Pete headlines.

(Early Show) Adia Victoria

At a recent performance, the host made the mistake of introducing Adia Victoria as an Americana artist. Victoria leaned into the microphone with a correction, “Adia Victoria does not sing Americana, Adia Victoria sings the blues.” From there, the artist let her guitar and powerful lyrics speak for her. After a self-released single that drew the attention of Rolling Stone and others, Victoria continued to dazzle and confound with her first studio album, Beyond the Bloodhounds. The album takes its title from a line in Incidents in the Life of a Slave Girl by Harriet Jacobs. Just as Jacobs sought to get beyond the reach of her master’s bloodhounds, Victoria is always reaching beyond the facile notions of what a Black woman artist should look like and sound like.

Instead of following the model of the folks that she saw around her who had been worn down by white supremacy, poverty, and oppression in the rural South Carolina town she grew up in, Victoria set off to shape a life of her own making. She dropped out of school and worked a series of odd jobs. At 18 she went to Paris and then spent time in Brooklyn, Atlanta, and now is based in Nashville. Victoria is a polymath who studied ballet, acting, wrote poetry, before finding a home in the blues. It was when a friend gave Victoria an acoustic guitar that things began to click. “I fell in love with the practice, the discipline of learning. It was the first time in my life that I felt capable of learning and progressing at something.” According to Victoria, this practice was a lifesaver. “I don’t know if I would be alive if I had not found that. Had I not found this outlet of expression. Probably in prison or dead.”

In the wake of Beyond the Bloodhounds, touring, press and enormous expectations a lesser artist would have just rested on her laurels. Instead, Victoria released two short albums that show the immense wingspan of her talent and curiosity. How It Feels is a French-language short album that reimagines French pop classics with a blueswoman’s edge. Victoria returned to her roots with the EP Baby Blues, a trio of classic blues covers that first inspired her.

A mere two years after Beyond the Bloodhounds, Adia Victoria returns with her
second full-length studio album, Silences. After a season of dealing with others trying to define, claim, and name her art and artistry, Victoria went inward. “I found when I went back home that the thing that disturbed me the most was the lack of activity. Having to deal with myself once again on an intimate level.”

Reading and literature helped her find her way back in. The title of the album comes from Tillie Olsen’s Silences, which deals with the myriad ways that the stories of oppressed people’s stories have been silenced over the years, even though they continued to create despite being ignored. “I struggled to write this album in a way that I never had to before. I took for granted I guess my freedom and my alone time and I felt that something had been taken away from me. And I felt like I didn’t have a voice anymore. This album was the therapy that I needed to find that voice that had been silenced.”

We find a voice in full holler on Silences. The listener is thrust into a completely formed world that opens with a twisted creation tale. “Clean,” is reminiscent of the story of the Garden of Eden, but instead of withering under God’s judgement for her shame, our protagonist announces that “First of all / There is no God / Because I killed my God.” This bold act instills in her “The kind of calm I hope to keep.” Any student of stories or life knows that this is can only be the beginning. A calm so deep must be earned along the way.

Silences is at its heart the mythic journey of a woman coming back to herself. “It’s just very much this character is acting out from various oppressions. You’ve been held down, you’ve been smothered, and she reaches her breaking point.” From this departure, the album moves her protagonist out into the world where she meets up with the devil and her own desires for her life in the uptempo rockers “Pacolet Road” and “Different Kind Of Love.” In the next movement, we find a woman daunted and damaged but still resolved. Once we get to “The Needle’s Eye” and “Cry Wolf” she’s gained some well-earned maturity down in the dark of the world. In Silences, Victoria brings the topics of mental illness, drug addiction, sexism, and all the things that try to consume the very lives of women attempting to make a world of their own making to the forefront. The album closes with “Get Lonely,” a plaintive, urgent ballad that our hero could be imploring to “get lonely” with a lover. Or she just as easily could be pleading with this new woman in the mirror that she has found along her journey to be still and marvel at all that she has created and survived.

