club cafe

pittsburgh, pa
(Early Show) The Popravinas with Special Guest Davy Rocket

Former Bass/Lead Vocals Eddy Sill (Originally from Pittsburgh, PA) of the infamous Los Angeles band "The Mutts" has suddenly stumbled upon a few other "fellow fun-seekers" to surprisingly form this frolicking band with California twang in the heart of Santa Monica, CA. The Popravinas specialize in extremely catchy songs and follow through with melody after melody. John Adair (Guitar, Harmonica, Mandolin, Vocals (Originally from Albany, NY), Dean Lyons (Rhythm Guitar, Back up Vocals) and David Rodgers (Drums) comprise "The Popravinas!" The "funnest" party you ever went to---The party after the party! That would quickly describe "The Popravinas" who are known to combine lyrics & sounds that are reminiscent of The Replacements, evolving guitar nuances in the vein of The Rolling Stones, and interesting touches of artists such as Whiskeytown, Wilco & The Old 97's. When you mix it all up...you come out with "The Popravinas." Already known for their fun live shows....The band has recently released their third CD "Willy Nilly" which is quickly becoming an international ear-shaker on many radio (and internet radio) programs. Their first CD "Everybody's Fault But Ours" and second "California Sonic" are still popular choices. Both are available at: CDBaby, iTunes, Amazon, etc. If you wanna experience a good time and hear some memorable tunes...You're in the right place!....You're in "Popravinaburgh!"

Former Bass/Lead Vocals Eddy Sill (Originally from Pittsburgh, PA) of the infamous Los Angeles band "The Mutts" has suddenly stumbled upon a few other "fellow fun-seekers" to surprisingly form this frolicking band with California twang in the heart of Santa Monica, CA. The Popravinas specialize in extremely catchy songs and follow through with melody after melody. John Adair (Guitar, Harmonica, Mandolin, Vocals (Originally from Albany, NY), Dean Lyons (Rhythm Guitar, Back up Vocals) and David Rodgers (Drums) comprise "The Popravinas!" The "funnest" party you ever went to---The party after the party! That would quickly describe "The Popravinas" who are known to combine lyrics & sounds that are reminiscent of The Replacements, evolving guitar nuances in the vein of The Rolling Stones, and interesting touches of artists such as Whiskeytown, Wilco & The Old 97's. When you mix it all up...you come out with "The Popravinas." Already known for their fun live shows....The band has recently released their third CD "Willy Nilly" which is quickly becoming an international ear-shaker on many radio (and internet radio) programs. Their first CD "Everybody's Fault But Ours" and second "California Sonic" are still popular choices. Both are available at: CDBaby, iTunes, Amazon, etc. If you wanna experience a good time and hear some memorable tunes...You're in the right place!....You're in "Popravinaburgh!"

Smooth Hound Smith

Smooth Hound Smith is a foot stompin' American roots and rock band founded by Zack Smith (guitars/vocals/foot drums/harmonicas/banjo) and Caitlin Doyle-Smith (vocals/percussion). Established in 2012, and based in East Nashville, TN, they record and perform a varied and unique style of folky, garage-infused rhythm & blues. Using primal foot percussion, complex, fuzzed-out, finger-picked guitar patterns, warbled harmonicas, tasty harmonies and syncopated tambourine, they are able to create something rugged and visceral: a modern interpretation of early blues, soul, and rock 'n' roll music that harkens back to the traditions of hazy front porch folk songs as well as raucous back-alley juke joints.

SHS has traveled over 150,000 road miles, playing over 800 shows in their tenure, across America, Europe, and Canada, all in the last five years. In addition to their own headlining shows, they have toured as support for bands such as the Dixie Chicks (25 dates in the US and Canada in 2016/2017), The Record Company, The Secret Sisters, Lindi Ortega, Anders Osborne, and Jamestown Revival.

Their eponymous debut album garnered attention from media outlets such as Nashville's independent radio, WRLT Lightning 100, as well as publications like American Songwriter and RELIX Magazine. They were also selected over thousands of other bands to perform at the 2015 Bonnaroo Music & Arts Festival in Manchester, TN. In addition, the music of Smooth Hound Smith has been featured on CMT’s Nashville, MTV’s The Real World and the Esquire Network.

Smooth Hound Smith's second full-length album, Sweet Tennessee Honey, was released in 2016, and features appearances by Natalie Maines (Dixie Chicks), Sarah Jarosz, and Jano Rix (The Wood Brothers). They continue to tour heavily while working on new material for a third full-length album, to be released in 2019.

Smooth Hound Smith is a foot stompin' American roots and rock band founded by Zack Smith (guitars/vocals/foot drums/harmonicas/banjo) and Caitlin Doyle-Smith (vocals/percussion). Established in 2012, and based in East Nashville, TN, they record and perform a varied and unique style of folky, garage-infused rhythm & blues. Using primal foot percussion, complex, fuzzed-out, finger-picked guitar patterns, warbled harmonicas, tasty harmonies and syncopated tambourine, they are able to create something rugged and visceral: a modern interpretation of early blues, soul, and rock 'n' roll music that harkens back to the traditions of hazy front porch folk songs as well as raucous back-alley juke joints.

SHS has traveled over 150,000 road miles, playing over 800 shows in their tenure, across America, Europe, and Canada, all in the last five years. In addition to their own headlining shows, they have toured as support for bands such as the Dixie Chicks (25 dates in the US and Canada in 2016/2017), The Record Company, The Secret Sisters, Lindi Ortega, Anders Osborne, and Jamestown Revival.

