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Slim Cessna's Auto Club with Special Guest The Armadillos

Seminal Gothic-Americana ensemble, Slim Cessna's Auto Club will be re-releasing their fourth album Cipher on June 2. This 2017 re-issue will be a double vinyl LP in a gatefold sleeve and marks the first release of the album on the Auto Club's label, SCACUNINCORPORATED. The band will be playing select MidWest dates this Summer.

Wallace Stenger may have captured the spirit of the west in his 1971 novel Angle of Repose. Jim Thompson surely exposed the lurid underbelly of the Western experience. Cormac McCarthy definitely evoked the conflicted, tortured spirit of small town life on the frontier. William Faulkner and Flannery O'Connor informed all of them with a humor and soulfulness. It is that literary tradition that imbues the harrowing and celebratory sound and riveting stories of
Slim Cessna's Auto Club. Throughout its long and illustrious history, it is largely in that realm of
art that the Auto Club reveled and garnered a loyal cult following well beyond the boundaries of
The Queen City of the Plains.

Originally released in 2008, Cipher is the most cohesive SCAC album but also the most mysterious. Cipher is a deliberate puzzle loaded with coded language. The idea that braces are used to straighten crooked humanity provides a structure, but this code rewards effort to unpack the many messages it contains; many more relevant now than ever. Compared to its predecessors, this set of songs sounds more hopeful and expansive, a quality that was always there but this time out the brighter sides of the songwriting were emphasized.

Slim Cessna's Auto Club was originally formed in 1992 in Denver, Colorado by its namesake after he parted ways with The Denver Gentlemen, that grand progenitor of the peculiar strain of Gothic Americana unique to the Mile High City that also featured Jeffrey-Paul and David Eugene Edwards who’d go on to form 16 Horsepower, the latter then founding Wovenhand.

Slim’s longest running collaborators in the Auto Club have been Munly Munly and Lord Dwight Pentacost who’ve contributed both material and affected the ensemble’s stylistic vision. More recently there’ve been greater creative contributions from longtime collaborator Rebecca Vera, drummer Andrew Warner and the inclusion of upright bass player Ian O'Dougherty.

Late last year, the band released a new album after a five-year hiatus The Commandments According to SCAC. The album encompassed both the heady darkness and celebratory intensity with which the group made its name. That charmingly dusky and spare sound breathed with a new color and delicacy of feeling that perhaps sat in the background in times past.

When you get to see the Auto Club live, you'll see an already mighty band reinvigorated by a new spirit of exitement as well as by the fire that has long burned in its collective belly.

Seminal Gothic-Americana ensemble, Slim Cessna's Auto Club will be re-releasing their fourth album Cipher on June 2. This 2017 re-issue will be a double vinyl LP in a gatefold sleeve and marks the first release of the album on the Auto Club's label, SCACUNINCORPORATED. The band will be playing select MidWest dates this Summer.

Wallace Stenger may have captured the spirit of the west in his 1971 novel Angle of Repose. Jim Thompson surely exposed the lurid underbelly of the Western experience. Cormac McCarthy definitely evoked the conflicted, tortured spirit of small town life on the frontier. William Faulkner and Flannery O'Connor informed all of them with a humor and soulfulness. It is that literary tradition that imbues the harrowing and celebratory sound and riveting stories of
Slim Cessna's Auto Club. Throughout its long and illustrious history, it is largely in that realm of
art that the Auto Club reveled and garnered a loyal cult following well beyond the boundaries of
The Queen City of the Plains.

Originally released in 2008, Cipher is the most cohesive SCAC album but also the most mysterious. Cipher is a deliberate puzzle loaded with coded language. The idea that braces are used to straighten crooked humanity provides a structure, but this code rewards effort to unpack the many messages it contains; many more relevant now than ever. Compared to its predecessors, this set of songs sounds more hopeful and expansive, a quality that was always there but this time out the brighter sides of the songwriting were emphasized.