Just as Victoria has been intentional about creating the kind of life that she wanted to live, she’s done the same thing with her collaborators. The band has changed a lot like Destiny’s Child since the first album, to get the perfect presentation and I think I finally found it. Victoria’s guys are Mason Hickman- Lead Guitar, Jason Harris- Bass, Peter Eddins- Keys, Timothy Beaty aka Knapps- Drums, Chazen Singleton- Horns, and Austin Wilhote aka Willé- Horns. “No. This is the greatest possession that I have. I have a bunch of guys now that I’ve been with and they allow me the ability and the space to command them, to direct them. They have faith in me.”

When it was time to record Silences with Aaron Dessner of The National who has also produced albums for Sharon Van Etten, Frightened Rabbit, Mumford & Sons, Local Natives, and more, Victoria remained hesitant. “I want to let you into my art, but I was so very, very cautious. And I just found that as a human being and as a fellow artist he had the warmth and the understanding and the respect that you don’t come across too often in this industry. He opened his home and his studio to me and my guys and it was like there was no ego. We were just free to experiment and together and we got work done.” With Adia Victoria’s steady hand and fearless vision at the helm, Silences does indeed get work done. Of the recording process, Dessner notes, ““From the very beginning of our collaboration, it was clear to me that Adia’s vision for this album had a cohesive and very particular narrative thread. It was incredibly rewarding to help realize it. The substantive nature of her writing and strength of Adia’s lyrics really guided us through the entire recording process. Every sound and direction, whether subversive, experimental or leaning into a groove, it was all in service of her broader vision and the text. Ultimately, the album is both an incredibly personal narrative of Adia’s journey and a powerful, broader statement of resistance.”

At a recent performance, the host made the mistake of introducing Adia Victoria as an Americana artist. Victoria leaned into the microphone with a correction, “Adia Victoria does not sing Americana, Adia Victoria sings the blues.” From there, the artist let her guitar and powerful lyrics speak for her. After a self-released single that drew the attention of Rolling Stone and others, Victoria continued to dazzle and confound with her first studio album, Beyond the Bloodhounds. The album takes its title from a line in Incidents in the Life of a Slave Girl by Harriet Jacobs. Just as Jacobs sought to get beyond the reach of her master’s bloodhounds, Victoria is always reaching beyond the facile notions of what a Black woman artist should look like and sound like.

Instead of following the model of the folks that she saw around her who had been worn down by white supremacy, poverty, and oppression in the rural South Carolina town she grew up in, Victoria set off to shape a life of her own making. She dropped out of school and worked a series of odd jobs. At 18 she went to Paris and then spent time in Brooklyn, Atlanta, and now is based in Nashville. Victoria is a polymath who studied ballet, acting, wrote poetry, before finding a home in the blues. It was when a friend gave Victoria an acoustic guitar that things began to click. “I fell in love with the practice, the discipline of learning. It was the first time in my life that I felt capable of learning and progressing at something.” According to Victoria, this practice was a lifesaver. “I don’t know if I would be alive if I had not found that. Had I not found this outlet of expression. Probably in prison or dead.”

In the wake of Beyond the Bloodhounds, touring, press and enormous expectations a lesser artist would have just rested on her laurels. Instead, Victoria released two short albums that show the immense wingspan of her talent and curiosity. How It Feels is a French-language short album that reimagines French pop classics with a blueswoman’s edge. Victoria returned to her roots with the EP Baby Blues, a trio of classic blues covers that first inspired her.

A mere two years after Beyond the Bloodhounds, Adia Victoria returns with her
second full-length studio album, Silences. After a season of dealing with others trying to define, claim, and name her art and artistry, Victoria went inward. “I found when I went back home that the thing that disturbed me the most was the lack of activity. Having to deal with myself once again on an intimate level.”

Reading and literature helped her find her way back in. The title of the album comes from Tillie Olsen’s Silences, which deals with the myriad ways that the stories of oppressed people’s stories have been silenced over the years, even though they continued to create despite being ignored. “I struggled to write this album in a way that I never had to before. I took for granted I guess my freedom and my alone time and I felt that something had been taken away from me. And I felt like I didn’t have a voice anymore. This album was the therapy that I needed to find that voice that had been silenced.”