Their eponymous debut album garnered attention from media outlets such as Nashville's independent radio, WRLT Lightning 100, as well as publications like American Songwriter and RELIX Magazine. They were also selected over thousands of other bands to perform at the 2015 Bonnaroo Music & Arts Festival in Manchester, TN. In addition, the music of Smooth Hound Smith has been featured on CMT’s Nashville, MTV’s The Real World and the Esquire Network.

Smooth Hound Smith's second full-length album, Sweet Tennessee Honey, was released in 2016, and features appearances by Natalie Maines (Dixie Chicks), Sarah Jarosz, and Jano Rix (The Wood Brothers). They continue to tour heavily while working on new material for a third full-length album, to be released in 2019.

Austin Plaine

Like only the most insightful songwriters, Austin Plaine draws intense emotion from the subtlest moments. On his sophomore album Stratford, the Minnesota-bred, Nashville based musician shapes his lyrical storytelling with both precision and pure feeling, capturing every nuance of lost love and longing and fractured innocence. And while Stratford is steeped in a warm nostalgia, Plaine instills each song with a quiet optimism that speaks to bravely moving forward, even in troubled times.

Produced by Jay Foote and mixed by Steve Vealey (M. Ward, Phoenix, Hurray for the Riff Raff) at the legendary Electric Lady Studios, Stratford arrives as the follow-up to Plaine’s self-titled debut—a 2015 release that earned comparisons to Bob Dylan and Conor Oberst from Baeble Music. In a departure from that more stripped-down effort, Plaine assembled a full-fledged band who recorded in an apartment in Brooklyn, infusing Stratford with a homegrown feel and loose yet kinetic energy.

Taking its title from the Flatbush street where the album came to life, Stratford offers a classically arranged take on folk-rock that illuminates the intimacy of Plaine’s vocal work and the graceful candor of his lyrics. From track to track, the 27-year-old singer/guitarist reveals a refined sense of songcraft that he partly credits to moving to Nashville from his hometown of Minneapolis in early 2017. “Being part of a whole community of songwriters, you realize there’s a lot of different directions you can take a song,” he says. “It’s really opened me up as a writer, and it’s also helped me to hone in on every word of every line that I write.”

With its abundance of indelible images—night trains and the Northern Lights, backyard camping and drive-in romance—Stratford also bears a richness of detail that hints at the literary and cinematic influence behind Plaine’s songwriting. “People tend to think my songs are personal because I sing in the first person, but often it’s very observational for me,” says Plaine, who names Alexandre Dumas and Henry Miller among his inspirations. “I’m learning to understand new philosophies of life, love, and death”, attributing his passion for reading has helped him attain a better sense of his surroundings.

Proving the emotional depth of Plaine’s artistry, Stratford opens with the wistful reminiscence of “Something More” (a steel-guitar-laced track “like a movie I’ve seen before / way back when / we were something more” sings Plaine in the chorus), then slips into the bittersweet, burned-but-not-broken ache of “What Kind of Fool” (a rollicking, country-tinged number co-written with Sixpence None the Richer’s Leigh Nash and Stephen Wilson). Later, on “Lucky Ones”, Plaine presents a more hopeful portrait unconditional love, with singer/songwriter Soren Bryce lending her vocals to the chorus’s bright and beautiful harmonies.

While there’s no shortage of delicately rendered love songs on Stratford, Plaine also brings social commentary to tracks like “Rise Above It” (a soulfully understated anthem woven with intricate guitar lines, dreamy mellotron tones, and luminous organ melodies). And on “If Tomorrow Never Comes,” Stratford closes out with a powerful missive featuring the album’s most urgent vocal delivery (sample lyric: “I wake up every morning and I see the reddest sun/They’re shooting guns and sending bombs in a war that isn’t won/And through the lies I do disguise my heart inside my lungs/I live life today as if tomorrow never comes”). “That song is me showing my frustration with this modern world, and how we’re so consumed with social media that we tune out what’s happening right in front of us,” says Plaine. “We get so lost on the screens of our phones instead of seeing the world for what it is. I’m guilty. I love my iPhone”

Born in Fargo and raised in Minnesota, Plaine had his first foray into making music upon finding an old guitar of his grandfather’s in a family closet. By high school he’d started writing songs, tapping into the timeless sensibilities that still inform in his music today. “My first influences were anything my dad was playing in the pickup truck when I’d go out on rides with him,” he says. “He’d play Bruce Springsteen and Van Morrison and Neil Young, and that’s what I dug into. Then highschool came and Bright Eyes changed my life.” During his junior year at the University of Minnesota, Plaine began dedicating himself more fully to songwriting and playing guitar. After posting several of his songs online, he headed down to Nashville to record a few tracks with Jordan Schmidt (a producer/songwriter/engineer known for his work with Florida Georgia Line and Motion City Soundtrack). A major creative turning point for Plaine, his time in Nashville led to the making of his debut album and release of “Never Come Back Again”—a breakthrough single that’s now amassed over 10 million streams on Spotify.

Although Plaine notes that gaining more life experience in recent years has shifted his songwriting perspective, his music maintains an unaffected quality that’s deeply refreshing. “I try really hard not to force songs” he says. “But I am always songbanking and hopefully one finds the finish line”. As a result of that instinct-driven approach, Stratford emerges as an emotionally raw album that’s cathartic for both listener and artist. “It will always be therapy for me,” Plaine points out. “If I get through a whole day without singing or playing guitar, the day just feels really strange. I don’t think that will ever change for me.”