Slim Cessna's Auto Club was originally formed in 1992 in Denver, Colorado by its namesake after he parted ways with The Denver Gentlemen, that grand progenitor of the peculiar strain of Gothic Americana unique to the Mile High City that also featured Jeffrey-Paul and David Eugene Edwards who’d go on to form 16 Horsepower, the latter then founding Wovenhand.

Slim’s longest running collaborators in the Auto Club have been Munly Munly and Lord Dwight Pentacost who’ve contributed both material and affected the ensemble’s stylistic vision. More recently there’ve been greater creative contributions from longtime collaborator Rebecca Vera, drummer Andrew Warner and the inclusion of upright bass player Ian O'Dougherty.

Late last year, the band released a new album after a five-year hiatus The Commandments According to SCAC. The album encompassed both the heady darkness and celebratory intensity with which the group made its name. That charmingly dusky and spare sound breathed with a new color and delicacy of feeling that perhaps sat in the background in times past.

When you get to see the Auto Club live, you'll see an already mighty band reinvigorated by a new spirit of exitement as well as by the fire that has long burned in its collective belly.

(Early Show) Steve Forbert

"Compromised" is Steve Forbert's newest and from the comparative essay of the disc’s title song,(complete with catchy chorus and signature harmonica solo), to the exasperated advice for "everyman" on the album closer, “Whatever, Man,” Steve Forbert leaves no stone unturned in his exploration of life, love, turmoil and survival.

After years with local bands, Steve Forbert left his hometown of Meridian, Mississippi in his early 20s and headed for the Big Apple in search of recording deals and larger audiences. He started out playing for change at Grand Central Station and hitting every open mic night he could before eventually moving into the club scene at infamous spots like New York City’s CBGB’s. At a time when rootsy rock was fading in favor of punk edged bands such as the Ramones, Talking Heads, and Blondie, Forbert’s folk pop “Romeo’s Tune” hit #11 on the charts and brought him into the international spotlight. Critics and the public embraced his melodic and lyrical styles, a more traditional sound among the post disco punk and rock of the late ’70s and early ’80s. Always following his own instincts, Forbert says, “I’ve never been interested in changing what I do to fit popular style and needs.”

And that’s the motto he has lived by since the release of his debut album, Alive on Arrival, in 1978. Rolling Stone contributing editor David Wild recently wrote that “now or then, you would have been hard pressed to find a debut effort that was simultaneously as fresh and accomplished as Alive on Arrival. It was like a great novel by a young author who somehow managed to split the difference between Mark Twain and J. D. Salinger.”

"Compromised" is Steve Forbert's newest and from the comparative essay of the disc’s title song,(complete with catchy chorus and signature harmonica solo), to the exasperated advice for "everyman" on the album closer, “Whatever, Man,” Steve Forbert leaves no stone unturned in his exploration of life, love, turmoil and survival.

After years with local bands, Steve Forbert left his hometown of Meridian, Mississippi in his early 20s and headed for the Big Apple in search of recording deals and larger audiences. He started out playing for change at Grand Central Station and hitting every open mic night he could before eventually moving into the club scene at infamous spots like New York City’s CBGB’s. At a time when rootsy rock was fading in favor of punk edged bands such as the Ramones, Talking Heads, and Blondie, Forbert’s folk pop “Romeo’s Tune” hit #11 on the charts and brought him into the international spotlight. Critics and the public embraced his melodic and lyrical styles, a more traditional sound among the post disco punk and rock of the late ’70s and early ’80s. Always following his own instincts, Forbert says, “I’ve never been interested in changing what I do to fit popular style and needs.”

And that’s the motto he has lived by since the release of his debut album, Alive on Arrival, in 1978. Rolling Stone contributing editor David Wild recently wrote that “now or then, you would have been hard pressed to find a debut effort that was simultaneously as fresh and accomplished as Alive on Arrival. It was like a great novel by a young author who somehow managed to split the difference between Mark Twain and J. D. Salinger.”