We find a voice in full holler on Silences. The listener is thrust into a completely formed world that opens with a twisted creation tale. “Clean,” is reminiscent of the story of the Garden of Eden, but instead of withering under God’s judgement for her shame, our protagonist announces that “First of all / There is no God / Because I killed my God.” This bold act instills in her “The kind of calm I hope to keep.” Any student of stories or life knows that this is can only be the beginning. A calm so deep must be earned along the way.

Silences is at its heart the mythic journey of a woman coming back to herself. “It’s just very much this character is acting out from various oppressions. You’ve been held down, you’ve been smothered, and she reaches her breaking point.” From this departure, the album moves her protagonist out into the world where she meets up with the devil and her own desires for her life in the uptempo rockers “Pacolet Road” and “Different Kind Of Love.” In the next movement, we find a woman daunted and damaged but still resolved. Once we get to “The Needle’s Eye” and “Cry Wolf” she’s gained some well-earned maturity down in the dark of the world. In Silences, Victoria brings the topics of mental illness, drug addiction, sexism, and all the things that try to consume the very lives of women attempting to make a world of their own making to the forefront. The album closes with “Get Lonely,” a plaintive, urgent ballad that our hero could be imploring to “get lonely” with a lover. Or she just as easily could be pleading with this new woman in the mirror that she has found along her journey to be still and marvel at all that she has created and survived.

Just as Victoria has been intentional about creating the kind of life that she wanted to live, she’s done the same thing with her collaborators. The band has changed a lot like Destiny’s Child since the first album, to get the perfect presentation and I think I finally found it. Victoria’s guys are Mason Hickman- Lead Guitar, Jason Harris- Bass, Peter Eddins- Keys, Timothy Beaty aka Knapps- Drums, Chazen Singleton- Horns, and Austin Wilhote aka Willé- Horns. “No. This is the greatest possession that I have. I have a bunch of guys now that I’ve been with and they allow me the ability and the space to command them, to direct them. They have faith in me.”

When it was time to record Silences with Aaron Dessner of The National who has also produced albums for Sharon Van Etten, Frightened Rabbit, Mumford & Sons, Local Natives, and more, Victoria remained hesitant. “I want to let you into my art, but I was so very, very cautious. And I just found that as a human being and as a fellow artist he had the warmth and the understanding and the respect that you don’t come across too often in this industry. He opened his home and his studio to me and my guys and it was like there was no ego. We were just free to experiment and together and we got work done.” With Adia Victoria’s steady hand and fearless vision at the helm, Silences does indeed get work done. Of the recording process, Dessner notes, ““From the very beginning of our collaboration, it was clear to me that Adia’s vision for this album had a cohesive and very particular narrative thread. It was incredibly rewarding to help realize it. The substantive nature of her writing and strength of Adia’s lyrics really guided us through the entire recording process. Every sound and direction, whether subversive, experimental or leaning into a groove, it was all in service of her broader vision and the text. Ultimately, the album is both an incredibly personal narrative of Adia’s journey and a powerful, broader statement of resistance.”