Like only the most insightful songwriters, Austin Plaine draws intense emotion from the subtlest moments. On his sophomore album Stratford, the Minnesota-bred, Nashville based musician shapes his lyrical storytelling with both precision and pure feeling, capturing every nuance of lost love and longing and fractured innocence. And while Stratford is steeped in a warm nostalgia, Plaine instills each song with a quiet optimism that speaks to bravely moving forward, even in troubled times.

Produced by Jay Foote and mixed by Steve Vealey (M. Ward, Phoenix, Hurray for the Riff Raff) at the legendary Electric Lady Studios, Stratford arrives as the follow-up to Plaine’s self-titled debut—a 2015 release that earned comparisons to Bob Dylan and Conor Oberst from Baeble Music. In a departure from that more stripped-down effort, Plaine assembled a full-fledged band who recorded in an apartment in Brooklyn, infusing Stratford with a homegrown feel and loose yet kinetic energy.

Taking its title from the Flatbush street where the album came to life, Stratford offers a classically arranged take on folk-rock that illuminates the intimacy of Plaine’s vocal work and the graceful candor of his lyrics. From track to track, the 27-year-old singer/guitarist reveals a refined sense of songcraft that he partly credits to moving to Nashville from his hometown of Minneapolis in early 2017. “Being part of a whole community of songwriters, you realize there’s a lot of different directions you can take a song,” he says. “It’s really opened me up as a writer, and it’s also helped me to hone in on every word of every line that I write.”

With its abundance of indelible images—night trains and the Northern Lights, backyard camping and drive-in romance—Stratford also bears a richness of detail that hints at the literary and cinematic influence behind Plaine’s songwriting. “People tend to think my songs are personal because I sing in the first person, but often it’s very observational for me,” says Plaine, who names Alexandre Dumas and Henry Miller among his inspirations. “I’m learning to understand new philosophies of life, love, and death”, attributing his passion for reading has helped him attain a better sense of his surroundings.

Proving the emotional depth of Plaine’s artistry, Stratford opens with the wistful reminiscence of “Something More” (a steel-guitar-laced track “like a movie I’ve seen before / way back when / we were something more” sings Plaine in the chorus), then slips into the bittersweet, burned-but-not-broken ache of “What Kind of Fool” (a rollicking, country-tinged number co-written with Sixpence None the Richer’s Leigh Nash and Stephen Wilson). Later, on “Lucky Ones”, Plaine presents a more hopeful portrait unconditional love, with singer/songwriter Soren Bryce lending her vocals to the chorus’s bright and beautiful harmonies.

While there’s no shortage of delicately rendered love songs on Stratford, Plaine also brings social commentary to tracks like “Rise Above It” (a soulfully understated anthem woven with intricate guitar lines, dreamy mellotron tones, and luminous organ melodies). And on “If Tomorrow Never Comes,” Stratford closes out with a powerful missive featuring the album’s most urgent vocal delivery (sample lyric: “I wake up every morning and I see the reddest sun/They’re shooting guns and sending bombs in a war that isn’t won/And through the lies I do disguise my heart inside my lungs/I live life today as if tomorrow never comes”). “That song is me showing my frustration with this modern world, and how we’re so consumed with social media that we tune out what’s happening right in front of us,” says Plaine. “We get so lost on the screens of our phones instead of seeing the world for what it is. I’m guilty. I love my iPhone”

Born in Fargo and raised in Minnesota, Plaine had his first foray into making music upon finding an old guitar of his grandfather’s in a family closet. By high school he’d started writing songs, tapping into the timeless sensibilities that still inform in his music today. “My first influences were anything my dad was playing in the pickup truck when I’d go out on rides with him,” he says. “He’d play Bruce Springsteen and Van Morrison and Neil Young, and that’s what I dug into. Then highschool came and Bright Eyes changed my life.” During his junior year at the University of Minnesota, Plaine began dedicating himself more fully to songwriting and playing guitar. After posting several of his songs online, he headed down to Nashville to record a few tracks with Jordan Schmidt (a producer/songwriter/engineer known for his work with Florida Georgia Line and Motion City Soundtrack). A major creative turning point for Plaine, his time in Nashville led to the making of his debut album and release of “Never Come Back Again”—a breakthrough single that’s now amassed over 10 million streams on Spotify.

Although Plaine notes that gaining more life experience in recent years has shifted his songwriting perspective, his music maintains an unaffected quality that’s deeply refreshing. “I try really hard not to force songs” he says. “But I am always songbanking and hopefully one finds the finish line”. As a result of that instinct-driven approach, Stratford emerges as an emotionally raw album that’s cathartic for both listener and artist. “It will always be therapy for me,” Plaine points out. “If I get through a whole day without singing or playing guitar, the day just feels really strange. I don’t think that will ever change for me.”

Tyrone Wells - The Lift Me Up Tour with Special Guest Dan Rodriguez

Tyrone Wells still sort of chuckles to himself when he thinks about the fact that making music is his “job." He has been at this “job" for well over a decade, and is just now beginning to shake off the discomfort and stress of the days when he had a real job (TJ Maxx - lead of the ladies department in Spokane, WA). As far as jobs go, Tyrone feels like he has won the lottery (in regards to his present “job”). He loves to create music. He loves to perform. He is a husband, and a father of 3 daughters. He has four sisters, so he feels right at home being completely outnumbered by the ladies in his present household (and also when he was the lead of the ladies dept at TJ Maxx). He believes that Jesus is for real. He’s writing this bio. He’s referring to himself in the third person. He knows that this bio has a ring of sarcasm, but he is dead serious. He feels extremely grateful. He jokes around, but he has worked very hard at making music his “job." He has spent countless hours writing, recording, playing live, and traveling to play live again. He has spent time away from his beloved family to make this thing a reality. He has never really experienced much radio success, so his fans have been gained the old fashioned way, by pouring his heart out on a stage, and by word of mouth. He feels certain that he will make music until his dying day, as it is not only gratifying for him to create, but also therapeutic and necessary. He can’t believe you’re still reading this… if you are still reading this, he wants to thank you for taking the time to do so, and for supporting what he does. He knows it would be impossible without you.

