club cafe

pittsburgh, pa
David Bazan with Special Guest Michael Nau

During transition, there is the urge to look backwards to figure out where we are supposed to go. It can be nostalgic; the golden haze that surrounds our selective memory. Sweet moments that make up our individual narratives, or the stories we tell each other to reinforce our collective identity.
But that glance backwards can distract us from where we are now and what it really means; from the sea change, from the tide that sweeps what we know away and leaves us unencumbered, shivering, and beginning again.
Care is that tide. The one that sneaks up behind us and washes everything away. That strips us of our armor and stops us mid-sentence. That brings us back to where we are.
As much of a follow-up to 2005's synth-heavy "Headphones" album as it is to last year's Blanco, Care also finds Bazan getting back to the calm minimalism of early Pedro The Lion. Produced, recorded, and mixed by Bazan and legendary Oregon-based producer Richard Swift, bare synthesizers dominate the tracks, giving Care an intimate, personal sound. The vocals are close, mirroring the experience from the front seat at a house show. Steady, sparse beats tie the ten tracks together, thrumming a boom-tap, boom-tap like a thread.
Care creates vignettes with characters that are both diverse and intertwined. The title track is the anthem and mission statement for the album; a plea for empathy drawn as much from the state of the political world as the personal one. It reminds us that as we get older we can be more careless, that as we grow we can also retreat into ourselves and forget the simple truth that other people matter. It is a call to the simplest route to fidelity - to care more.
But the road to being present, the call to the task of being ultimately kind, is not easy. Care fights with itself, pulling tracks from Bazan Monthly Vol 1. Religious imagery haunts secular thoughts on "Permanent Record", while "Sparkling Water" mourns the quiet death of distance where there was once intimacy. Later, "Inner Lives" tiptoes past the temptation to settle for comfort instead of closeness.
"Keep Trying" is the clearest call to action. A track you'd be forgiven for reading as an interpersonal story, but would then miss the universal truth within it, the chorus repeats:
Sometimes love isn't all that it's cracked up to be
Keep trying
With humming synthesizers bolstered by Swift's signature warble and fade, "Keep Trying" reiterates the core of Care - that we're too easily distracted from what's real and lasting in favor of what is easy and accessible. That what we do to each other is what we do to the world. That some imperfect things are worth preserving.
As Bazan moves forward with a new chapter as a solo performer and a solo artist, this record is a ballast against what would be so easy to do - to isolate. It is a ringing commitment to see things for what they are and to protect what is left. To love better.
Even if it isn't what it's cracked up to be.

During transition, there is the urge to look backwards to figure out where we are supposed to go. It can be nostalgic; the golden haze that surrounds our selective memory. Sweet moments that make up our individual narratives, or the stories we tell each other to reinforce our collective identity.
But that glance backwards can distract us from where we are now and what it really means; from the sea change, from the tide that sweeps what we know away and leaves us unencumbered, shivering, and beginning again.
Care is that tide. The one that sneaks up behind us and washes everything away. That strips us of our armor and stops us mid-sentence. That brings us back to where we are.
As much of a follow-up to 2005's synth-heavy "Headphones" album as it is to last year's Blanco, Care also finds Bazan getting back to the calm minimalism of early Pedro The Lion. Produced, recorded, and mixed by Bazan and legendary Oregon-based producer Richard Swift, bare synthesizers dominate the tracks, giving Care an intimate, personal sound. The vocals are close, mirroring the experience from the front seat at a house show. Steady, sparse beats tie the ten tracks together, thrumming a boom-tap, boom-tap like a thread.
Care creates vignettes with characters that are both diverse and intertwined. The title track is the anthem and mission statement for the album; a plea for empathy drawn as much from the state of the political world as the personal one. It reminds us that as we get older we can be more careless, that as we grow we can also retreat into ourselves and forget the simple truth that other people matter. It is a call to the simplest route to fidelity - to care more.
But the road to being present, the call to the task of being ultimately kind, is not easy. Care fights with itself, pulling tracks from Bazan Monthly Vol 1. Religious imagery haunts secular thoughts on "Permanent Record", while "Sparkling Water" mourns the quiet death of distance where there was once intimacy. Later, "Inner Lives" tiptoes past the temptation to settle for comfort instead of closeness.
"Keep Trying" is the clearest call to action. A track you'd be forgiven for reading as an interpersonal story, but would then miss the universal truth within it, the chorus repeats:
Sometimes love isn't all that it's cracked up to be
Keep trying
With humming synthesizers bolstered by Swift's signature warble and fade, "Keep Trying" reiterates the core of Care - that we're too easily distracted from what's real and lasting in favor of what is easy and accessible. That what we do to each other is what we do to the world. That some imperfect things are worth preserving.
As Bazan moves forward with a new chapter as a solo performer and a solo artist, this record is a ballast against what would be so easy to do - to isolate. It is a ringing commitment to see things for what they are and to protect what is left. To love better.
Even if it isn't what it's cracked up to be.

Pigpen Theatre Co.