Tyler Hilton

A musician and actor, Tyler Hilton has accomplished a lot in his career so far. As a teenager, he released two Top 40 singles. He starred alongside Taylor Swift in her video for "Teardrops on my Guitar." He played the role of one of his musical idols, Elvis Presley, in the Oscar-winning Johnny Cash biopic 'Walk the Line,' and co-starred with Robert Downey Jr. in the acclaimed indie film 'Charlie Bartlett.' He may be most known for his musical role on the show 'One Tree Hill,' which earned him a devoted fan base around the world. His new album 'City On Fire,' out January 18th 2019, comes from a much more personal place for the California native, who grew up in a family of musicians and songwriters and spent much of his childhood performing and jamming alongside of them. Steeped in country, blues, folk and rock traditions, the album captures the loose, organic musical style that runs in Hilton’s blood. Hilton remembers trying to explain that style to producers in Nashville as a young songwriter. "I’d play them my favorite records; Robert Johnson, Muddy Waters, Frank Sinatra, Elvis Presley, Townes Van Zandt, Weezer’s ‘Pinkerton,’" he says. “I’d just get blank stares like, ‘So...are you rock, pop, blues, country...?’ And the answer was always, ‘Yes, all that.’” It may not have been the easy answer they were looking for, but as Hilton explains, “there’s a common denominator in all of that music to me. Maybe it’s a feeling of adventure, or rebellion, or just hearing real people,” he says. “Whatever it is, that’s what my feelings sound like, and that’s what the music that comes out of me sounds like.” Hilton recorded the album both in California with bandmate and childhood family friend, Jaco Caraco, as well as in Tennessee with his former roommate and another longtime collaborator, Charles Kelley of Lady Antebellum. Hilton and Caraco had started recording what was supposed to be a side project for film and TV soundtracks in their spare time. Hilton was on hiatus from filming a pilot for CMT, and Caraco was on break from touring in Miley Cyrus’ band. It was during this time that Kelley called Hilton about working together as well. "I knew this was rare, to have both of my favorite collaborators available at the same time. It just hit me, this is way more than a side project." That collaborative spirit is in Hilton’s songwriting DNA. He’s written with Taylor Swift and Michelle Branch, co-wrote on Joe Cocker’s final studio album and is currently in the studio working on new music with Billy Ray Cyrus. For Hilton’s new album, the title track and first single, "City On Fire," was written around the 2016 election, a period where Hilton found himself listening to a lot of traditional folk songs and western movie scores. "It was strange and comforting to listen to that music during a time of so much change. Everything seemed to be changing," he recalls. "And then a good friend of mine from high school passed away, and all of my friends came together. I sang some songs, we cried, but mostly we were just left numb and blinking. A lot happened really fast." "'City On Fire' came out of me really quickly," he explains. "It was kind of like a dream I should have had, but instead the images came out as a song, a fully formed murder ballad. It was
eerie, but I think it painted the picture just right. It really felt like the city was on fire and a lot was being lost very quickly." The accompanying music video was directed by Hilton's wife, Megan Park, who is most recognizable for her work as an actress ('Secret Life of the American Teenager,' 'Central Intelligence') but has recently made waves directing music videos for Billie Eilish, Alina Baraz, Blackbear, and Gucci Mane. For the video, Park teamed with production company PRETTYBIRD, the studio behind videos for Beyonce’s “Lemonade” and Rihanna's “We Found Love," and choreographer Andrew Winghart (‘So You Think You Can Dance,’ Lorde's 'Melodrama' tour, Kahlid's 2018 tour). Tyler will showcase the new music from his album, “City On Fire,” on a February and March tour of the U.S. 'City On Fire' will be released on January 18th, 2019 from Hilton's label, Hooptie Tune Records.