A couple stat lines that my managers think might impress you:
-Over 65 Million Spotify Streams
-55,000+ Albums sold Independently
-400,000+ Singles sold Independently
-Over 75 placements in film/tv including “American Idol,” “Grey’s Anatomy,” “Odd Life of Timothy Green,” “Something Borrowed,” “Vampire Diaries,” “One Tree Hill,” “Private Practice,” and more.
-Roll With It: #6 Billboard Heatseekers Albums Debut
-Where We Meet: #1 iTunes Singer Songwriter album and Top Ten iTunes overall
-This Love: #2 iTunes Singer Songwriter album
-Metal & Wood: #1 iTunes Singer Songwriter album
-Released two major label albums with Universal Republic Records

Tyrone Wells still sort of chuckles to himself when he thinks about the fact that making music is his “job." He has been at this “job" for well over a decade, and is just now beginning to shake off the discomfort and stress of the days when he had a real job (TJ Maxx - lead of the ladies department in Spokane, WA). As far as jobs go, Tyrone feels like he has won the lottery (in regards to his present “job”). He loves to create music. He loves to perform. He is a husband, and a father of 3 daughters. He has four sisters, so he feels right at home being completely outnumbered by the ladies in his present household (and also when he was the lead of the ladies dept at TJ Maxx). He believes that Jesus is for real. He’s writing this bio. He’s referring to himself in the third person. He knows that this bio has a ring of sarcasm, but he is dead serious. He feels extremely grateful. He jokes around, but he has worked very hard at making music his “job." He has spent countless hours writing, recording, playing live, and traveling to play live again. He has spent time away from his beloved family to make this thing a reality. He has never really experienced much radio success, so his fans have been gained the old fashioned way, by pouring his heart out on a stage, and by word of mouth. He feels certain that he will make music until his dying day, as it is not only gratifying for him to create, but also therapeutic and necessary. He can’t believe you’re still reading this… if you are still reading this, he wants to thank you for taking the time to do so, and for supporting what he does. He knows it would be impossible without you.

A couple stat lines that my managers think might impress you:
-Over 65 Million Spotify Streams
-55,000+ Albums sold Independently
-400,000+ Singles sold Independently
-Over 75 placements in film/tv including “American Idol,” “Grey’s Anatomy,” “Odd Life of Timothy Green,” “Something Borrowed,” “Vampire Diaries,” “One Tree Hill,” “Private Practice,” and more.
-Roll With It: #6 Billboard Heatseekers Albums Debut
-Where We Meet: #1 iTunes Singer Songwriter album and Top Ten iTunes overall
-This Love: #2 iTunes Singer Songwriter album
-Metal & Wood: #1 iTunes Singer Songwriter album
-Released two major label albums with Universal Republic Records

Upstate with Special Guest Benjamin Dakota Rogers

For Upstate, the last few years have been a time of profound exploration and self-discovery. As the band knocked off milestone after milestone on the road, their sound, their lineup, and even their name all underwent dramatic metamorphoses. Challenging and thrilling all at once, those changes have finally culminated in the band’s dazzling new self-titled album, a collection that showcases both their remarkable growth and their adventurous blend of folk, R&B, jazz, gospel, and rock and roll.

Recorded primarily over six days at the Clubhouse studio in Rhinebeck, NY, ‘Healing’ is the band’s first release with new member Allison Olender, their first with four contributing songwriters, and their first since shortening their name from Upstate Rubdown. It’s also their first project to be produced by Wood Brothers percussionist Jano Rix, who helped the group embrace their transformation and lean in to their unique lineup (three female vocalists, upright bass, guitar, and cajón, with mandolin and sax interchanged) without sacrificing any of the gorgeous harmonies, eclectic arrangements, and unforgettable performances that have defined the band since their earliest days.

Upstate first emerged from New York’s Hudson Valley in 2015 with their critically acclaimed debut, ‘A Remedy.’ The Poughkeepsie Journal raved that the group “need[s] nothing more than their voices to channel rhythm and stoke your emotions,” while Chronogram hailed their “infectiously sunny organic stew,” and The Alt called them “toe-tapping, contagious, and fun.” The album earned the band festival performances from Mountain Jam to FreshGrass, as well as a slew of national headline dates and support slots with everyone from The Felice Brothers and Phox to Marco Benevento and Cory Henry.

For Upstate, the last few years have been a time of profound exploration and self-discovery. As the band knocked off milestone after milestone on the road, their sound, their lineup, and even their name all underwent dramatic metamorphoses. Challenging and thrilling all at once, those changes have finally culminated in the band’s dazzling new self-titled album, a collection that showcases both their remarkable growth and their adventurous blend of folk, R&B, jazz, gospel, and rock and roll.