The Coronas - North American Tour

With five critically-acclaimed albums to their credit and almost a decade spent touring all over the world, The Coronas have earned their place as one of Ireland’s best loved and hardest working bands. The Coronas’ fifth and latest album, TRUST THE WIRE, debuted at #1 on the Irish music chart in its first week of release in the summer of 2017, becoming the band’s first album to reach the top spot. The Coronas--Danny O’Reilly (vocals, guitar), Graham Knox(bass), Conor Egan (drums) and Dave McPhillips (guitar)—previously released four studio albums: HEROES OR GHOSTS (2007), TONY WAS AN EX-CON (2009), CLOSER TO YOU (2011) and THE LONG WAY (2014), the first three via the independent Irish label 3ú Records and the fourth one on Island Records. Returning to the independent route, they released TRUST THE WIRE on their own label imprint, So Far So Good Records.The band, who met while in school and largely grew up together, began their career playing student clubs around Ireland, which they quickly outgrew. Most recently, they sold out Dublin’s Royal Hospital Kilmainham--capacity 15,000--where they played to their largest headline audience. This year they will headline Ireland’s largest indoor concert venue in addition to playing an array of Irish summer festivals, after which they will return to North America. Following two successful recent tours, this time they’ll play larger venues and several high-profile festivals including Chicago’s Lollapalooza.

With five critically-acclaimed albums to their credit and almost a decade spent touring all over the world, The Coronas have earned their place as one of Ireland’s best loved and hardest working bands. The Coronas’ fifth and latest album, TRUST THE WIRE, debuted at #1 on the Irish music chart in its first week of release in the summer of 2017, becoming the band’s first album to reach the top spot. The Coronas--Danny O’Reilly (vocals, guitar), Graham Knox(bass), Conor Egan (drums) and Dave McPhillips (guitar)—previously released four studio albums: HEROES OR GHOSTS (2007), TONY WAS AN EX-CON (2009), CLOSER TO YOU (2011) and THE LONG WAY (2014), the first three via the independent Irish label 3ú Records and the fourth one on Island Records. Returning to the independent route, they released TRUST THE WIRE on their own label imprint, So Far So Good Records.The band, who met while in school and largely grew up together, began their career playing student clubs around Ireland, which they quickly outgrew. Most recently, they sold out Dublin’s Royal Hospital Kilmainham--capacity 15,000--where they played to their largest headline audience. This year they will headline Ireland’s largest indoor concert venue in addition to playing an array of Irish summer festivals, after which they will return to North America. Following two successful recent tours, this time they’ll play larger venues and several high-profile festivals including Chicago’s Lollapalooza.

(Rescheduled from March 5) Aubrey Logan

Rescheduled from March 5

Aubrey Logan is known throughout the world as the Queen of Sass. She has performed on several national television shows including a stint on American Idol, an appearance on The Goldbergs, Jools Holland and with Pharrell Williams at the Grammy Awards. A recent guest on the Jimmy Kimmel Show, she's spent the last two years touring around the world with Postmodern Jukebox, where she's featured nightly in front of thousands of fans, have performed in over 150 shows from The Greek Theatre to Radio City Music Hall and has made appearances in over 30 European cities from London to Moscow. To top it all off, she's just completed taping a PBS special with Postmodern Jukebox.

Rescheduled from March 5

Aubrey Logan is known throughout the world as the Queen of Sass. She has performed on several national television shows including a stint on American Idol, an appearance on The Goldbergs, Jools Holland and with Pharrell Williams at the Grammy Awards. A recent guest on the Jimmy Kimmel Show, she's spent the last two years touring around the world with Postmodern Jukebox, where she's featured nightly in front of thousands of fans, have performed in over 150 shows from The Greek Theatre to Radio City Music Hall and has made appearances in over 30 European cities from London to Moscow. To top it all off, she's just completed taping a PBS special with Postmodern Jukebox.

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