A musician and actor, Tyler Hilton has accomplished a lot in his career so far. As a teenager, he released two Top 40 singles. He starred alongside Taylor Swift in her video for "Teardrops on my Guitar." He played the role of one of his musical idols, Elvis Presley, in the Oscar-winning Johnny Cash biopic 'Walk the Line,' and co-starred with Robert Downey Jr. in the acclaimed indie film 'Charlie Bartlett.' He may be most known for his musical role on the show 'One Tree Hill,' which earned him a devoted fan base around the world. His new album 'City On Fire,' out January 18th 2019, comes from a much more personal place for the California native, who grew up in a family of musicians and songwriters and spent much of his childhood performing and jamming alongside of them. Steeped in country, blues, folk and rock traditions, the album captures the loose, organic musical style that runs in Hilton’s blood. Hilton remembers trying to explain that style to producers in Nashville as a young songwriter. "I’d play them my favorite records; Robert Johnson, Muddy Waters, Frank Sinatra, Elvis Presley, Townes Van Zandt, Weezer’s ‘Pinkerton,’" he says. “I’d just get blank stares like, ‘So...are you rock, pop, blues, country...?’ And the answer was always, ‘Yes, all that.’” It may not have been the easy answer they were looking for, but as Hilton explains, “there’s a common denominator in all of that music to me. Maybe it’s a feeling of adventure, or rebellion, or just hearing real people,” he says. “Whatever it is, that’s what my feelings sound like, and that’s what the music that comes out of me sounds like.” Hilton recorded the album both in California with bandmate and childhood family friend, Jaco Caraco, as well as in Tennessee with his former roommate and another longtime collaborator, Charles Kelley of Lady Antebellum. Hilton and Caraco had started recording what was supposed to be a side project for film and TV soundtracks in their spare time. Hilton was on hiatus from filming a pilot for CMT, and Caraco was on break from touring in Miley Cyrus’ band. It was during this time that Kelley called Hilton about working together as well. "I knew this was rare, to have both of my favorite collaborators available at the same time. It just hit me, this is way more than a side project." That collaborative spirit is in Hilton’s songwriting DNA. He’s written with Taylor Swift and Michelle Branch, co-wrote on Joe Cocker’s final studio album and is currently in the studio working on new music with Billy Ray Cyrus. For Hilton’s new album, the title track and first single, "City On Fire," was written around the 2016 election, a period where Hilton found himself listening to a lot of traditional folk songs and western movie scores. "It was strange and comforting to listen to that music during a time of so much change. Everything seemed to be changing," he recalls. "And then a good friend of mine from high school passed away, and all of my friends came together. I sang some songs, we cried, but mostly we were just left numb and blinking. A lot happened really fast." "'City On Fire' came out of me really quickly," he explains. "It was kind of like a dream I should have had, but instead the images came out as a song, a fully formed murder ballad. It was
eerie, but I think it painted the picture just right. It really felt like the city was on fire and a lot was being lost very quickly." The accompanying music video was directed by Hilton's wife, Megan Park, who is most recognizable for her work as an actress ('Secret Life of the American Teenager,' 'Central Intelligence') but has recently made waves directing music videos for Billie Eilish, Alina Baraz, Blackbear, and Gucci Mane. For the video, Park teamed with production company PRETTYBIRD, the studio behind videos for Beyonce’s “Lemonade” and Rihanna's “We Found Love," and choreographer Andrew Winghart (‘So You Think You Can Dance,’ Lorde's 'Melodrama' tour, Kahlid's 2018 tour). Tyler will showcase the new music from his album, “City On Fire,” on a February and March tour of the U.S. 'City On Fire' will be released on January 18th, 2019 from Hilton's label, Hooptie Tune Records.

Bob Schneider (Solo)

One of Austin’s most celebrated musicians, Bob Schneider, is set to release his new album, ​Blood and Bones​ – his 7th studio album since his 2001 solo debut ​Lonelyland​ – on June 8th via his Shockorama Records imprint. ​Blood and Bones​ captures Schneider at a unique, and distinct, place. “Most of the songs are about this phase of my life,” he admits. “I’m re-married, I have a 2-year-old baby daughter who was born over two months premature because my wife had life threatening preeclampsia. So dealing with that traumatic event while getting older and looking at death in a realistic, matter of fact way, experiencing the most joy I’ve ever experienced along with feelings of utter despondency in a way that would have been impossible to experience earlier in my life, all comes out in the songs. My relationship with my wife is the longest committed relationship I’ve ever been in, so there was a lot of unchartered territory there to write about.”

The songs on ​Blood and Bones​ reflect this. Recorded quickly with producer Dwight Baker, who has worked with Schneider on 6 of his previous releases, the album highlights the chemistry that Schneider and his backing band of Austin’s very best musicians have developed while relentlessly playing live, most notably at the monthly residency Schneider has held at Austin’s Saxon Pub for the last 19 years. “I didn’t want to overthink the songs,” Schneider says. “I really respect Dwight’s ability to make great calls when it comes to what works and isn’t working when we are recording the songs. I felt pretty good about the quality of the songwriting, so I figured that would come through in the end if we just went in and played them the way I do live.”

While the performance and production are stellar, the songwriting finds Schneider in a particularly reflective mode. Sure, there are live favorites like “Make Drugs Get Money” and “Texaco” that will get even the most reserved crowds dancing. But more often the album finds Schneider reflecting on marriage, parenthood, and mortality. “I wish I could make you see how wonderful everything is most of the time, but I’m only blood and bones,” he sings on the title track, a meditation on the beauty and the limits of marriage. Later, on “Easy,” he tells his daughter “it’s always been a scary thing to do, to let my heart fall down into the endless blue, but it’s easy with you.” Through it all, there is a clear sense of mortality, of just how fleeting all of this is. “The hours and days stack up in the mirror,” he sings on “Hours and Days”. “We’re just snowmen waiting for the summer” he sings on “Snowmen”, before adding “we can’t bring them back, can’t bring nothing back.”