Recorded primarily over six days at the Clubhouse studio in Rhinebeck, NY, ‘Healing’ is the band’s first release with new member Allison Olender, their first with four contributing songwriters, and their first since shortening their name from Upstate Rubdown. It’s also their first project to be produced by Wood Brothers percussionist Jano Rix, who helped the group embrace their transformation and lean in to their unique lineup (three female vocalists, upright bass, guitar, and cajón, with mandolin and sax interchanged) without sacrificing any of the gorgeous harmonies, eclectic arrangements, and unforgettable performances that have defined the band since their earliest days.

Upstate first emerged from New York’s Hudson Valley in 2015 with their critically acclaimed debut, ‘A Remedy.’ The Poughkeepsie Journal raved that the group “need[s] nothing more than their voices to channel rhythm and stoke your emotions,” while Chronogram hailed their “infectiously sunny organic stew,” and The Alt called them “toe-tapping, contagious, and fun.” The album earned the band festival performances from Mountain Jam to FreshGrass, as well as a slew of national headline dates and support slots with everyone from The Felice Brothers and Phox to Marco Benevento and Cory Henry.

That 1 Guy

With an extensive and amazing track record of unique and imaginative performances featuringhis curious instrument and copious amounts of originality, Mike Silverman aka That1Guy has set himself apart as a true one-of-a-kind talent that rivals any other artist currently in the entertainment industry. Averaging 150-200 shows a year all over North America and Canada, he has been a consistent favorite at such festivals as: Wakarusa, Electric Forest, Big Day out, All Good, Bella, High Sierra, Summer Meltdown, Montreal Jazz Festival, and many more. He was also the ʻTap Water Awardʼ winner at the Edinburgh Fringe Festival for best musical act. His legendary collaboration and multiple tours with Buckethead as The Frankenstein Brothers has further cemented his virtuoso story as a creative visionary as well.
His innovation continues to soar with the announcement of another tour kicking off in January 2015. Along with his pioneering main instrument, The Magic Pipe, a monstrosity of metal, strings, and electronics, facilitates the dynamic live creation of music and magic in ways only That1Guy can conjure, expect to see magic as well now integrated into the already clever performance. With this addition of incorporating magic seamlessly into his live shows, he has legitimately achieved an all inclusive audio/visual performance unlike anything experienced before. “So much of my music has miraculous qualities to it because itʼs hard to tell whatʼs going on. There are lots of slights of hand and sonic misdirection. It feels like I was meant to do magic”.
Silvermanʼs backstory is very similar to many musicians that have come before him. He grew up a self proclaimed music geek, soaked in the influence of his jazz musician father, and enrolled in San Francisco Conservatory of Music before joining the local jazz scene himself as a sought-after percussive bassist. This is where the similarities end, though, and where That1Guy truly began. “In my case, being a bass player, I just felt very restricted by the instrument itself,” he says. “Iʼve always wanted to sound different and have my own sound. I was headed that way on the bass, but for me to fully realize what I was hearing in my head sonically I was going to have to do it my way”. His influential and innovative double bass style eventually evolved into what we see today as That1Guy and ʻThe Magic Pipeʼ.
As his story continues to develop, Billboard has famously noted, “In the case of Mike Silvermanʼs slamming, futuristic funk act… the normal rules of biology just donʼt apply.”

With an extensive and amazing track record of unique and imaginative performances featuringhis curious instrument and copious amounts of originality, Mike Silverman aka That1Guy has set himself apart as a true one-of-a-kind talent that rivals any other artist currently in the entertainment industry. Averaging 150-200 shows a year all over North America and Canada, he has been a consistent favorite at such festivals as: Wakarusa, Electric Forest, Big Day out, All Good, Bella, High Sierra, Summer Meltdown, Montreal Jazz Festival, and many more. He was also the ʻTap Water Awardʼ winner at the Edinburgh Fringe Festival for best musical act. His legendary collaboration and multiple tours with Buckethead as The Frankenstein Brothers has further cemented his virtuoso story as a creative visionary as well.
His innovation continues to soar with the announcement of another tour kicking off in January 2015. Along with his pioneering main instrument, The Magic Pipe, a monstrosity of metal, strings, and electronics, facilitates the dynamic live creation of music and magic in ways only That1Guy can conjure, expect to see magic as well now integrated into the already clever performance. With this addition of incorporating magic seamlessly into his live shows, he has legitimately achieved an all inclusive audio/visual performance unlike anything experienced before. “So much of my music has miraculous qualities to it because itʼs hard to tell whatʼs going on. There are lots of slights of hand and sonic misdirection. It feels like I was meant to do magic”.
Silvermanʼs backstory is very similar to many musicians that have come before him. He grew up a self proclaimed music geek, soaked in the influence of his jazz musician father, and enrolled in San Francisco Conservatory of Music before joining the local jazz scene himself as a sought-after percussive bassist. This is where the similarities end, though, and where That1Guy truly began. “In my case, being a bass player, I just felt very restricted by the instrument itself,” he says. “Iʼve always wanted to sound different and have my own sound. I was headed that way on the bass, but for me to fully realize what I was hearing in my head sonically I was going to have to do it my way”. His influential and innovative double bass style eventually evolved into what we see today as That1Guy and ʻThe Magic Pipeʼ.
As his story continues to develop, Billboard has famously noted, “In the case of Mike Silvermanʼs slamming, futuristic funk act… the normal rules of biology just donʼt apply.”

(Early Show) Charlie Hunter & Lucy Woodward

An exhilarating blast of blues, soul and funk, Music!Music!Music! marks the recorded debut of the musical partnership between guitarist Charlie Hunter and vocalist Lucy Woodward.