PigPen Theatre Co. began creating their unique brand of theatre, music, and film as freshmen at the Carnegie Mellon School of Drama in 2007. Their debut album, "Bremen", was named #10 album of the year in The Huffington Post's 2012 Grammy preview sending PigPen on tour playing to sold-out crowds across the country. American Songwriter premiered their follow-up EP, "The Way I'm Running", in 2013 while the band was playing a series of concerts that became one of the most popular residencies of the past decade at the legendary Schuba’s Tavern in Chicago. In 2015 PigPen released their sophomore album, "Whole Sun", performed at Mumford & Sons' return to the Gentlemen of the Road Festival, and made their feature film debut in Jonathan Demme's "Ricki and the Flash" starring Meryl Streep. They are currently writing their debut children's novel and performing Shakespeare's Pericles directed by Sir Trevor Nunn at Theatre For A New Audience in Brooklyn, NY.

PigPen Theatre Co. began creating their unique brand of theatre, music, and film as freshmen at the Carnegie Mellon School of Drama in 2007. Their debut album, "Bremen", was named #10 album of the year in The Huffington Post's 2012 Grammy preview sending PigPen on tour playing to sold-out crowds across the country. American Songwriter premiered their follow-up EP, "The Way I'm Running", in 2013 while the band was playing a series of concerts that became one of the most popular residencies of the past decade at the legendary Schuba’s Tavern in Chicago. In 2015 PigPen released their sophomore album, "Whole Sun", performed at Mumford & Sons' return to the Gentlemen of the Road Festival, and made their feature film debut in Jonathan Demme's "Ricki and the Flash" starring Meryl Streep. They are currently writing their debut children's novel and performing Shakespeare's Pericles directed by Sir Trevor Nunn at Theatre For A New Audience in Brooklyn, NY.

(Late Show) The Monday Blues Revue

The Monday Blues Revue is a Pittsburgh-based band that has been performing their high-energy, eclectic mix of classic and modern blues music in all its forms: Chicago Blues, Texas Blues, Jump Blues, Blues Rock, Rhythm and Blues, Soul, and Southern Rock, since 1997.

Their influences include Santana, Stevie Ray Vaughn, Bill Withers, The Allman Brothers, Jimi Hendrix, Muddy
Waters, and anybody that has created music based on America’s own unique musical form - the blues.


The band was formed by Chris Monday (drums, vocals) and his cousin, Tony Watson (guitar, vocals) with the hope of evangelizing the blues in Western Pennsylvania. Tom Altes (bass guitar, vocals) adds his unique musical background and tastes. Dave Baker (harmonica, keyboard, vocals) provides authentic, soulful harmonica and rich piano and Hammond B3 sounds. Chrissy Reynolds (congas, timbales, bongos, vocals) enhances the rhythmic texture with Latin influence. Jim Stamps (guitar, bass guitar, vocals) brings rich experience and versatility to the band.

The Monday Blues Revue is a Pittsburgh-based band that has been performing their high-energy, eclectic mix of classic and modern blues music in all its forms: Chicago Blues, Texas Blues, Jump Blues, Blues Rock, Rhythm and Blues, Soul, and Southern Rock, since 1997.

Their influences include Santana, Stevie Ray Vaughn, Bill Withers, The Allman Brothers, Jimi Hendrix, Muddy
Waters, and anybody that has created music based on America’s own unique musical form - the blues.


The band was formed by Chris Monday (drums, vocals) and his cousin, Tony Watson (guitar, vocals) with the hope of evangelizing the blues in Western Pennsylvania. Tom Altes (bass guitar, vocals) adds his unique musical background and tastes. Dave Baker (harmonica, keyboard, vocals) provides authentic, soulful harmonica and rich piano and Hammond B3 sounds. Chrissy Reynolds (congas, timbales, bongos, vocals) enhances the rhythmic texture with Latin influence. Jim Stamps (guitar, bass guitar, vocals) brings rich experience and versatility to the band.

Pigpen Theatre Co.

PigPen Theatre Co. began creating their unique brand of theatre, music, and film as freshmen at the Carnegie Mellon School of Drama in 2007. Their debut album, "Bremen", was named #10 album of the year in The Huffington Post's 2012 Grammy preview sending PigPen on tour playing to sold-out crowds across the country. American Songwriter premiered their follow-up EP, "The Way I'm Running", in 2013 while the band was playing a series of concerts that became one of the most popular residencies of the past decade at the legendary Schuba’s Tavern in Chicago. In 2015 PigPen released their sophomore album, "Whole Sun", performed at Mumford & Sons' return to the Gentlemen of the Road Festival, and made their feature film debut in Jonathan Demme's "Ricki and the Flash" starring Meryl Streep. They are currently writing their debut children's novel and performing Shakespeare's Pericles directed by Sir Trevor Nunn at Theatre For A New Audience in Brooklyn, NY.

PigPen Theatre Co. began creating their unique brand of theatre, music, and film as freshmen at the Carnegie Mellon School of Drama in 2007. Their debut album, "Bremen", was named #10 album of the year in The Huffington Post's 2012 Grammy preview sending PigPen on tour playing to sold-out crowds across the country. American Songwriter premiered their follow-up EP, "The Way I'm Running", in 2013 while the band was playing a series of concerts that became one of the most popular residencies of the past decade at the legendary Schuba’s Tavern in Chicago. In 2015 PigPen released their sophomore album, "Whole Sun", performed at Mumford & Sons' return to the Gentlemen of the Road Festival, and made their feature film debut in Jonathan Demme's "Ricki and the Flash" starring Meryl Streep. They are currently writing their debut children's novel and performing Shakespeare's Pericles directed by Sir Trevor Nunn at Theatre For A New Audience in Brooklyn, NY.

@clubcafelive

56-58 South 12th Street, Pittsburgh PA 15203 (In Pittsburgh’s Historic South Side)