One thing Schneider has excelled at in his career is bringing audiences back. Though he has received little national press or major label support, he has managed to become one of the biggest acts in Austin, if not in Texas. His fans, who often discover him from being brought to his shows by their friends, are fiercely loyal. Many have attended dozens or even hundreds of shows. Thanks to these fans, Schneider has won more Austin Music Awards than any other musician, including Best Songwriter, Best Musician, and Best Male Vocals, rounding in at 54 total awards to date.

In retrospect, it appears inevitable that Bob Schneider would become an artist. He was born in Michigan and raised in Germany, where his father pursued a career as a professional opera singer. As a boy, Schneider studied piano and guitar, often performing at family parties and backing his father on drums at nightclubs throughout his youth in Germany and Texas. He went on to study art – his other primary passion and avocation – at the University of Texas El Paso, before moving to Austin and establishing himself as a musician. He performs relentlessly, creates new music compulsively, writes poetry, and regularly shows his visual art in galleries around Austin. With ​Blood and Bones​, Schneider further cements his reputation as one of the most versatile, inventive, and engaging songwriters working today.

One of Austin’s most celebrated musicians, Bob Schneider, is set to release his new album, ​Blood and Bones​ – his 7th studio album since his 2001 solo debut ​Lonelyland​ – on June 8th via his Shockorama Records imprint. ​Blood and Bones​ captures Schneider at a unique, and distinct, place. “Most of the songs are about this phase of my life,” he admits. “I’m re-married, I have a 2-year-old baby daughter who was born over two months premature because my wife had life threatening preeclampsia. So dealing with that traumatic event while getting older and looking at death in a realistic, matter of fact way, experiencing the most joy I’ve ever experienced along with feelings of utter despondency in a way that would have been impossible to experience earlier in my life, all comes out in the songs. My relationship with my wife is the longest committed relationship I’ve ever been in, so there was a lot of unchartered territory there to write about.”

The songs on ​Blood and Bones​ reflect this. Recorded quickly with producer Dwight Baker, who has worked with Schneider on 6 of his previous releases, the album highlights the chemistry that Schneider and his backing band of Austin’s very best musicians have developed while relentlessly playing live, most notably at the monthly residency Schneider has held at Austin’s Saxon Pub for the last 19 years. “I didn’t want to overthink the songs,” Schneider says. “I really respect Dwight’s ability to make great calls when it comes to what works and isn’t working when we are recording the songs. I felt pretty good about the quality of the songwriting, so I figured that would come through in the end if we just went in and played them the way I do live.”

While the performance and production are stellar, the songwriting finds Schneider in a particularly reflective mode. Sure, there are live favorites like “Make Drugs Get Money” and “Texaco” that will get even the most reserved crowds dancing. But more often the album finds Schneider reflecting on marriage, parenthood, and mortality. “I wish I could make you see how wonderful everything is most of the time, but I’m only blood and bones,” he sings on the title track, a meditation on the beauty and the limits of marriage. Later, on “Easy,” he tells his daughter “it’s always been a scary thing to do, to let my heart fall down into the endless blue, but it’s easy with you.” Through it all, there is a clear sense of mortality, of just how fleeting all of this is. “The hours and days stack up in the mirror,” he sings on “Hours and Days”. “We’re just snowmen waiting for the summer” he sings on “Snowmen”, before adding “we can’t bring them back, can’t bring nothing back.”

One thing Schneider has excelled at in his career is bringing audiences back. Though he has received little national press or major label support, he has managed to become one of the biggest acts in Austin, if not in Texas. His fans, who often discover him from being brought to his shows by their friends, are fiercely loyal. Many have attended dozens or even hundreds of shows. Thanks to these fans, Schneider has won more Austin Music Awards than any other musician, including Best Songwriter, Best Musician, and Best Male Vocals, rounding in at 54 total awards to date.