The duo first performed together in January 2018, when Woodward — fresh off supporting her fourth solo album, 2016’s Til They Bang on the Door — joined forces with Hunter as a last minute fill-in on a tour he’d originally booked with Mexican singer-songwriter Silvana Estrada (whose visa application had been denied by the U.S. Department of Homeland Security). Bonded by their shared love of blues, Hunter and Woodward quickly constructed a setlist of favorite songs and hit the road. Within less than a week of playing shows together, they realized that they’d hit upon something very special, indeed.

Recorded in November 2018 at Stephen Lee Price’s studio in High Point, NC, with longtime Hunter collaborator Derrek Phillips on the drums, Music!Music!Music! features eleven radically reworked covers of songs by artists ranging from Blind Willie Johnson and Bessie Smith to Nina Simone and Terence Trent D’Arby. Soulful, spacious and deliciously in the pocket, Music!Music!Music! showcases the dazzling interplay between Hunter’s funky guitar and Woodward’s powerful voice, while also reflecting the spontaneity and good vibes of the duo’s live performances.

Hunter and Woodward will return to the road this spring to take Music!Music!Music! to the people. The tour for the album will stretch over much of 2019, with the duo going to Europe and Japan as well as all over North America.

An exhilarating blast of blues, soul and funk, Music!Music!Music! marks the recorded debut of the musical partnership between guitarist Charlie Hunter and vocalist Lucy Woodward.

The duo first performed together in January 2018, when Woodward — fresh off supporting her fourth solo album, 2016’s Til They Bang on the Door — joined forces with Hunter as a last minute fill-in on a tour he’d originally booked with Mexican singer-songwriter Silvana Estrada (whose visa application had been denied by the U.S. Department of Homeland Security). Bonded by their shared love of blues, Hunter and Woodward quickly constructed a setlist of favorite songs and hit the road. Within less than a week of playing shows together, they realized that they’d hit upon something very special, indeed.

Recorded in November 2018 at Stephen Lee Price’s studio in High Point, NC, with longtime Hunter collaborator Derrek Phillips on the drums, Music!Music!Music! features eleven radically reworked covers of songs by artists ranging from Blind Willie Johnson and Bessie Smith to Nina Simone and Terence Trent D’Arby. Soulful, spacious and deliciously in the pocket, Music!Music!Music! showcases the dazzling interplay between Hunter’s funky guitar and Woodward’s powerful voice, while also reflecting the spontaneity and good vibes of the duo’s live performances.

Hunter and Woodward will return to the road this spring to take Music!Music!Music! to the people. The tour for the album will stretch over much of 2019, with the duo going to Europe and Japan as well as all over North America.

City of the Sun with Special Guest Old Sea Brigade

The experiential music of City of the Sun is the sound you didn’t know you were missing. New York City’s powerhouse trio flip the perception of instrumental music, attracting a whole new generation to the genre.

Formed in 2011, City of the Sun features guitarists John Pita, Avi Snow, and percussionist Zach Para. The band’s sound has an array of influences including indie rock, American folk, flamenco, and blues; it’s been called worldly, cinematic, a mix between Rodrigo y Gabriela and Explosions in the Sky.

COS has since been established as significant players in the post-rock sphere. They’ve sold out New York’s top indie venues Brooklyn Steel, Irving Plaza, Bowery Ballroom and Gramercy Theater; toured with Peter Bjorn & John, G.Love, STS9, and Thievery Corporation; were featured emerging artists at Panorama NYC, Billboard’s Hot 100, Firefly, Bottle Rock Napa music festivals; and scored “The C Word” documentary soundtrack (directed by Meghan O’Hara and narrated by Morgan Freeman).

After completing two European tours including major sold-out shows in Athens, Greece, the band released UNTITLED EP. Lead track “Perfect Instance” has gained 18 million Spotify streams to date, contributing to over 70 million plays on the platform overall.

The experiential music of City of the Sun is the sound you didn’t know you were missing. New York City’s powerhouse trio flip the perception of instrumental music, attracting a whole new generation to the genre.

Formed in 2011, City of the Sun features guitarists John Pita, Avi Snow, and percussionist Zach Para. The band’s sound has an array of influences including indie rock, American folk, flamenco, and blues; it’s been called worldly, cinematic, a mix between Rodrigo y Gabriela and Explosions in the Sky.

COS has since been established as significant players in the post-rock sphere. They’ve sold out New York’s top indie venues Brooklyn Steel, Irving Plaza, Bowery Ballroom and Gramercy Theater; toured with Peter Bjorn & John, G.Love, STS9, and Thievery Corporation; were featured emerging artists at Panorama NYC, Billboard’s Hot 100, Firefly, Bottle Rock Napa music festivals; and scored “The C Word” documentary soundtrack (directed by Meghan O’Hara and narrated by Morgan Freeman).

After completing two European tours including major sold-out shows in Athens, Greece, the band released UNTITLED EP. Lead track “Perfect Instance” has gained 18 million Spotify streams to date, contributing to over 70 million plays on the platform overall.

Bill Toms and Hard Rain (featuring The Soulville Horns) with Special Guest Danny Gochnour

Bill Toms
“Bill Toms is a poet, a soul-shouter and guitar slinger with one foot in the gutter and an eye on the heavens above. And man, does he front a great rock n' soul band!” - Will Kimbrough/

While it’s hard to put a finger on any one sound that defines “American music,” the compositions of Bill Toms are as close a template as any. The Pittsburgh native, along with his band Hard Rain, delivers a sound that takes the greatest of America’s most beloved genres and melds them into a poetic representation of the best the country has to offer.

With his ninth full-length studio release, Good For My Soul (street date October 27), Toms channels a foot-stomping, wall-shaking blend of soul, blues, gospel, and rock vibes, all brought together with his lyrical specialty -- stories of everyday men and women doing their best to stay ahead while still managing to keep a dream or two in their heads.

Soaring horns, gritty licks, toe-tapping rhythms, and Toms’ own rough-hewn vocals will draw listeners in, as well as well-deserved comparisons to the greats such as Dr. John, Little Feat, Springsteen, Joe Tex, The Blasters, Otis Redding, and Rufus Thomas.

“The idea of a horn section behind my songs has been something I’ve thought about for a while,” explains Toms. “Albert King, and all the Stax artists come to mind when I think of what true rhythm and blues can do. I wanted a piece of that; creating dynamics, and drama within the song; and fostering the deep emotion that a great horn section can give. The words also needed this place-- in order to be fully interpreted as the representation of ‘my America,’ and the people who make up my small part of this world.”

Good For My Soul was recorded in February 2017 by Oscar-winning composer Rick Witkowski, who also co-produced the set with Will Kimbrough (Rodney Crowell, Todd Snider). Both artists have collaborated with Toms frequently on parts of his earlier catalog.

Toms launched his musical career in 1987 as lead guitarist of Pittsburgh’s legendary band Joe Grushecky and The Houserockers, During that period, he opened for and played with such legendary names as The Band, Bob Dylan, Bruce Springsteen, Little Feat, and Stevie Ray Vaughn. While playing guitar, co-writing, and adding backup vocals for the Houserockers, Toms and the band recorded six studio albums and one live concert album. In 1995, The Houserockers released American Babylon, which was recorded and produced by Springsteen himself.

As a solo artist, Toms has opened for the likes of Buddy Guy, Levon Helm, Marshall Crenshaw, The Kennedys, Steve Forbert, and Ellis Paul. He’s plotting a string of regional east coast dates to support Good For My Soul, as well as a full European tour in 2018.
For more information and tour dates, please visit www.billtoms.com

Publicity: Mike Farley/Michael J. Media Group/608-848-9707/ mike@michaeljmedia.com

DISCOGRAPHY

With Joe Grushecky and the Houserockers:
“Rock and Real” - Rounder Records, 1989
“Swimming with the Sharks” - Rounder Records, 1991
“End of the Century” - Razor and Tie, 1992
“American Babylon”- Razor and Tie, 1995
“Coming Home” - Big Star, 1997
“Down the Road Apiece, Live” - Schoolhouse Records, 1999
“True Companion” – Schoolhouse Records, 2003

With Bill Toms and Hard Rain:
“Paradise Avenue” - Schoolhouse Records, 1997
“My Own Eyes” - Moondog Records, 1999
“This Old World” - Moondog/Schoolhouse Records, 2001
“The West End Kid” – Moondog Records, 2005
“Spirits, Chaos, and a Troubadour Soul’ – AmeriSon Records, 2008
“Live at Moondogs: Another Moonlight Mystery” – AmeriSon Records, 2009
"Memphis" - Terraplane Records, 2011
"Deep In The Shadows" - Terraplane Records, 2015

"Good For My Soul" - Terraplane Records, 2017

Bill Toms Solo:
“One Lonesome Moment” - Out of the Rain Records, 2002

Bill Toms
“Bill Toms is a poet, a soul-shouter and guitar slinger with one foot in the gutter and an eye on the heavens above. And man, does he front a great rock n' soul band!” - Will Kimbrough/

While it’s hard to put a finger on any one sound that defines “American music,” the compositions of Bill Toms are as close a template as any. The Pittsburgh native, along with his band Hard Rain, delivers a sound that takes the greatest of America’s most beloved genres and melds them into a poetic representation of the best the country has to offer.

With his ninth full-length studio release, Good For My Soul (street date October 27), Toms channels a foot-stomping, wall-shaking blend of soul, blues, gospel, and rock vibes, all brought together with his lyrical specialty -- stories of everyday men and women doing their best to stay ahead while still managing to keep a dream or two in their heads.

Soaring horns, gritty licks, toe-tapping rhythms, and Toms’ own rough-hewn vocals will draw listeners in, as well as well-deserved comparisons to the greats such as Dr. John, Little Feat, Springsteen, Joe Tex, The Blasters, Otis Redding, and Rufus Thomas.

“The idea of a horn section behind my songs has been something I’ve thought about for a while,” explains Toms. “Albert King, and all the Stax artists come to mind when I think of what true rhythm and blues can do. I wanted a piece of that; creating dynamics, and drama within the song; and fostering the deep emotion that a great horn section can give. The words also needed this place-- in order to be fully interpreted as the representation of ‘my America,’ and the people who make up my small part of this world.”

Good For My Soul was recorded in February 2017 by Oscar-winning composer Rick Witkowski, who also co-produced the set with Will Kimbrough (Rodney Crowell, Todd Snider). Both artists have collaborated with Toms frequently on parts of his earlier catalog.

Toms launched his musical career in 1987 as lead guitarist of Pittsburgh’s legendary band Joe Grushecky and The Houserockers, During that period, he opened for and played with such legendary names as The Band, Bob Dylan, Bruce Springsteen, Little Feat, and Stevie Ray Vaughn. While playing guitar, co-writing, and adding backup vocals for the Houserockers, Toms and the band recorded six studio albums and one live concert album. In 1995, The Houserockers released American Babylon, which was recorded and produced by Springsteen himself.