In retrospect, it appears inevitable that Bob Schneider would become an artist. He was born in Michigan and raised in Germany, where his father pursued a career as a professional opera singer. As a boy, Schneider studied piano and guitar, often performing at family parties and backing his father on drums at nightclubs throughout his youth in Germany and Texas. He went on to study art – his other primary passion and avocation – at the University of Texas El Paso, before moving to Austin and establishing himself as a musician. He performs relentlessly, creates new music compulsively, writes poetry, and regularly shows his visual art in galleries around Austin. With ​Blood and Bones​, Schneider further cements his reputation as one of the most versatile, inventive, and engaging songwriters working today.

The Tossers

The south side of Chicago has a tough working class reputation, it’s also known for one of the largest populations of Irish people this side of the Emerald Isle. So it’s not entirely incongruous that a hard luck kid from the south side of town would choose to play traditional Irish folk music in pubs around the neighborhood. At 18, Anthony (T.) Duggins, was doing just that – playing pub favorites and covers of greats like Christy Moore, and Ewan MacColl. Before long his brother and his best friends were playing the original songs he had written as well, and so became The Tossers. The name was taken from an old slang term used for worthless British coins in Sean O’Casey’s play The Plough and the Stars. The coins became useless after the southern Irish Free State won independence from Britain, and started to print it’s own currency. The term tosser has since come to mean wanker, or it’s American equivalent, jag off.

The south side of Chicago has a tough working class reputation, it’s also known for one of the largest populations of Irish people this side of the Emerald Isle. So it’s not entirely incongruous that a hard luck kid from the south side of town would choose to play traditional Irish folk music in pubs around the neighborhood. At 18, Anthony (T.) Duggins, was doing just that – playing pub favorites and covers of greats like Christy Moore, and Ewan MacColl. Before long his brother and his best friends were playing the original songs he had written as well, and so became The Tossers. The name was taken from an old slang term used for worthless British coins in Sean O’Casey’s play The Plough and the Stars. The coins became useless after the southern Irish Free State won independence from Britain, and started to print it’s own currency. The term tosser has since come to mean wanker, or it’s American equivalent, jag off.

(Early Show) Chris Trapper (Of the Push Stars)

Chris Trapper is a storyteller. With his soulful, honeyed tenor, sly humor and an uncanny knack for melody, Chris has traveled the world over, performing to a dedicated and ever growing fan base with nothing but his guitar and his songs. Raised on Prine and Kristofferson, Trapper's first foray in the music industry was as frontman of the critically acclaimed alt-rock band The Push Stars (Capitol Records). Over the past decade, Chris has become a modern day acoustic troubadour, performing over 150 dates a year as a headliner and sharing the stage with the likes of Colin Hay, Martin Sexton and even John Prine himself.

The New York Times has called his work “classic pop perfection.”

The new CD SYMPHONIES OF DIRT & DUST is a collection of 12 songs written and performed by Chris Trapper and Produced by Jason Meeker at Silver Top Studios, Boston, MA. Guest musicians include Dan McLoughlin of The Push Stars on bass and NYC singer/songwriter Amy Fairchild on harmonies.

"I have to mention Jason, the producer of Symphonies of Dirt & Dust. He is my old friend, who not only worked the clubs in rock bands but also worked for Geffen records in their heyday, so he has a good sense of the music business as a whole. What I love about Jason is that he is absolutely obsessed with his craft and getting songs right.

Every record tells a story. For me, much more than gimmicks, my albums are like diary entries, or truthful accounts of where I'm at in life. I suppose that might be the same for most songwriters, but in the spectrum of the music business, it's still an animal that's nearly extinct." Chris Trapper

Chris has toured North America and the UK with multi platinum songwriter COLIN HAY.

In the Spring of 2013 Chris performed a duet with his songwriting idol JOHN PRINE at the Portsmouth Songwriter Festival.

“It’s an incredibly rare musician, particularly in the world of popular music, who is able to forge a career based on quiet dignity and steadfast integrity.” The Buffalo News

A prolific songwriter, Chris has garnered several high profile film placements including There's Something About Mary (Ben Stiller, Cameron Diaz), The Devil Wears Prada (Meryl Streep), Say It Isn’t So (Heather Graham) Gun Shy (Sandra Bullock, Liam Neeson) and most recently, Some Kind of Beautiful *Pierce Brosnan, Salma Hayek) as well as significant television placements including All My Children, Women's Murder Club, Malcolm In The Middle, a coveted placement in George Clooney's final episode of ER, the theme song for WB Networks dramedy Pepper Dennis and a cameo on-screen appearance with the show's star, Rebecca Romjin.