As a solo artist, Toms has opened for the likes of Buddy Guy, Levon Helm, Marshall Crenshaw, The Kennedys, Steve Forbert, and Ellis Paul. He’s plotting a string of regional east coast dates to support Good For My Soul, as well as a full European tour in 2018.
For more information and tour dates, please visit www.billtoms.com

Publicity: Mike Farley/Michael J. Media Group/608-848-9707/ mike@michaeljmedia.com

DISCOGRAPHY

With Joe Grushecky and the Houserockers:
“Rock and Real” - Rounder Records, 1989
“Swimming with the Sharks” - Rounder Records, 1991
“End of the Century” - Razor and Tie, 1992
“American Babylon”- Razor and Tie, 1995
“Coming Home” - Big Star, 1997
“Down the Road Apiece, Live” - Schoolhouse Records, 1999
“True Companion” – Schoolhouse Records, 2003

With Bill Toms and Hard Rain:
“Paradise Avenue” - Schoolhouse Records, 1997
“My Own Eyes” - Moondog Records, 1999
“This Old World” - Moondog/Schoolhouse Records, 2001
“The West End Kid” – Moondog Records, 2005
“Spirits, Chaos, and a Troubadour Soul’ – AmeriSon Records, 2008
“Live at Moondogs: Another Moonlight Mystery” – AmeriSon Records, 2009
"Memphis" - Terraplane Records, 2011
"Deep In The Shadows" - Terraplane Records, 2015

"Good For My Soul" - Terraplane Records, 2017

Bill Toms Solo:
“One Lonesome Moment” - Out of the Rain Records, 2002

(Early Show) Opus One Comedy Presents Pete Correale: For Pete's Sake

Pete Correale is a professional stand up comedian originally from New York. His comedy is reflective of his life and the experiences he’s been through. Being married for almost twenty years and having a young daughter, Pete’s never at a loss for material. With a conversational delivery and disarming regular New York guy attitude, Pete makes you feel like you’re listening to the funniest guy at a party as opposed to just another comedian on a stage; combined with top notch writing skills, this has led Pete to the top of the stand up profession.

Pete has performed numerous times on The Tonight Show, Letterman and Conan. As well as filming two of his own one-hour television comedy specials. The first special - The Things We Do For Love aired on Comedy Central and was voted by Time Out Magazine as the #2 Comedy special of 2008. His second one-hour special debuted on Showtime in 2016, this one titled Let Me Tell Ya. It was filmed at the famous Vic theatre in Chicago, and Pete once again delivered a stellar performance. Pete has also released two comedy albums, Give It A Rest in 2010, and his second album Made For Radio which was released in June 2018 and quickly rose to number one on the iTunes comedy charts.

Aside from stand up, Pete has used his comedic skills in various other platforms throughout his career. As a writer he’s been hired for several projects, most recently as part of the staff on the CBS sitcom Kevin Can Wait which he did for both seasons. He also made a few guest appearances the show playing Larry the Fish Guy.

Pete was also the co-host on a daily two-hour live comedy radio show on SiriusXM titled Unleashed. He did this show with comedian Jim Breuer for four years from 2008 to 2011. And In 2012 Pete began a podcast with comedian Sebastian Maniscalco titled simply enough The Pete and Sebastian Show. Starting off with a couple of microphones and an internet connection, Pete and Sebastian kept at it, and today the show airs every Friday afternoon on SiriusXM the Raw Dog channel before being released as a free podcast episode. Currently up to episode 353 and still going strong, the Pete and Sebastian Show is one of the most popular comedy podcasts on air today and the fans have been showing their support in full force most everywhere Pete headlines.


Pete Correale is a professional stand up comedian originally from New York. His comedy is reflective of his life and the experiences he’s been through. Being married for almost twenty years and having a young daughter, Pete’s never at a loss for material. With a conversational delivery and disarming regular New York guy attitude, Pete makes you feel like you’re listening to the funniest guy at a party as opposed to just another comedian on a stage; combined with top notch writing skills, this has led Pete to the top of the stand up profession.

Pete has performed numerous times on The Tonight Show, Letterman and Conan. As well as filming two of his own one-hour television comedy specials. The first special - The Things We Do For Love aired on Comedy Central and was voted by Time Out Magazine as the #2 Comedy special of 2008. His second one-hour special debuted on Showtime in 2016, this one titled Let Me Tell Ya. It was filmed at the famous Vic theatre in Chicago, and Pete once again delivered a stellar performance. Pete has also released two comedy albums, Give It A Rest in 2010, and his second album Made For Radio which was released in June 2018 and quickly rose to number one on the iTunes comedy charts.

Aside from stand up, Pete has used his comedic skills in various other platforms throughout his career. As a writer he’s been hired for several projects, most recently as part of the staff on the CBS sitcom Kevin Can Wait which he did for both seasons. He also made a few guest appearances the show playing Larry the Fish Guy.

Pete was also the co-host on a daily two-hour live comedy radio show on SiriusXM titled Unleashed. He did this show with comedian Jim Breuer for four years from 2008 to 2011. And In 2012 Pete began a podcast with comedian Sebastian Maniscalco titled simply enough The Pete and Sebastian Show. Starting off with a couple of microphones and an internet connection, Pete and Sebastian kept at it, and today the show airs every Friday afternoon on SiriusXM the Raw Dog channel before being released as a free podcast episode. Currently up to episode 353 and still going strong, the Pete and Sebastian Show is one of the most popular comedy podcasts on air today and the fans have been showing their support in full force most everywhere Pete headlines.


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