Chris has written 7 songs with/for Canadian band GREAT BIG SEA, including their #1 single "Sea Of No Cares" from the certified-platinum Sea Of No Cares CD. Great Big Sea covered Trapper's song "Everything Shines” and their version served as the debut single off their certified-gold Road Rage CD album. Chris’ songwriting collaborations with Great Big Sea earned him two prestigious SOCAN awards. Rob Thomas of Matchbox Twenty and Antigone Rising have performed other notable versions of Trapper's songs.

Trapper’s live show is a favorite among fans of alt–acoustic music. His on–stage persona is warm and inclusive, his organic understanding of classic pop melody, infectious. Audience members seem to particularly appreciate the lighthearted moments with the ukulele.

Chris Trapper is a storyteller. With his soulful, honeyed tenor, sly humor and an uncanny knack for melody, Chris has traveled the world over, performing to a dedicated and ever growing fan base with nothing but his guitar and his songs. Raised on Prine and Kristofferson, Trapper's first foray in the music industry was as frontman of the critically acclaimed alt-rock band The Push Stars (Capitol Records). Over the past decade, Chris has become a modern day acoustic troubadour, performing over 150 dates a year as a headliner and sharing the stage with the likes of Colin Hay, Martin Sexton and even John Prine himself.

The New York Times has called his work “classic pop perfection.”

The new CD SYMPHONIES OF DIRT & DUST is a collection of 12 songs written and performed by Chris Trapper and Produced by Jason Meeker at Silver Top Studios, Boston, MA. Guest musicians include Dan McLoughlin of The Push Stars on bass and NYC singer/songwriter Amy Fairchild on harmonies.

"I have to mention Jason, the producer of Symphonies of Dirt & Dust. He is my old friend, who not only worked the clubs in rock bands but also worked for Geffen records in their heyday, so he has a good sense of the music business as a whole. What I love about Jason is that he is absolutely obsessed with his craft and getting songs right.

Every record tells a story. For me, much more than gimmicks, my albums are like diary entries, or truthful accounts of where I'm at in life. I suppose that might be the same for most songwriters, but in the spectrum of the music business, it's still an animal that's nearly extinct." Chris Trapper

Chris has toured North America and the UK with multi platinum songwriter COLIN HAY.

In the Spring of 2013 Chris performed a duet with his songwriting idol JOHN PRINE at the Portsmouth Songwriter Festival.

“It’s an incredibly rare musician, particularly in the world of popular music, who is able to forge a career based on quiet dignity and steadfast integrity.” The Buffalo News

A prolific songwriter, Chris has garnered several high profile film placements including There's Something About Mary (Ben Stiller, Cameron Diaz), The Devil Wears Prada (Meryl Streep), Say It Isn’t So (Heather Graham) Gun Shy (Sandra Bullock, Liam Neeson) and most recently, Some Kind of Beautiful *Pierce Brosnan, Salma Hayek) as well as significant television placements including All My Children, Women's Murder Club, Malcolm In The Middle, a coveted placement in George Clooney's final episode of ER, the theme song for WB Networks dramedy Pepper Dennis and a cameo on-screen appearance with the show's star, Rebecca Romjin.

Chris has written 7 songs with/for Canadian band GREAT BIG SEA, including their #1 single "Sea Of No Cares" from the certified-platinum Sea Of No Cares CD. Great Big Sea covered Trapper's song "Everything Shines” and their version served as the debut single off their certified-gold Road Rage CD album. Chris’ songwriting collaborations with Great Big Sea earned him two prestigious SOCAN awards. Rob Thomas of Matchbox Twenty and Antigone Rising have performed other notable versions of Trapper's songs.

Trapper’s live show is a favorite among fans of alt–acoustic music. His on–stage persona is warm and inclusive, his organic understanding of classic pop melody, infectious. Audience members seem to particularly appreciate the lighthearted moments with the ukulele.

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56-58 South 12th Street, Pittsburgh PA 15203 (In Pittsburgh’s Historic South Side)